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Lucio Battisti - Masters (2017) [FLAC] Artist: Lucio Battisti Album: Masters Year Of Release: 2017 Genre: Pop Quality: FLAC (tracks+.cue) Bitrate: Lossless Total Time: 04:44:38 (4 CD) Total Size: 1.73 GB TRACKLIST DODATKOWE INFO DOWNLOAD https://rapidu.net/0125500477/ https://katfile.com/x37nh29oryep https://lunaticfiles.com/lwyv11uzst7v http://turbobit.net/9jwsm8fyhaq0.html http://freshfile.pl/dl/39UG82NS5tDdVo7e/ https://fileshark.pl/pobierz/24982720/1a1da https://rg.to/file/b152583f880d14e173618911bc3276e0

Shakin' Stevens - The Epic Masters (10CD) (2009) Shakin' Stevens - The Epic Masters Genre: Rockn & Roll,Pop Year: 2009 Source: cd Audio codec: FLAC(tracks) Bitrate: lossless(Folder.auCDtect) Playtime: 10cd Cover: tak Size: 3,44 GB 1979 - Take One 1980 - This Ole House 1981 - Shaky 1982 - Give Me Your Heart Tonight 1983 - The Bop Wont Stop 1985 - Lipstick Powder And Paint 1987 - Lets Boogie 1988 - A Whole Lotta Shaky 1990 - There Are Two Kinds Of Music... Rock n Roll 2009 - The 12 CD Linki Przemienne catshare http://catshare.net/qQPcUDmL7qAJgYDh http://catshare.net/ykTiNLisw0XXF9Ov http://catshare.net/TPLgzspqjRmqTGvH fileshark https://fileshark.pl/pobierz/23057938/e213a https://fileshark.pl/pobierz/23057918/644d6 https://fileshark.pl/pobierz/23057770/e0402 lunaticfiles http://lunaticfiles.com/qzm8njlhzxl0 http://lunaticfiles.com/w8e2e422or5k http://lunaticfiles.com/53myravsjirh xshare https://xshare.eu/Box https://xshare.eu/Boz https://xshare.eu/11pB nowfile http://nowfile.net/file/5b2ffz http://nowfile.net/file/9sl1v9 http://nowfile.net/file/90drri kingfile http://kingfile.pl/download/Y4tv69Gz http://kingfile.pl/download/T5XVj3py http://kingfile.pl/download/TJvwoS8U fastshare http://fastshare.cz/0/shakin-stevens-the-epic-masters-10cd-2009-flac-.part1.rar http://fastshare.cz/0/shakin-stevens-the-epic-masters-10cd-2009-flac-.part2.rar http://fastshare.cz/0/shakin-stevens-the-epic-masters-10cd-2009-flac-.part3.rar

Gregorian - Live! Masters of Chant: Final Chapter Tour (2016) Gregorian - Live! Masters of Chant: Final Chapter Tour Genre: New Age,Enigmatic Year: 2016 Source: BDrip Playtime: 02:18:59 Video Kodek: MKV,AVC,MPEG-4 Audio Kodek: PCM Video: AVC,3500 Kbps,1280x720,29970 fps,x264,16:9 Audio: PCM,2 channels,48 kHz,1536 kb/s,16-bit Size: 4.89 GB 1. Masters of chant 2. Still haven't found what i'm looking for / only you 3. Stay 4. Join me 5. Lady in black 6. Meadows of heaven 7. Now we are free 8. Strong 9. Shout 10. Cry softly 11. Hurt 12. The raven 13. Kiss from a rose 14. Crying in the rain 15. Caruso 16. One 17. World without end 18. Born to feel alive 19. Hells bells 20. In my life / crazy, crazy nights / good night companions 21. Time to say goodbye 22. Gloria: gregorian version 23. Moment of peace 24. Hymn 25. Just for you 26. Sky & sand Linki Przemienne catshare http://catshare.net/tAM18LwqWt0u92wW http://catshare.net/u6r0dshurmCC7aEb http://catshare.net/8js3fC7gK8gs8yYf http://catshare.net/uYGRAbkmmQLE5Gwr http://catshare.net/wci3C7ZmUfjz0fFT fileshark http://fileshark.pl/pobierz/20442363/9aee7 http://fileshark.pl/pobierz/20442361/da92e http://fileshark.pl/pobierz/20442365/5e4ae https://fileshark.pl/pobierz/20442436/7b275 https://fileshark.pl/pobierz/20442392/7a99b lunaticfiles http://lunaticfiles.com/hedg2xx72eyq http://lunaticfiles.com/dh2bgw1aswsj http://lunaticfiles.com/bdr57o94xs5r http://lunaticfiles.com/2p09vkpb60k4 http://lunaticfiles.com/96shq6wr6lc2 pobierz https://pobierz.to/124d9d54a9c4e7e5/Gregorian_Live!.part1.rar https://pobierz.to/efa76b10f44d93e7/Gregorian_Live!.part2.rar https://pobierz.to/e42f83d2cce08318/Gregorian_Live!.part3.rar https://pobierz.to/6bd0d39dabe31c04/Gregorian_Live!.part4.rar https://pobierz.to/9820ec05795514d2/Gregorian_Live!.part5.rar

Korpiklaani - Live At Masters Of Rock (2017) Blu-Ray 1080p Screenshots: Setlist: Live At Masters Of Rock 2016 01. Intro (Tanhuvaara) 02. A Man With A Plan 03. Journey Man 04. Pilli on pajusta tehty 05. Er?¤maan ?¤rjyt 06. Lempo 07. Sahti 08. Ruumiinmultaa 09. Vaarinpolkka 10. Viima 11. Mets?¤mies 12. Kultanainen 13. Kipumylly 14. ?¤mm?¤nhauta 15. Rauta 16. Kyl?¤st?¤ kev?¤inen kehto 17. Wooden Pints 18. Vodka 19. Beer Beer Live At Masters Of Rock 2014 01. Intro (Tanhuvaara) 02. Tuonelan tuvilla 03. Ruumiinmultaa 04. Mets?¤mies 05. Kantaiso 06. Juodaan viinaa 07. Petoel?¤imen kuola 08. Sumussa h?¤m?¤r?¤n aamun 09. Vaarinpolkka 10. Kultanainen 11. Uniaika 12. Louhen yhdeks?¤s poika 13. Uni 14. Vodka 15. Ievan polkka 16. Rauta 17. Wooden Pints 18. Pellonpekko 19. Happy Little Boozer Info: Genre: Folk Metal Quality: Blu-Ray | 1080p Format: M2TS | 16.9Mbps Length: 01:11:23 + 01:09:52 | 22.15Gb Video: H.264 | 1920x1080 | 16:9 | 24.000fps Audio 1: LPCM | 4608kbps | 48kHz | 6 channels: Front: L C R, Surround: L R Audio 2: LPCM | 1536kbps | 48kHz | 2 channels: L R Language: English https://www.keeplinks.eu/p84/59b95d1b5d914 pass: galexandersHD Attention: Files are subject to expiration and can be automatically deleted if their not downloaded 30 days after the last download.

Korpiklaani - Live At Masters Of Rock (2017) BDRip 720p Screenshots: Setlist: Live At Masters Of Rock 2016 01. Intro (Tanhuvaara) 02. A Man With A Plan 03. Journey Man 04. Pilli on pajusta tehty 05. Er?¤maan ?¤rjyt 06. Lempo 07. Sahti 08. Ruumiinmultaa 09. Vaarinpolkka 10. Viima 11. Mets?¤mies 12. Kultanainen 13. Kipumylly 14. ?¤mm?¤nhauta 15. Rauta 16. Kyl?¤st?¤ kev?¤inen kehto 17. Wooden Pints 18. Vodka 19. Beer Beer Live At Masters Of Rock 2014 01. Intro (Tanhuvaara) 02. Tuonelan tuvilla 03. Ruumiinmultaa 04. Mets?¤mies 05. Kantaiso 06. Juodaan viinaa 07. Petoel?¤imen kuola 08. Sumussa h?¤m?¤r?¤n aamun 09. Vaarinpolkka 10. Kultanainen 11. Uniaika 12. Louhen yhdeks?¤s poika 13. Uni 14. Vodka 15. Ievan polkka 16. Rauta 17. Wooden Pints 18. Pellonpekko 19. Happy Little Boozer Info: Genre: Folk Metal Quality: BDRip | 720p Format: MKV | 5000kbps Length: 01:09:00 + 01:11:00 | 7.19Gb Video: H.264 | 1280x720 | 16:9 | 24.000fps Audio 1: PCM | 1536kbps | 48kHz | 2 channels: L R Audio 2: PCM | 1536kbps | 48kHz | 6 channels: Front: L C R, Surround: L R Language: English https://www.keeplinks.eu/p84/59b910fcc5b05 pass: galexandersHD Attention: Files are subject to expiration and can be automatically deleted if their not downloaded 30 days after the last download.

Korpiklaani - Live at Masters of Rock (2017) FLAC 5.1 Label: Nuclear Blast Country: Finland Genre: Folk Metal Quality: FLAC 5.1 (*tracks) Bitrate: Lossless Time: 01:11:23 Full Size: 1,16 GB When Jonne Jarvela first formed KORPIKLAANI, he always had a vision of perfectly combining the two music worlds he loved the most; heavy metal and folk music. His vision has finally been achieved and the results can be viewed on KORPIKLAANI's first ever DVD/Blu-ray release. Â?Live at Masters of RockÂ? illustrates why the band have achieved fame and success around the world, becoming the Folk Metal Superstars that they are today. Setlist: Live At Masters Of Rock 2016 01. Intro (Tanhuvaara) 02. A Man With A Plan 03. Journey Man 04. Pilli on pajusta tehty 05. Eramaan arjyt 06. Lempo 07. Sahti 08. Ruumiinmultaa 09. Vaarinpolkka 10. Viima 11. Metsamies 12. Kultanainen 13. Kipumylly 14. Ammanhauta 15. Rauta 16. Kylasta kevainen kehto 17. Wooden Pints 18. Vodka 19. Beer Beer Jonne Jarvela - vocals, guitars Matti "Matson" Johansson - drums Kalle "Cane" Savijarvi - guitars Jarkko Aaltonen - bass Tuomas Rounakari - violin Sami Perttula - accordion https://hotlink.cc/folder/a80ee716-989d-11e7-a445-0cc47a0e712c https://nitroflare.com/folder/10477/L02tvcnBpa2xhYW5pIC0gTGl2ZSBhdCBNYXN0ZXJzIG9mIFJvY2sgKDIwMTcpIA

VA - Masters of Rock 2016 (2016) [2 x DVD5] Label: Pragokoncert Country: Various Genre: Gothic Metal,Hard Rock,Heavy Metal,Folk Metal Quality: DVD5 Video: MPEG2 Video / 720x576 (16:9) / 25fps / 8 500 Kbps Audio: AC3 / 48kHz / stereo / 256kbps Time: 01:58:35 + 01:07:36 Full Size: 8.26 GB Setlist: DVD1: 01. AVANTASIA - Mystery Of A Blood Red Rose -5:00 02. AVANTASIA - Lost In Space - 4:24 03. TARJA - Demons In You - 5:44 04. TARJA - Sing for me - 3:54 05. ELUVEITIE - King - 5:23 06. ELUVEITIE - Kingdom ComeUndone - 5:18 07. KORPIKLAANI - A Man With A Plan - 3:00 08. KORPIKLAANI - Pilli On Pajusta Tehty - 2:44 09. KORPIKLAANI - Lempo - 5:39 10. AMARANTE - Drop Dead Cynical - 4:20 11. AMARANTE - Dynamite - 3:14 12. PRIMAL FEAR - The End is Near - 4:52 13. THE 69 EYES - Last Boys - 4:17 14. LUCA TURILIS RHAPSODY - Prometheus - 5:12 15. THE DEAD DAISIS - Make Some Noise - 3:49 16. WALTARI - Move - 4:27 17. KISSIN DYNAMITE - Hastag Your Life - 4:36 18. BRAINSTORM - We Are - 5:36 19. EVERGREY - Monday Morning Apocalypse - 3:47 20. THUNDERMOTHER - It s Just a Tease - 3:24 21. KADAVAR - Doomsday Machine - 4:36 22. ROTTING CHRIST - In Yumen / Xibalba - 6:38 23. CITRON - Kraska a radegast - 4:58 24. CITRON - Na kridlech andelu - 4:54 25. HORKYZE SLIZE - Mala Zuzu - 3:28 26. SKWOR - Kolikrat - 2:51 27. DOGA - Od soumraku do usvitu - 4:14 DVD:2 Bonus: - Interviews: Avantasia, Tarja, Apocalyptica, Eluveitie, Korpiklaani,Amaranthe, Primel Fear, Freedom Call, The Dead Daisies, Oomph!, Waltapi, Tublatanka https://hotlink.cc/folder/64eaf44f-6e19-11e7-a3cd-0cc47a0e712c http://nitroflare.com/view/F2401BFBF051212/Masters_of_Rock_2016.DVD.rar

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Artist: Fogalord Title: Masters of War Year Of Release: 2017 Label: Limb Music Genre: Symphonic Power Metal, Epic Metal Quality: MP3 320 kbps Total Time: 00:54:13 Total Size: 126 mb Tracklist: 01. Il racconto della tempesta 02. Rising Through the Mist of Time 03. Daughter of the Morning Light 04. Masters of War 05. By the Everspring Tree 06. The Storm of Steel 07. Absence of Light 08. When the Blizzard Awakes 09. In Everwinter Wait 10. The Gift of the White Lady 11. The Sword's Will http://rapidgator.net/file/9ec64ebcf59c88e259b7e2c7deaea5cc/War-WEB-2017.rar.html http://ssh.tf/jTPAYkcz6/War-WEB-2017.rar

Gregorian - Masters Of Chant:Final Chapter Tour (Limited Fan Edition) (2016) Gregorian - Masters Of Chant:Final Chapter Tour Genre: New Age, Enigmatic Year: 2016 Source: cd Audio codec: FLAC Bitrate: lossless(Folder.auCDtect) Playtime: 1 CD-00:59:34 2 CD-00:59:07 Cover: tak Size: 829 MB 1 CD 1. Masters Of Chant 3:24 2. Still Havent Found What Iâ??m Looking For - Only You 4:52 3. Stay 3:57 4. Join Me 4:20 5. Lady In Black 4:30 6. Meadows Of Heaven 5:20 7. Now We Are Free 3:28 8. Strong 3:29 9. Shout 6:16 10. Cry Softly 4:26 11. Hurt 5:51 12. The Raven 4:20 13. Kiss From A Rose 5:14 2 CD 1. Crying In The Rain 4:52 2. Caruso 3:16 3. One 4:58 4. World Without End 3:37 5. Born To Feel Alive 3:49 6. Hells Bells 5:15 7. In My Life - Crazy, Crazy Nights - Good Night Companions 4:21 8. Time To Say Goodbye 4:21 9. Gloria: Gregorian Version 5:23 10. Moment Of Peace 4:17 11. Hymn 5:19 12. Just For You 3:53 13. Sky & Sand 5:42 linki: https://rapidu.net/3920788469/ http://catshare.net/gJnzZzYhh1yjLmLU http://fileshark.pl/pobierz/18038952/0aa9a http://lunaticfiles.com/bjwv0f2vnf5x http://kingfile.pl/download/PdyfuX1z http://sharehost.eu/file/zZyd5aQZYsJxRxzXWAg2Zw== https://pobierz.to/1de68b0575ad714e/Gregorian_-_Masters_Of_Chant-Final_Chapter_Tour_(Limited_Fan_Edition)_(2016)_[FLAC].rar

TTC Video - Masters of Greek Thought: Plato, Socrates, and Aristotle Course No. 4460 | .AVI, XviD, 450 kbps, 640x480 | English, MP3, 128 kbps, 2 Ch | 36x30 mins | + PDF Guidebook | 4.56 GB Lecturer: Robert C. Bartlett, Ph.D. For more than two millennia, philosophers have grappled with life's most profound issues. It is easy to forget, however, that these "eternal" questions are not eternal at all; rather, they once had to be asked for the first time. It was the Athenian citizen and philosopher Socrates who first asked these questions in the 5th century B.C. "Socrates," notes award-winning Professor Robert C. Bartlett, "was responsible for a fundamentally new way of philosophizing": trying to understand the world by reason. Masters of Greek Thought: Plato, Socrates, and Aristotle, a 36-lecture course taught by Professor Bartlett, provides you with a detailed analysis of the golden age of Athenian philosophy and the philosophical consequences that occurred when Socrates-followed first by his student Plato and then by Plato's own student Aristotle-permanently altered our approach to the most important questions humanity can pose. What Was the "Socratic Turn"? The Socratic break with earlier philosophy was a shift in thought that led to some of the most important and intellectually exciting concepts in all of philosophy. Socrates' influence on a new generation of philosophers, most importantly, Plato and Aristotle, ensured that his ideas would change the face of philosophy. Prior to Socrates' new approach, philosophy was concerned primarily with the project of "natural philosophy": a prescientific study of nature and the physical world. Professor Bartlett begins the course with a discussion of how Socrates came to the "Socratic turn" that veered away from the study of natural science and toward the scrutiny of moral opinion. You recognize how crucial this turn was because it became the fulcrum around which a new era of philosophy turne. Never again could philosophers return to their ancient role of merely attempting to grasp the natural order of a world previously ascribed to the planning or whimsy of the gods. The new arguments that Socrates, Plato, and Aristotle posed were intended not for other philosophers but for anyone seeking to live a thoughtful and attentive life. Throughout the course, you come to see how their inquiries about the fundamental meanings and implications of ideas like justice, virtue, and happiness pushed their fellow citizens to ponder the roles such ideas played in their daily lives and in society. They even asked their peers to consider whether these and other questions were ones that anyone could hope to answer. See Socrates through Plato's Eyes Unfortunately, the thinker who forever altered the course of philosophy never actually wrote down his words. So how can we hope to know what Socrates, whom many believe to be the foundational thinker of Western philosophy, really believed? The answer, Professor Bartlett shows, lies in the fact that much of Socrates' philosophy is captured in the writings of his contemporaries and followers. As a means of leading you to a sharper picture of the real Socrates, the course introduces you to the writings of three key figures: Xenophon: the great thinker and military commander who wrote a series of Socratic sayings that survives to this day Aristophanes: whose comic play Clouds is both a send-up and a thoughtful critique of Socrates that is crucial to understanding his philosophical evolution Plato: a brilliant young man from a wealthy and politically active family who became Socrates' best student and whose works, written in the form of dialogues between two or more persons, feature Socrates as the protagonist Plato, in particular, is an essential source of information about Socrates. Over the course of a dozen lectures, you explore the wide variety of Plato's brilliant dialogues and how they reflect the core of Socrates' philosophy of morality and justice: Alcibiades I, which depicts Socrates' reasoning why the young Alcibiades needs him Symposium, in which seven partiers discuss the nature of love Republic, perhaps Plato's best-known work, which focuses on the definition and nature of justice Protagoras, in which Socrates and Protagoras argue whether virtue can be taught Gorgias, which depicts an argument over who is more important, the philosopher or the rhetorician Meno, which seeks to come to a general definition of virtue Professor Bartlett then turns the discussion to those Platonic dialogues that cover the well-known trial and execution of Socrates at the hands of the Athenian state. By examining Euthyphro, Apology of Socrates, and Crito as a whole, you develop a deeper understanding of the defense strategy Socrates chose, why he chose it, and how it ultimately failed him. You also review whether Plato's sympathetic defense of his teacher was successful in the long run. Aristotle's Philosophy of Human Affairs Throughout Masters of Greek Thought, Professor Bartlett guides you deep into nuanced philosophical discussions while keeping the thread of the arguments both clear and exhilarating. This becomes especially important when you focus on the third iconic philosopher this course covers: Aristotle. A student of Plato's famed Academy, Aristotle did more than anyone to establish a comprehensive system of philosophy in the West. His work encompassed the fields of morality, politics, aesthetics, logic, science, rhetoric, theology, metaphysics, and more. Scholars today believe that only about a third of his work survives. In keeping with the theme of the course, Professor Bartlett, who has translated selected works by Xenophon and Plato from the original Greek, focuses your attention on Aristotle's work on the philosophy of human affairs. You delve into two of the philosopher's major writings: Nicomachean Ethics, which is a stunning approach to questions of virtue and moral character Politics, which continues the ideas of individual and interpersonal ethics first developed in Nichomachean Ethics and discusses their logical extension into the governance of the city-state Learn from Socrates and His Heirs A distinguished teacher and translator and the re[beeep]ient of numerous teaching awards, including an award for excellence in teaching in the social sciences from Emory University's Center for Teaching and Curriculum, Professor Bartlett keeps his presentation of these three great thinkers not only clear but also accessible, unintimidating, and relevant to each of us today. The insights Masters of Greek Thought offers into the minds of these three foundational figures of Western philosophy and the care with which Professor Bartlett unpacks their words bring the ideas of Socrates, Plato, and Aristotle into sharp focus for you. More than 2,000 years later, you find their questions on the nature of justice, virtue, and happiness pushing you to ponder the roles such ideas play in your daily life and in the life of your society. Download link: http://rapidgator.net/file/37c9616a24128715042c8fb0e6a71c43/x1h8o.TTC.Video..Masters.of.Greek.Thought.Plato.Socrates.and.Aristotle.2017.part1.rar.html http://rapidgator.net/file/b928349b9c969b1a113e653586726d71/x1h8o.TTC.Video..Masters.of.Greek.Thought.Plato.Socrates.and.Aristotle.2017.part2.rar.html http://rapidgator.net/file/a4b89e7b0271fc56d3496617aced6860/x1h8o.TTC.Video..Masters.of.Greek.Thought.Plato.Socrates.and.Aristotle.2017.part3.rar.html http://nitroflare.com/view/655ED58E047E8F0/x1h8o.TTC.Video..Masters.of.Greek.Thought.Plato.Socrates.and.Aristotle.2017.part1.rar http://nitroflare.com/view/0C7A627A24AD608/x1h8o.TTC.Video..Masters.of.Greek.Thought.Plato.Socrates.and.Aristotle.2017.part2.rar http://nitroflare.com/view/F05E6E0254948E6/x1h8o.TTC.Video..Masters.of.Greek.Thought.Plato.Socrates.and.Aristotle.2017.part3.rar https://uploadgig.com/file/download/50930B914979fa56/x1h8o.TTC.Video..Masters.of.Greek.Thought.Plato.Socrates.and.Aristotle.2017.part1.rar https://uploadgig.com/file/download/d00Af66091445C6f/x1h8o.TTC.Video..Masters.of.Greek.Thought.Plato.Socrates.and.Aristotle.2017.part2.rar https://uploadgig.com/file/download/cB47adF593028c35/x1h8o.TTC.Video..Masters.of.Greek.Thought.Plato.Socrates.and.Aristotle.2017.part3.rar http://uploaded.net/file/4kvde72q/x1h8o.TTC.Video..Masters.of.Greek.Thought.Plato.Socrates.and.Aristotle.2017.part1.rar http://uploaded.net/file/ygjybdoy/x1h8o.TTC.Video..Masters.of.Greek.Thought.Plato.Socrates.and.Aristotle.2017.part2.rar http://uploaded.net/file/3ydvemjd/x1h8o.TTC.Video..Masters.of.Greek.Thought.Plato.Socrates.and.Aristotle.2017.part3.rar Links are Interchangeable - No Password - Single Extraction

TTC Video - Great Masters - Mahler - His Life and Music 8xWEBRip | English | AVI + PDF Guide | 640 x 480 | DX50 ~378 kbps | 23.976 fps MP3 | 128 kbps | 48.0 KHz | 2 channels | 06:03:47 | 1.4 GB Genre: eLearning Video / Biography, Music "I am thrice homeless, as a Bohemian in Austria, as an Austrian among Germans, as a Jew throughout the world-everywhere an intruder, never welcomed." Thus spoke Gustav Mahler (1860-1911), composer, conductor, symphonist. More than many other composers, Gustav Mahler's works are highly personal expressions of his inner world, a world characterized by an overwhelming alienation and loneliness. I am thrice homeless, as a Bohemian in Austria, as an Austrian among Germans, as a Jew throughout the world-everywhere an intruder, never welcomed." Thus spoke Gustav Mahler (1860-1911), composer, conductor, symphonist. More than many other composers, Gustav Mahler's works are highly personal expressions of his inner world, a world characterized by an overwhelming alienation and loneliness.Some of this feeling can be attributed to Mahler's Jewish heritage and his critics' response to it. Part of his isolation began in childhood, a reaction to a brutal father and the loss of eight siblings, including his beloved brother Ernst. The tensions created by the mix of Czech, Germanic, and Jewish cultures Mahler was raised in is one of the elements that makes his work so striking and powerful. Incredibly, Mahler was able to unite the diversity of his world and his often tortured emotional makeup into rich and original music. The First Generation of Expressionism This course offers a biographical and musical study of Mahler, who, along with being a composer, was the greatest opera conductor of his time. Mahler was a titan of post-Romantic musical history. His symphonies are vast musical repositories of his intellectual, emotional, and spiritual expression. His work constitutes the first generation of Expressionism, the early 20th-century art movement that celebrates inner reality as the only reality. Unlike other Expressionist composers, however, Mahler used the musical language of the 19th century to explore expressive themes very "20th century" in their nature. These lectures on Mahler bring to life this complex, anxiety-bound visionary, whose continual search for perfection and the answers to life's mysteries is profoundly reflected in his symphonies and songs. These lectures also include more than a dozen excerpts from Mahler's symphonies and other works. Passion Tempered by Artistic Control "I might suggest that we find Mahler's music so unbelievably moving today because of its angst. Its uncontrollable extroversion, optimism, and pessimism; its sheer power and often schizophrenic emotional progressions are even more relevant to us than to the music's original audience," states Professor Robert Greenberg. "Mahler's music is a mixture of brilliant, rich, irregularly changing harmonies; of extraordinary, often grotesque, juxtapositions of moods: tragedy, humor, farce, irony; constant, almost obsessive melodic activity; sudden, unexpected explosions of passion or rage that disappear as quickly as they come; strutting march music heard back-to-back with Viennese love music; and a pure, crystalline, overwhelming passion untempered by the 'civilizing' effect of artistic control and manipulation." Mahler's Inner Landscape As a child, Mahler built a fantasy world to retreat to as a defense against abuse and loneliness. This ability to retreat reveals itself in the highly personal inner landscapes of Mahler's music. From the time he was quite young, he was entranced by music and became devoted to the piano from about the age of five. From the beginning of his compositional career to its end, from Songs of a Wayfarer (1885) to The Song of the Earth (Das Lied von der Erde) (1909), Mahler's music is about himself, the lonely, isolated individual. He used his compositions as an outlet, a coping tool. Through his music, Mahler coped with some of the deepest issues of life: Romantic rejection (Songs of a Wayfarer, 1885) The struggle between hope and despair (Symphony no. 1, 1888) Questions raised by death and redemption (Symphony no. 2, 1894) Relationships between an individual and nature (Symphony no. 3, 1896) The death of children (Kindertotenlieder, 1904) Grief (Symphony no. 5, 1902). He Never Heard His Masterpiece Performed In later life, the death of Mahler's elder daughter, Maria, in 1907-along with his resignation from the Royal Viennese Opera and the diagnosis of heart disease-was the beginning of the end for him. Maria, Mahler's favorite, lingered for two weeks. The pain of her illness was almost unbearable for him. Apparently, Mahler never spoke to anyone about the death of his daughter. He even forbade his wife from wearing mourning clothes. However, in 1908, Mahler threw himself into composing Das Lied von der Erde as his only solace from the grief of his daughter's death. Das Lied von der Erde is a symphonic song cycle, consisting of six songs. Mahler arranged the songs to create a progressive drama about loss, grief, memory, disintegration, and, ultimately, transfiguration. Das Lied von der Erde tells-from an idealized past in which all things are possible, back to the deadened emotions of the present, and beyond-the bittersweet realization that although life is reborn endlessly, there is no rebirth for the individual. This song cycle doesn't really end. It expires. It hangs on a dissonance that never resolves. All pain is gone, all individuality is lost, and we are left with a feeling of awesome, profound acceptance and resignation to the inevitable. Das Lied von der Erde is considered one of Mahler's great masterpieces, but he did not live to hear it performed. It was premiered seven months after his death. Not a Composer of Operas, but a Brilliant Conductor of Them Although we know him for his compositions, Mahler first made a name for himself first as a conductor. He started out conducting operettas and worked his way up to conducting at the Royal Vienna Opera, the New York Metropolitan Opera, and the New York Philharmonic. His performances were almost magical for his audiences and he ultimately achieved critical acclaim as one of the greatest conductors in musical history. His conducting career was nevertheless marked by difficulties. He tyrannized the performers and fought with theater management. The anti-Semitic press-particularly in Vienna-continued to attack him with ferocity. And, Mahler, the greatest opera conductor of his time-perhaps the greatest of all time-wrote no operas. "His symphonies are his operas," says Professor Greenberg. "They are his all-inclusive art works; his universal statements about life, death, love, redemption, religion, God, nature, resignation, and the human condition in all its glory and folly." Experience Music that Defines Its Creator "As you follow these lectures, you'll find yourself using not only the facts you learn but your own powers of imagination, intuition, and instinct to uncover this music's inner workings," says Professor Greenberg. "You will find Mahler's symphonies are unique. No other body of work, by any composer, traverses such expressive range, so brilliantly combines absolute orchestral/symphonic music with vocal music, so clearly and profoundly define their creator, and are so honestly and deeply felt." Works you'll hear in the lectures are excerpted from: Das klagende Lied (1878) Symphony no. 1 (1888) St. Anthony of Padua Preaches to the Fishes, from Des Knaben Wunderhorn (1893) Symphony no. 2 (1894) Songs of a Wayfarer, no. 2: Ging heut` Morgen ??bers Feld (1884; orchestrated 1896) Symphony no. 3 (1896) Symphony no. 4 (1900) Symphony no. 5 (1902) Symphony no. 6 (1904) Symphony no. 7 (1905) Symphony no. 8 (1907) Das Lied von der Erde (1909) Symphony no. 9 (1910) Download link: http://rapidgator.net/file/7ca66fee43177849564268d933ce1740/6ryty.TTC.Video..Great.Masters..Mahler..His.Life.and.Music.rar.html http://nitroflare.com/view/45816E33E455BD7/6ryty.TTC.Video..Great.Masters..Mahler..His.Life.and.Music.rar https://uploadgig.com/file/download/792a3f9466Fd51Dd/6ryty.TTC.Video..Great.Masters..Mahler..His.Life.and.Music.rar http://uploaded.net/file/2dbsawly/6ryty.TTC.Video..Great.Masters..Mahler..His.Life.and.Music.rar Links are Interchangeable - No Password - Single Extraction

TTC Video - Great Masters - Brahms - His Life and Music 8xWEBRip | English | AVI + PDF Guide | 720 x 544 | XviD ~719 kbps | 29.970 fps MP3 | 160 kbps | 48.0 KHz | 2 channels | 06:07:51 | 2.34 GB Genre: eLearning Video / Biography, Music In both his life and his music, Johannes Brahms (1833-1897) was a man of contrasts. He composed serious Teutonic music and joyful dance music. He was miserly with himself and exceedingly generous with family and associates. He was kind to working people and known for his biting, malicious wit in artistic and aristocratic social circles. Not an easy man to know, Brahms destroyed a good deal of his own work and almost all of his lifetime's correspondence, in later years even collecting his letters from friends so that he could consign them to the flames. This course links the complexities of the man with the electrifying music of the composer through biographical information and musical commentary. An Independent Spirit Brahms had vowed early in life to be lonely but free. He never married, owned a home, held a job for more than a few years, or took on a commissioned piece. In art, he showed a similar independence of spirit. He believed in traditional musical genres and forms as challenges to expressive freedom, as healthy sources of stimulation for his awesome artistic powers. Unlike, for example, Beethoven, Brahms did not reinvent his art repeatedly in response to personal emotional crises, but rather found his essential compositional voice while in his mid-20s, and developed it in more of an evolutionary than a revolutionary fashion. Symphonies and Other Gems You discover that Brahms, with a perfectionist's fanatical zeal, wrote, rewrote, and ultimately destroyed more than 20 string quartets before publishing a pair of exceptionally exquisite pieces at the age of 40, breathing new life into the old bones of an exacting chamber music form. You explore why Brahms took 21 years to complete his first symphony-immediately hailed as "Beethoven's Tenth"-and then produced three more in less than a decade. You find that Brahms single-handedly started a second "golden symphonic age" by inspiring younger composers such as Mahler, Bruckner, Sibelius, Elgar, and Dvor??k. Brahms found unique ways of combining rigor and formal complexity of older Classical and even Baroque genres and forms (sonata, theme and variations, rondo) with melodic inventiveness, harmonic sophistication, and expressive richness prized in the Romantic Age. Brahms's Early Life: Barroom Pianist Brahms was born in the red-light district of Hamburg on May 7, 1833. He began taking music lessons at age 4 and by age 8 showed great potential as a pianist. His parents hired him out to play in the bars and brothels of Hamburg. As a teenager, Brahms grew into a solitary young man who spent time composing, giving lessons, and playing piano in respectable establishments. Brahms had grown to love and admire traditional German music and sound compositional technique, exemplified in the music of Bach, Mozart, and Beethoven. In his late teens, Brahms was exposed to Hungarian gypsy music and met a Hungarian refugee named Eduard Rimenyi. In 1853, Brahms and Rimenyi decided to go on tour and make contacts. Within seven months, Brahms met Joseph Joachim and Clara and Robert Schumann, all of whom would become close friends, and Brahms himself would be hailed as the future of German music. Brahms and the Schumanns Robert Schumann used his influence to have Brahms's first pieces published, including the Piano Sonata in C Major, the Piano Sonata in F-sharp Minor, and the E-flat Minor Scherzo, and Brahms returned to Hamburg to begin building his career. Robert's psychotic breakdown called Brahms back to the Schumann household in 1854. He stayed there to offer emotional support to Clara and began work on a violent, angst-filled piece that would eventually become his Piano Concerto no. 1 in D Minor. Brahms and Clara fell in love, but Brahms was unable to act on his feelings, even after Robert's death in the summer of 1856. Brahms as Wanderer For the next several years, Brahms took various appointments and traveled but refused to commit himself to a long-term professional position. His Piano Concerto in D Minor was premiered in Leipzig in 1859, with disastrous results. He finally stumbled into a position as a choral conductor and composer in Hamburg that would prove to be the key to his musical maturity. By 1860, Brahms had achieved his mature compositional style. We see this combination in his Piano Quartet in G Minor from 1861. His mother died in 1864, leaving Brahms grief stricken but moved to compose his longest and perhaps most personal work, A German Requiem. Brahms, the String Quartet, and his Symphonic Nerve The years 1865-1870 were compositionally productive for Brahms, but he was still terrified at the prospect of writing a symphony. He occupied himself almost exclusively with vocal music, writing, among many other works, the "Cradle Song," probably his most recognized piece, and the magnificent Requiem. In 1871, Brahms accepted the position of director of the Society of the Friends of Music in Vienna, where he was free to study and conduct the music he chose, including that of Handel, Bach, and Beethoven, along with Mendelssohn and Schumann. After seven years of concentrating on vocal music, Brahms again turned to orchestral composition, producing his Variations on a Theme by Joseph Haydn and the String Quartets in C Minor and A Minor. In 1875, Brahms resigned his directorship, freeing himself to complete his Symphony no. 1 in C Minor. Brahms's First Symphony is a brilliant example of his synthesis of Romantic melody, harmony, and spirit with Classical dis[beeep]line and formal structures. During this period, Brahms was rich and famous, comfortably ensconced in the artistic life of Vienna, and producing one genuine masterwork after another, including his Second Symphony, the Violin Concerto in D Major, and the monumental Piano Concerto no. 2 in B-flat Major. The Final Years As Brahms reached his 50s he was still producing prodigious amounts of music. His Third and Fourth Symphonies come from this period, along with songs, sonatas, a Trio in C Major, and the Double Concerto for Violin and 'Cello. When his lifelong friend Clara Schumann died in 1896, Brahms was devastated. His own health deteriorated, and he died of liver cancer in 1897. "His legacy to us is a lifetime of extraordinary craft and artistic beauty without an inferior piece in the collection," notes Professor Greenberg. Works you'll hear in the lectures are excerpted from: Concerto for Violin and Orchestra in D Major, op. 77 (1878) Piano Concerto no. 1 in D Minor, op. 15 (1859) A German Requiem, op. 45 (1865) Horn Trio in E-flat Major, op. 40 (1865) Songs, op. 49, Wiegenlied (Cradle Song) (1868) Symphony no. 1 in C Minor, op. 68 (1876) Symphony no. 2 in D Major, op. 73 (1877) Piano Concerto no. 2 in B-flat Major, op. 83 (1881) Symphony no. 3 in F Major, op. 90 (1883) Symphony no. 4 in E Minor, op. 98 (1885) Quintet for Strings in G Major, op. 111 (1890) Waltz, op. 39, no. 15 (1865) Quartet for Four Voices and Piano, Neckereien (Teasing), op. 31, no. 2 (1859) Serenade in D Major, op. 11 (1858) Variations on a Theme by Haydn, op. 56a (1873) String Quartet in C Minor, op. 51, no. 1 (1873) Download link: http://rapidgator.net/file/b534ada2dfe11d3be3ef65ca505e9fd4/8wo1n.TTC.Video..Great.Masters..Brahms..His.Life.and.Music.2017.part1.rar.html http://rapidgator.net/file/d720fa9cfedbc18ca5057933e6c44345/8wo1n.TTC.Video..Great.Masters..Brahms..His.Life.and.Music.2017.part2.rar.html http://nitroflare.com/view/26CE1E7CCE95A1B/8wo1n.TTC.Video..Great.Masters..Brahms..His.Life.and.Music.2017.part1.rar http://nitroflare.com/view/0D1079861E7BF39/8wo1n.TTC.Video..Great.Masters..Brahms..His.Life.and.Music.2017.part2.rar https://uploadgig.com/file/download/66C38516a54e7865/8wo1n.TTC.Video..Great.Masters..Brahms..His.Life.and.Music.2017.part1.rar https://uploadgig.com/file/download/38Af0699a845ef63/8wo1n.TTC.Video..Great.Masters..Brahms..His.Life.and.Music.2017.part2.rar http://uploaded.net/file/ted0bcoa/8wo1n.TTC.Video..Great.Masters..Brahms..His.Life.and.Music.2017.part1.rar http://uploaded.net/file/7xpkkdqq/8wo1n.TTC.Video..Great.Masters..Brahms..His.Life.and.Music.2017.part2.rar Links are Interchangeable - No Password - Single Extraction

Great Masters: Shostakovich-His Life and Music 8xWEBRip | English | AVI + PDF Guide | 640 x 480 | DX50 ~393 kbps | 29.970 fps MP3 | 128 kbps | 48.0 KHz | 2 channels | 06:15:25 | 1.41 GB Genre: eLearning Video / Biography, Music Discover the extraordinary life, times, and art of Dmitri Shostakovich (1906-1975), great musical master and flawed but faithful witness to the survival of the human spirit under totalitarianism. He is without a doubt one of the absolutely central composers of the 20th century. His symphonies and string quartets are mainstays of the repertoire. But Shostakovich is also a figure whose story raises challenging and exciting issues that go far beyond music: They touch on questions of conscience, of the moral role of the artist, of the plight of humanity in the face of total war and mass oppression, and of the inner life of history's bloodiest century. A Soviet Impression The Bolshevik Revolution took place when Dmitri Shostakovich was a boy of 11. His life and career from then on coincided with, and in a sense mirrored, the rise, tortured life, and eventual failure of the Soviet communist regime. The premise of Professor Robert Greenberg's approach to this giant among 20th-century composers is that nothing he said publicly about his music ("for official Soviet consumption") should be taken at face value. He lived the great bulk of his career under Stalin, and he knew what that meant. He had seen friends taken away in the purges, never to return. The crucial aspect on Shostakovich's career, argues Professor Greenberg, is defined by his posthumous book of reminiscences, Testimony: The Memoirs of Dmitri Shostakovich, a volume based on a series of extraordinarily frank private interviews that the composer gave to a young Soviet musicologist named Solomon Volkov. In them, Shostakovich makes clear that he was no hero or martyr-as a friend said, "He did not want to rot in a prison or a graveyard"-but also shows that at the same time he was never willing to become a docile instrument of the Soviet regime. Shostakovich speaks through his music, which bears messages from a buried life of his experiences during the terror of Stalin, the Nazi destruction of his country, postwar reconstruction, and the arms race. To decode these messages, you study a mix of biographical information intertwined with numerous musical excerpts from the composer's work. You learn to hear how, in work after work, often composed under circumstances of crushing difficulty and anxiety, Shostakovich used a brilliant arsenal of ironic juxtapositions (a piping piccolo theme in a symphony supposed to glorify Stalin, for instance), musical codes from such un-Soviet sources as American jazz or Jewish klezmer tunes, and other techniques to assert the integrity of his art in the face of totalitarian oppression, and to pay, as he said, "homage to the dead." Professor Greenberg provides careful, gripping accounts of the political circumstances amid which Shostakovich composed his masterworks-meaning above all his 15 symphonies and 15 string quartets. Shostakovich: Portrait of the Artist as Witness and Survivor The flood of declassified material that has come pouring out of old Soviet archives since 1991 is a rich resource for these lectures. The tale this material tells is harrowing, but it is one we cannot look away from, notes Professor Greenberg. Certainly, he says, we will never understand Shostakovich unless and until we come to grips with it, for only by knowing this awful history can we hope to grasp anything even approaching "the full and true meaning of the art that this frail, fearful, and outwardly timid but inwardly resolute genius has bequeathed to us, his fortunate posterity. "Unlike the other musical biographies that I have created for The Teaching Company, this one-Shostakovich's-will have more than its share of controversy," says Professor Greenberg. "There are two reasons for this. The first is simple enough: Having died fairly recently, and having composed major works almost to the end of his life, Shostakovich is a very 'fresh' figure. We are still coming to terms with his enormously influential compositional output-particularly his symphonies and string quartets, works which are so central to the contemporary repertoire. "The second reason for the controversy is far more complicated: Shostakovich was a Soviet artist, and the Soviet State used his music as a tool. Art and politics make strange and problematic bedfellows. But they are a coupling that we cannot possibly avoid if we are to talk about Dmitri Shostakovich and his music. These lectures, then, tell the story of a man and his art, a place and a political system, all of them truly indivisible from one another." Shostakovich knew Stalin personally and was singled out for criticism by him. Shostakovich was not just the single most important composer of string quartets and symphonies from the 1920s to the 1970s, he was a witness to the rise and failure of Soviet Communism, perhaps the defining event of the 20th century. Biography Presented in Detail Among what you learn about Shostakovich's life is: After the condemnation of his music by Stalin in 1936, Shostakovich never left home without soap and a toothbrush, so convinced was he that he would be arrested. He included a special set of notes representing a "musical signature" in many of his works. The Quintet for Piano and Strings in G Minor of 1940 comments on the official Soviet preference for upbeat, "accessible" music by sandwiching a movement that codes the bumptious theme associated with Russian circus clowns between movements that brilliantly pay tribute to J. S. Bach. Shostakovich loved Jewish music-especially klezmer because of the way it combines joy with despair. Defying Soviet anti-Semitism, he "coded" Jewish music in works such as 1944's Piano Trio in E Minor, wrote a song cycle called From Jewish Poetry (1948), and famously memorialized the plight of persecuted and murdered Jews in his Babi Yar Symphony of 1962. The brutal and vicious second-movement scherzo of the magnificent 10th Symphony was written that way because it was intended as a musical portrait of the recently deceased Josef Stalin. An Artist for Humanity When Dmitri Shostakovich died in Moscow on December 9, 1975, he was "hailed as a 'hero of the people,' " says Professor Greenberg. "But we know him as a survivor, a witness, and an artist who spoke for all of humanity." Works you'll hear in the lectures are excerpted from: Symphony no. 3 in E-flat Major, op. 20 (1929) Lady Macbeth of Mtsensk, op. 29, (1930-32) Symphony no. 5 in D Minor, op. 47 (1937) String Quartet no. 1 in C Major, op. 49 (1938) Quintet for Piano and Strings in G Minor, op. 57 (1940) Symphony no. 7 in C Major, op. 60, Leningrad (1941) Piano Trio in E Minor, op. 67 (1944) String Quartet no. 3 in F Major, op. 73 (1946) String Quartet no. 5 in B-flat Major, op. 92 (1952) Symphony no. 10 in E Minor, op. 93 (1953) String Quartet no. 7 in F-sharp Minor, op. 108 (1960) Symphony no. 13 in B-flat Minor, op. 113, Babi Yar (1962) String Quartet no. 10 in A-flat Major, op. 118 (1964) String Quartet no. 15 in E-flat Minor, op. 144 (1974) Download link: http://rapidgator.net/file/2a86e4e2fc12bb8e8eda78aaec806c00/23ha3.Great.Masters.ShostakovichHis.Life.and.Music.rar.html http://nitroflare.com/view/0E818740C76C832/23ha3.Great.Masters.ShostakovichHis.Life.and.Music.rar https://uploadgig.com/file/download/e935B89a4ac111EB/23ha3.Great.Masters.ShostakovichHis.Life.and.Music.rar http://uploaded.net/file/hjnfzoc5/23ha3.Great.Masters.ShostakovichHis.Life.and.Music.rar Links are Interchangeable - No Password - Single Extraction

Great Masters - Robert and Clara Schumann - Their Lives and Music 8xWEBRip | English | AVI + PDF Guide | 640 x 480 | XviD ~736 kbps | 29.970 fps MP3 | 125 kbps | 48.0 KHz | 2 channels | 06:14:33 | 2.29 GB Genre: eLearning Video / Biography, Music In this course by Professor Robert Greenberg you meet the Schumanns-brilliant, gifted, troubled, and unique in the history of music. Robert Schumann (1810-1856) and his wife Clara Wieck Schumann (1819-1896) have earned a distinct place in the annals of Western music. As a couple with a two-career marriage-he as a pioneering critic and composer, she as one of the leading concert pianists of Europe-they were highly exceptional in their own time though they seem very contemporary in ours. Great Critic, Great Composer-Coupled with a Great Pianist Robert Schumann is unique by virtue of being the only great composer who was also a great critic. His contributions to the Neue Zeitschrift f??r Musik (New Journal for Music), the periodical he founded in 1834, made him far better known originally as a writer than composer. It also gave him a platform from which he could champion the Romantic ideas that informed his own works and recognize the geniuses of his time, including Chopin, Mendelssohn, Brahms, and Franz Liszt. The Zeitschrift would go down in history as one of the most important musical periodicals of the 19th century. Robert was its leading voice for 10 years, until depression and ill health led him to sell it in 1844. When he returned to print again nine years later it was a memorable occasion, for he broke his long silence to hail the gifts of a brilliant but thus far unknown young composer from Hamburg, Johannes Brahms. This essay proved a mixed blessing for Brahms, but it clearly showed the quality of Robert's critical judgment. It came at the beginning of a close friendship between Brahms and the Schumann family. This friendship endured through the difficult years when Clara had to concertize continually to support her children after Robert's death-a story that Professor Greenberg details in his Great Masters lectures on the life and music of Brahms. Clara was one of the most famous pianists and acclaimed touring musicians in Europe at a time when women of her class were rarely encouraged to pursue careers outside the home. She was also a composer of no small talent, though her family commitments and touring schedule kept her from developing her compositional gifts as fully as she might have. The songs that she did compose with Robert's encouragement show great promise, however. During this lecture series you will hear two of Clara's songs and one of her piano works. An Extraordinary Marriage Clara was the only daughter of Friedrich Wieck, a tyrannical yet innovative piano teacher. His methods may have caused the crippling hand injury that ended Robert's own dreams of becoming a piano virtuoso and caused him to turn decisively toward writing and composing as his way of making an impact on the art of his time. Clara first met her future husband when he was 18 and she was only 9. The two fell in love when Robert was 25 and she was 16-five years after her public-performance debut on the stage of the Gewandhaus in her native Leipzig. After a dramatic, intrigue-filled courtship that included smuggled letters, secret meetings, and a lawsuit brought by Clara against her outraged father, the couple would marry when Robert was 30 and Clara was a day short of her 21st birthday. Their alliance would result in eight children and was a loving one, though not without its tensions. Clara had been raised to be a star on the concert stage, not a wife and mother, and Robert did not always find it comfortable to be the husband of a woman whose fame and earning power exceeded his own, or to endure the slights he sometimes received while making the concert rounds with her. And Clara was not only the main breadwinner of a growing family, but the wife of an emotionally unstable man who alternated between manic bouts of awesome creativity (he once wrote an entire symphony in four days) and terrifying fits of depression, exacerbating the worsening effects of the syphilis that would eventually kill him. Triumph amid Adversity Despite his illness and instability, Robert Schumann triumphed over adversity by leaving behind a magnificent legacy of compositions and insights into music that you will explore in these lectures. He began as a writer of exquisite, often literature-inspired works for piano or piano and voice such as Papillons (1831), Carnaval (1835), Arabesque (1839), and Frauenliebe und Leben (1840). He succeeded, with Clara's indispensable encouragement, in combining his taste for "program music" (instrumental works inspired by and intended to bring literature to life) with the strict compositional technique and abstract content required to write chamber and orchestral music-the kind of "stand-alone" works that critics call "absolute music." Thus Robert was able, in the wonderful "symphonic year" of 1841, to step out from beneath the long shadow cast by Beethoven's symphonies and make his own mark in this form with his First Symphony in B-flat Major, to be followed by three more by 1851. In the second half of 1842, Robert turned his energies to chamber music and produced three string quartets as well as a piano quartet and piano quintet, all of which remain among the most enduring works in the chamber repertoire. Music was, for the Romantic 19th century, truly the ultimate art form, and Robert Schumann, according to Professor Greenberg, represents its Romantic quintessence. "Of all the early Romantic composers, it is Robert Schumann even more than Hector Berlioz whose music stands as the quintessence of the Romantic ideal-an art that combines music and literary storytelling in pursuit of the fullest possible degree of expression. It tended to strike contemporaries-including, in this case, even Schumann's wife, Clara-with its originality, its personal character, and its willingness to test aesthetic limits." Works you'll hear in the lectures are excerpted from: Robert Schumann's Works: Papillons (Butterflies), op. 2 (1831) Carnaval, op. 9 (1835) Symphony no. 1 in B-flat Major (Spring), op. 38 (1841) Piano Quintet in E-flat, op. 44 (1842) Das Paradies und die Peri (Paradise and the Peri), oratorio (1843) Piano Concerto in A Minor, op. 54 (1845) Concert Piece for Four Horns and Orchestra, op. 86 (1849) Symphony no. 3 in E-flat Major, op. 97, Rhenish (1850) "An Anna" (1828) Symphony in G Minor, WoO 29, Zwickau (1832) Kreisleriana, op. 16 (1838) Arabesque, op. 18 (1839) Frauenliebe und Leben (Woman's Love and Life), op. 42 (1840) Symphony no. 2 in C Major, op. 61 (1846) Theme in E-flat Major (1854) Clara Schumann's Works: Walzer (1834) Soir??es Musicales, op. 6 (1836) Am Strand (Musing on the Roaring Ocean) (1840). Download link: http://rapidgator.net/file/8945a8696da3a57fc6ad6812599b6f74/5qbh6.Great.Masters..Robert.and.Clara.Schumann..Their.Lives.and.Music.2017.part1.rar.html http://rapidgator.net/file/55f7168a63bc3daa3a666260c3d89f23/5qbh6.Great.Masters..Robert.and.Clara.Schumann..Their.Lives.and.Music.2017.part2.rar.html http://nitroflare.com/view/6C8821ADF46D8A1/5qbh6.Great.Masters..Robert.and.Clara.Schumann..Their.Lives.and.Music.2017.part1.rar http://nitroflare.com/view/95D5D1BB2A7261D/5qbh6.Great.Masters..Robert.and.Clara.Schumann..Their.Lives.and.Music.2017.part2.rar https://uploadgig.com/file/download/35d544d10e2F9aFe/5qbh6.Great.Masters..Robert.and.Clara.Schumann..Their.Lives.and.Music.2017.part1.rar https://uploadgig.com/file/download/894D138F0f904a6A/5qbh6.Great.Masters..Robert.and.Clara.Schumann..Their.Lives.and.Music.2017.part2.rar http://uploaded.net/file/fjnxmlr9/5qbh6.Great.Masters..Robert.and.Clara.Schumann..Their.Lives.and.Music.2017.part1.rar http://uploaded.net/file/cxzm6bnj/5qbh6.Great.Masters..Robert.and.Clara.Schumann..Their.Lives.and.Music.2017.part2.rar Links are Interchangeable - No Password - Single Extraction

Great Masters - Beethoven - His Life and Music 8xWEBRip | English | AVI + PDF Guide | 512 x 384 | XviD ~872 kbps | 29.970 fps MP3 | 128 kbps | 48.0 KHz | 2 channels | 06:04:50 | 2.47 GB Genre: eLearning Video / Biography, Music Ludwig van Beethoven was one of the most prolific and inspiring forces in the history of music. With his brilliant compositions and his unique approach to the piano, he changed the face of western concert music forever. After Beethoven nothing could ever be the same again. This course by Professor Robert Greenberg is a biographical and musical study of Beethoven . It puts the great musician's life in a social, political, and cultural context. First and foremost, it is a biographical study, and includes excerpts from more than a dozen of Beethoven's works.You will learn about Beethoven's: Dysfunctional family life and relationships with his mother, father, paternal grandfather, and brothers Musical training, especially his unique approach to the piano Appearance and attitude Celebrity in music- and piano-crazed Vienna Compositional successes including symphonies, piano sonatas, and string quartets, among many others Hearing loss and the crisis of 1802 Delusions and his relationship with his nephew Karl. You learn about the core features of some of his greatest music, but without the detailed, technical analyses in the courses The Symphonies of Beethoven, or in the Concert Masterworks series, wherein Professor Greenberg discusses Beethoven's Emperor Concerto and Violin Concerto. Reinventing Musical Expression in the Western World Beethoven's appearance was somewhat off-putting. He was short with a thick body and an unusually large head, covered with his famous wild hair. Heinrich Friedrich Ludwig Rellstab, a journalist, music critic, and contemporary of Beethoven's, described his hair as "Not frizzy, not straight, but a mixture of everything." Beethoven was physically clumsy; he was liable to knock over or break anything he touched. He could not keep time when dancing and had problems cutting and shaping the quill pens he needed for writing. Beethoven exhibited a pathological hatred for authority, a persecution complex, and delusional behaviors. With his deafness, these problems forced him to look inward and reinvent himself. In doing so, he reinvented the nature of musical expression in the Western world. An Artist of Musical Transformations Beethoven experienced "rebirth" as an artist three times over the course of his life. Intense Composition He was born December 17, 1770, into a dysfunctional family with an abusive and alcoholic father and a depressed mother. His musical talent was recognized early, but his father attempted to beat him into becoming a child prodigy to rival Mozart. It was a futile attempt; there could only be one Mozart. By 1785, the young Beethoven was the family breadwinner and, in 1787, the primary caregiver for his younger brothers. In 1789, he sought and was granted some relief from these responsibilities from local authorities and experienced his first musical rebirth. It was for him a time of intense composition. He wrote five sets of piano variations, ballet music, concert arias, chamber works for piano and winds, and two cantatas for vocal soloists, chorus, and orchestra. Pianist and Hero When he moved to Vienna to study with Haydn in 1792, Beethoven "was living with a reputation as a virtuoso pianist in a city that was mad for pianists," says Professor Greenberg. "He outplayed virtually every other pianist in the city in competitions and became the darling of the Viennese aristocracy. During this same time, he took lessons with Haydn, although his dislike of authority figures made most music lessons a waste of time." These early years in Vienna were also significant for his compositional career. From 1792-1803, he produced, among many other works, the Opus 1 Trios for Piano, Violin, and 'Cello; the Opus 18 string quartets; and the Symphony no. 1 in C Major. Meanwhile, his popularity outside Vienna increased. In 1801, Beethoven's career and finances were flourishing, but he was in poor health. His hearing loss was becoming progressively worse, and he grew more and more depressed and anxious. His emotional crisis reached a peak in 1802-but served as the creative catharsis that brought about a second musical rebirth a year later, in a self-sufficient and heroic guise, struggling against his fate. He took as a model for this new self-image Napoleon Bonaparte, who at the time, represented a vision of individualism and empowerment. Beethoven's music reflects this vision in its insistence on expressing the heights and depths of the artist's emotions. His Symphony no. 3 in E-flat Major, op. 55, for example, was revolutionary in its proportions and dramatic expressive content. This first of the "Heroic Symphonies" changed the history of Western music. During this compositional period from 1803-1812,Beethoven produced masterworks: the Fourth, Fifth, and Sixth Symphonies; the Violin Concerto; the Choral Fantasy; the Fourth and Fifth Piano Concerti; the five middle string quartets; the Mass in C Major; and the opera Fidelio. But toward the end of this period, Beethoven experienced a short affair with the mysterious "Immortal Beloved," an episode that ultimately pre[beeep]itated his fall into despair and public ridicule. In his youth, Beethoven had been irrationally possessive and jealous of his brothers. So when his brother Carl died, Beethoven transferred these feelings to his nephew Karl and pursued four years of destructive litigation to gain guardianship of the boy. "Modern" Works and the Ninth Symphony In 1819, Beethoven used events, once again, as a catalyst for an artistic rebirth. In the last years of his life, he wrote many of his most profound, most "modern" works, including the six late string quartets, the Ninth Symphony, and the Missa Solemnis. Beethoven's Symphony no. 9 became the single most influential piece of music composed in the 19th century. The work breaks with time-honored conventions and distinctions to give precedence to the expressive needs and desires of the artist. During these years, Beethoven was consumed by his craft, but socially, he was still difficult with friends, family, and business associates. An "Impossible" Composer Beethoven died March 26, 1827. At the end of his life he had managed a reconciliation with his family and was given an affectionate tribute by the Viennese people. When Gioacchino Rossini met Beethoven in 1822, he was stunned by the squalor of his apartment and the sadness of the artist himself. As Frances Toye tells the story, "Later, Rossini tried to do something for Beethoven, himself heading a subscription list. To no purpose, however. The answer [the Viennese gave] was always the same: Beethoven is impossible.'" Works you'll hear in the lectures are excerpted from: Symphony no. 7 in A Major, op. 92 (1812) Missa Solemnis in D Major, op. 123 (1823) Symphony no. 8 in F Major, op. 93 (1812) Wellington's Victory, op. 91 (1813) Piano Sonata in B-flat Major, op. 106 (1818) Piano Sonata in C Major, op. 53 (1804) Symphony no. 3 in E-flat Major, op. 55 (1805) String Quartet no. 7 in F Major, op. 59, no. 1 (1806) String Quartet no. 9 in C Major, op. 59, no. 3 (1806) Symphony no. 6 in F Major, op. 68 (1808) Piano Concerto no. 4 in G Major, op. 58 (1806) Symphony no. 5 in C Minor, op. 67 (1808) Symphony no. 9 in D Minor, op. 125 (1824) Download link: http://rapidgator.net/file/f0a83720b8f336d982a08be64d070167/spv53.Great.Masters..Beethoven..His.Life.and.Music.2017.part1.rar.html http://rapidgator.net/file/9b6b02a32c85dd23e498c8582dad0d1a/spv53.Great.Masters..Beethoven..His.Life.and.Music.2017.part2.rar.html http://nitroflare.com/view/FC055449034FDA5/spv53.Great.Masters..Beethoven..His.Life.and.Music.2017.part1.rar http://nitroflare.com/view/98CF20F893DAA58/spv53.Great.Masters..Beethoven..His.Life.and.Music.2017.part2.rar https://uploadgig.com/file/download/859e2FeF8b46B419/spv53.Great.Masters..Beethoven..His.Life.and.Music.2017.part1.rar https://uploadgig.com/file/download/248ee2d97e5D80b9/spv53.Great.Masters..Beethoven..His.Life.and.Music.2017.part2.rar http://uploaded.net/file/936w71b5/spv53.Great.Masters..Beethoven..His.Life.and.Music.2017.part1.rar http://uploaded.net/file/7dor39h7/spv53.Great.Masters..Beethoven..His.Life.and.Music.2017.part2.rar Links are Interchangeable - No Password - Single Extraction

Artist: Various Artists Title: The Masters Series 80's Soul Vol.2 Year Of Release: 2009 Label: Sony Music Genre: Pop, RnB, Soul,Funk Quality: Mp3, 320 kbps (tracks) Total Time: 01:15:55 Total Size: 175 Mb / 551 Mb Tracklist : 01. Odyssey - Going Back to My Roots (05:26) 02. Earth, Wind & Fire - Let's Groove (05:32) 03. Aretha Franklin - Jump to It (Radio Mix) (04:14) 04. Evelyn - I'm In Love (03:49) 05. Luther Vandross - I Really Didn't Mean It (04:26) 06. Krystol - After the Dance Is Through (04:58) 07. Glenn Jones - Meet Me Halfway There (05:34) 08. The Main Ingredient - Evening of Love (feat. Cuba Gooding) (07:19) 09. Rose Royce - Still In Love (05:38) 10. Raydio - More Than One Way to Love a Woman (05:42) 11. Gary Bartz - Keep Going On (04:26) 12. Mtume - Prime Time (05:49) 13. Kashif - Help Yourself to My Love (Remastered) (04:40) 14. Phyllis Hyman - Don't Tell Me, Tell Her (Remastered) (04:16) 15. Bill Withers - Oh Yeah! (04:00) http://uploaded.net/file/sbhryjh7/dzvst.10317TheMastersSeries09flac.rar http://uploaded.net/file/uouptczr/dzvst.10317TheMastersSeries09mp3.rar http://rapidgator.net/file/e9d59d9435f03030c6b76d6ac4f068bf/dzvst.10317TheMastersSeries09flac.rar.html http://rapidgator.net/file/27b12050329098a1a632f58a904d54c0/dzvst.10317TheMastersSeries09mp3.rar.html http://www.filefactory.com/file/4x7femcyfi7z/dzvst.10317TheMastersSeries09flac.rar http://www.filefactory.com/file/7ifrmnv6lonj/dzvst.10317TheMastersSeries09mp3.rar

Artist: Various Artists Title: Classical Piano Music Masters - Forever Chopin, Vol. 1 Year Of Release: 2015 Label: Single Solar Music Genre: Classical, Piano, Easy Listening Quality: Mp3, 320 kbps (tracks) Total Time: 01:17:27 Total Size: 179 Mb / 338 Mb Tracklist : 01. Abbey Simon - Nocturne, Op. 9 No. 1 in B Flat Minor (06:11) 02. Lilian Kallir - Ballade, Op. 23 No. 1 in G Minor (08:51) 03. Philip Fowke - Waltz, Op. 69 No. 10 in B Minor (04:02) 04. Lilian Kallir - Mazurka, Op. 41 No. 1 in C Sharp Minor (03:27) 05. Moura Lympany - Polonaise (04:38) 06. Earl Wild - Peter Rugollo Orchestra - The Jazz Sessions (08:26) 07. Lilian Kallir - "Raindrop" Prelude, Op. 28 No. 15 in D Flat Major (04:38) 08. Moura Lympany - Mazurka, Op. 50 No. 3 in C Sharp Minor (04:17) 09. Abbey Simon - Etude, Op. 10 No. 4 in C Sharp Minor (02:06) 10. Lilian Kallir - Nocturne, Op. 27 No. 2 in D Flat Major (05:26) 11. Lilian Kallir - Prelude, Op. 28 No.21 in B Flat (01:56) 12. Royal Philharmonic Orchestra - Fantaisie, Op. 49 in F Minor (11:39) 13. Moura Lympany - Mazurka, Op. 17 No. 4 in A Minor (03:52) 14. Moura Lympany - Mazurka, Op. 7 No. 3 in F Minor (02:21) 15. Lilian Kallir - Impromptu, Op. 36 No. 2 in F Sharp Major (05:29) http://uploaded.net/file/u7pmsbo3/8oct7.10202ClasPiano15flac.rar http://uploaded.net/file/gv39fe79/8oct7.10202ClasPiano15mp3.rar http://rapidgator.net/file/00e2d05ce51ee0c356d0c9e943b3301c/8oct7.10202ClasPiano15mp3.rar.html http://rapidgator.net/file/03575ade14253b22a88a555fef84fa11/8oct7.10202ClasPiano15flac.rar.html http://www.filefactory.com/file/6ls2u1bhdhih/8oct7.10202ClasPiano15mp3.rar http://www.filefactory.com/file/4xkzejc84ewl/8oct7.10202ClasPiano15flac.rar

Artist: Patti Austin Title: End Of A Rainbow - The CTI Masters Year Of Release: 2013 Label: Soul Music.com Records [sMCR 5079] Genre: Vocal Jazz, R&B, Soul Quality: FLAC (tracks+.cue+.log) Mp3 Total Time: 01:13:36 Total Size: 783 MB 245 MB (Scans) Tracklist: 01. Say You Love Me 02. In My Life 03. You Don't Have To Say You're Sorry 04. More Today Than Yesterday 05. What's At The End Of A Rainbow 06. Give It Time 07. There Is No Time 08. This Side Of Heaven 09. Sweet Sadie The Savior 10. That's Enough For Me 11. I Just Want To Know 12. Havana Candy 13. I Need Somebody 14. We're In Love 15. Lost In The Stars 16. Body Language 17. Another Nail For My Heart 18. I Want You Tonight http://rapidgator.net/file/28e411ba1753cf69574a09e97e7db304/PAstnsharp013FfairC.part1.rar.html http://rapidgator.net/file/f63c09355deca1e68cc029833c687a35/PAstnsharp013FfairC.part2.rar.html http://ssh.tf/P21nnpcRL/PAstnsharp013FfairC.part1.rar http://ssh.tf/DhtXPNcRL/PAstnsharp013FfairC.part2.rar http://uploaded.net/file/f7ublvip/PAstnsharp013FfairC.part1.rar http://uploaded.net/file/r7lu9g58/PAstnsharp013FfairC.part2.rar http://rapidgator.net/file/68ad95a503b1af18a3a29f6fb3eba35d/PAstnsharp013.rar.html http://ssh.tf/5R7jZuURL/PAstnsharp013.rar http://uploaded.net/file/rp8pc4of/PAstnsharp013.rar