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Storm and Conquest: The Clash of Empires in the Eastern Seas, 1809 - [AUDIOBOOK] m4b | 331.4 MB | Author: Stephen Taylor, James Adams | Year: 2008 Description: Category:History, Military History, Navy & Naval History, General & Miscellaneous Naval History Download Link: https://fikper.com/NAW6CHfTQp/ https://rapidgator.net/file/2108c72d93733d827459ffea34a880c8/ https://nitroflare.com/view/A811426A9A64E11/

mobi | 8.73 MB | English| Isbn:978-0-553-89784-5 | Author: George R. R. Martin | Year: 2011 Description: Category:Science Fiction & Fantasy, Fiction, Fiction Subjects, Fantasy Fiction, Character Types - Fiction, Epic Fantasy, Historical Fantasy, Royalty - Fiction https://fikper.com/ig2pTgMoIn/ https://nitroflare.com/view/7BD9714AAA01AA6/ https://rapidgator.net/file/bc64982b658ea7a62b48beea6ad6ae44/ https://turbobit.net/d8vof47mpgp9.html

Free Download The Clash of the Cultures: Investment vs. Speculation (Audiobook) English | September 10, 2019 | ASIN: B07X2Z828Q | M4B@64 kbps | 13h 11m | 381 MB Author: John C. Bogle | Narrator: Al Kessel Over the course of his 60-year career in the mutual fund industry, Vanguard Group founder John C. Bogle has witnessed a massive shift in the culture of the financial sector. The prudent, value-adding culture of long-term investment has been crowded out by an aggressive, value-destroying culture of short-term speculation. Mr. Bogle has not been merely an eyewitness to these changes, but one of the financial sector's most active parti[beeep]nts. In The Clash of the Cultures, he urges a return to the common-sense principles of long-term investing. Provocative and refreshingly candid, this audiobook discusses Mr. Bogle's views on the changing culture in the mutual fund industry, how speculation has invaded our national retirement system, the failure of our institutional money managers to effectively parti[beeep]te in corporate governance, and the need for a federal standard of fiduciary duty. Mr. Bogle recounts the history of the index mutual fund, how he created it, and how exchange-traded index funds have altered its original concept of long-term investing. He also presents a first-hand history of Wellington Fund, a real-world case study on the success of investment and the failure of speculation. The book concludes with ten simple rules that will help investors meet their financial goals. Rapidgator https://rg.to/file/7a8b479b76184c013731b496dba38a78/o6lkz.rar.html Fikper Free Download https://fikper.com/Sb3NQonVU1/o6lkz.rar.html Links are Interchangeable - No Password - Single Extraction

Artist: Culture Title: Two Sevens Clash (40th Anniversary Edition) Year Of Release: 1977/2017 Label: VP Music Group, Inc Genre: Reggae, Roots/Lovers Rock Quality: MP3 CBR, 320 kbps Total Time: 1:25:52 Total Size: 196 MB One of the masterpieces of the roots era, no album better defines its time and place than Two Sevens Clash, which encompasses both the religious fervor of its day and the rich sounds of contemporary Jamaica. Avowed Rastafarians, Culture had formed in 1976, and cut two singles before beginning work on their debut album with producers the Mighty Two (aka Joe Gibbs and Errol Thompson). Their second single, "Two Sevens Clash," would title the album and provide its focal point. The song swept across the island like a wildfire, its power fed by the apocalyptic fever that held the island in its clutches throughout late 1976 and into 1977. (Rastafarians believed the apocalypse would begin when the two sevens clashed, with July 7, 1977, when the four sevens clashed, the most fearsome date of concern.) However, the song itself was fearless, celebrating the impending apocalypse, while simultaneously reminding listeners of a series of prophesies by Marcus Garvey and twinning them to the island's current state. For those of true faith, the end of the world did not spell doom, but release from the misery of life into the eternal and heavenly arms of Jah. Thus, Clash is filled with a sense of joy mixed with deep spirituality, and a belief that historical injustice was soon to be righted. The music, provided by the Revolutionaries, perfectly complements the lyrics' ultimate optimism, and is quite distinct from most dread albums of the period. Although definitely rootsy, Culture had a lighter sound than most of their contemporaries. Not for them the radical anger of Black Uhuru, the fire of Burning Spear (although Hill's singsong delivery was obviously influenced by Winston Rodney), nor even the hymnal devotion of the Abyssinians. In fact, Clash is one of the most eclectic albums of the day, a wondrous blend of styles and sounds. Often the vocal trio works in a totally different style from the band, as on "Calling Rasta Far I," where the close harmonies, dread-based but African-tinged, entwine around a straight reggae backing. Several of the songs are rocksteady-esque with a rootsy rhythm, most notably the infectious "See Them Come"; others are performed in a rockers style, with "I'm Alone in the Wilderness" an exquisite blend of guitar and vocal harmonies. One of the best tracks, "Get Ready to Ride the Lion to Zion," is a superb hybrid of roots, rocksteady, and burbling electro wizardry; its roaring lion (created who knows how) is a brilliant piece of musical theater. "Natty Dread Take Over" twines together roots rhythms, close harmonies, and big-band swing, while even funk and hints of calypso put in appearances elsewhere on the album. Inevitably, the roots genre was defined by its minor-key melodies, filled with a sense of melancholy, and emphasized by most groups' lyrics. But for a brief moment, roots possibilities were endless. Sadly, no other group followed Culture's lead, and even the trio itself did not take advantage of it, especially after parting ways with Gibbs. When Culture re-emerged in the mid-'80s, they swiftly moved into a reggae lite/world music mode a world apart from where they started. Thus, Clash remains forever in a class all its own. [shanachie issued a 30th anniversary edition of the album in 2007 that adds expanded liner notes and five extra tracks made up of dubs and 12" mixes.] Tracklist: 01. Culture - Calling Rasta for I 02. Culture - I'm Alone in the Wilderness 03. Culture - Pirate Days 04. Culture - Two Sevens Clash 05. Culture - I'm Not Ashamed 06. Culture - Get Ready to Ride the Lion to Zion 07. Culture - Black Starliner Must Come 08. Culture - Jah Pretty Face 09. Culture - See Them a Come 10. Culture - Natty Dread Taking Over 11. Culture - Two Sevens Clash Prophecy Revealed (feat. Mr. Bojangles) 12. The Mighty Two - Fulfillment 13. Culture - I'm Not Ashamed Under Tight Wraps (feat. I Roy) 14. The Mighty Two - I Am Not Ashamed (Version) 15. Culture - See Them a Come Mask Mi Mask (feat. Prince Weedy) 16. Culture - Informer 17. The Mighty Two - Informer (Version) 18. Joe Gibbs & The Professionals - State of Emergncy 19. Shorty the President - Natty Pass His GCE 20. Culture - Natty Dread Taking Over Invasion (feat. I-Roy) 21. Joe Gibbs & The Professionals - Natty Gone Clear http://rapidgator.net/file/b9bd157927504053cc70af66e23ebf83/2017_-_Two_Sevens_Clash_MP3.rar.html http://ssh.tf/KvCy1VBgY/2017_-_Two_Sevens_Clash_MP3.rar

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Artist: Ofer Israeli Title: Clash Year Of Release: 1989 Label: Jazzis Genre: Jazz, Fusion, Post Bop Quality: FLAC [16bit/44.1kHz] Total Time: 53:14 Total Size: 321 MB Tracklist: 1. Tzi-Tzi (4.25) 2. Nishitha (8.02) 3. 5.30 AM (7.29) 4. Blackbird Blues (5.00) 5. Garage Sale (6.29) 6. Lian (9.09) 7. Children's Song (5.50) 8. In A Sentimental Mood (6.54) All compositions by Ofer Israeli except 8 by Duke Ellington All arrangements by Ofer Israeli http://rapidgator.net/file/7258495070ffdcadacf19853b4360faf/Ofer_Israeli_-_Clash.rar.html http://ssh.tf/fuesLxSHL/Ofer_Israeli_-_Clash.rar http://uploaded.net/file/2vxvhvd5/Ofer_Israeli_-_Clash.rar

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