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Merivel: A Man of His Time - [AUDIOBOOK] m4b | 350.68 MB | Author: Rose Tremain | Year: 2013 Description: Category:Awards, Fiction, Historical Fiction, Historical Fiction - Biographical, Historical Fiction - Other, 2012 Wellcome Book Prize Shortlist, 2013 Walter Scott Prize Shortlist Download Link: https://fikper.com/vypIda45uW/ https://rapidgator.net/file/d8644879d3d4a7d22dce10cc222ff447/ https://nitroflare.com/view/6F3726B81073F41/

Alexander the Great: His Life and His Mysterious Death - [AUDIOBOOK] mp3 | 271.68 MB | Author: Anthony Everitt | Year: 2019 Description: Category:Biography, History, Historical Biography, Ancient History, Historical Biography - Ancient Era, Greece - Ancient History, Ancient Greek Biography, Macedonia - Ancient History Download Link: https://fikper.com/vYGj4589jR/ https://rapidgator.net/file/ffc7855d913d481708b425fef815e2ca/ https://nitroflare.com/view/56721D098F7ABA8/

epub | 9.18 MB | English| Isbn:9780369717245 | Author: Arlene James, Dana Corbit | Year: 2021 Description: Category:Fiction, Bibles & Christianity, Peoples & Cultures - Fiction, Christian Fiction & Literature, Christian Romance - Other Rapidgator links are free direct download only for my subscriber, other hosts are free download for free users https://fikper.com/cnP033Awn8/ https://rapidgator.net/file/3fd3d5a6d3cee556c73d94b0da9c4711/ https://turbobit.net/06idgousyis9.html

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epub | 10.24 MB | English| Isbn:9781460388068 | Author: Lisa Childs | Year: 2015 Description: https://fikper.com/FeWsyKpFZY/ https://fileaxa.com/oddb0kyjo96j https://rapidgator.net/file/945154752fc78d4cc31326166aac61a1/ https://turbobit.net/bbjoofl6twmb.html

epub | 11.79 MB | English| Isbn:9781646098316 | Author: Rinteku | Year: 2019 Description: Category:Graphic Novels & Comics - Manga, Manga, Manga - General & Miscellaneous, Yaoi Manga https://fikper.com/q8HEgcBfKa/ https://nitroflare.com/view/CDC0B7C270C047B/ https://rapidgator.net/file/82feb540bd24bae90d95dcc74cf682c1/ https://turbobit.net/mgttgb5opsfk.html

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epub | 7.84 MB | English| Isbn:9780369754820 | Author: Lorraine Hall | Year: 2024 Description: https://ddownload.com/6wc72gl1kqkr https://rapidgator.net/file/acf627e2a99b09f8482beae1292deb4f/ https://turbobit.net/pl6ymxtfld3s.html

epub | 7.77 MB | English| Isbn:9781922492142 | Author: Nicci Harris | Year: 2022 Description: https://ddownload.com/1bgmmqef4hgp https://rapidgator.net/file/dcffe17daa2355d0e2271380b93aa602/ https://turbobit.net/vqbyz3z96009.html

Free Download Tiger, Tiger: His Life, As It's Never Been Told Before (Audiobook) English | ASIN: B0C7HMJGW6 | 2024 | 13 hours and 37 minutes | M4B@64 kbps | 398 MB Author: James Patterson Narrator: Landon Woodson The impossible life of Tiger Woods-how did he become the G.O.A.T., what drove him to fall so spectacularly, and how has he made his way back to the pinnacle of golf? In Patterson's hands, Tiger's story is both a revelatory biography and a binge-worthy thriller. On April 13, 1986, ten-year-old Tiger Woods watches his idol, Jack Nicklaus, win his record sixth Masters. Just over a decade later, chants of "Ti-ger, Ti-ger!" ring out as the twenty-one-year-old wins his first Green Jacket. He blazes an incredible path, winning fourteen major titles (second only to Nicklaus himself) by the time he's thirty-three, smashing records and raising standards. Then come multiple public scandals and potentially career-ending injuries. The once-assured champion becomes an all-American underdog. "YouTube golfer" is how his two children know their father-winless since 2013-until he wins the 2019 Masters, his fifteenth major, before their eyes. But the story doesn't end there. Tiger, Tiger is the first full-scale Woods biography of the decade. In James Patterson's hands, this story is a hole-in-one thriller. Rapidgator https://rg.to/file/36a8a740cf481e763da7b2de2caa0ac1/hh964.rar.html Fikper Free Download https://fikper.com/1ap6aDV08j/hh964.rar.html Links are Interchangeable - No Password - Single Extraction

Free Download The Devil at His Elbow: Alex Murdaugh and the Fall of a Southern Dynasty (Audiobook) English | ASIN: B0CZM7WC6D | 2024 | 14 hours and 52 minutes | M4B@64 kbps | 432 MB Author: Valerie Bauerlein Narrator: Valerie Bauerlein, Maggi-Meg Reed Power, privilege, and blood-this is the definitive and thrilling true story of Alex Murdaugh's violent downfall, from a veteran Wall Street Journal reporter who has become an authority on the case. Alex Murdaugh was a benevolent dictator-the president of the South Carolina trial lawyers' association, a political boss, a part-time prosecutor, and a partner in his family's law firm. He was always ready with a favor, a drink, and an invitation to Moselle, his family's 1,700-acre hunting estate. The Murdaugh name ignited respect-and fear-for a hundred miles. When he murdered his wife, Maggie, and son Paul at Moselle on a dark summer night, the fragile façade of Alex's world could no longer hold. His forefathers had covered up a midnight suicide at a remote railroad crossing, a bootlegging ring run from a courthouse, and the attempted murder of a pregnant lover. Alex, too, almost walked away from his unspeakable crimes with his reputation intact, but his downfall was secured by a twist of fate, some stray mistakes, and a fateful decision by an old friend who'd finally seen enough. Why would a man who had everything kill his wife and grown son? To unwind the roots of Alex's ruin, award-winning journalist Valerie Bauerlein reported not just from the courthouse every day but also along the backroads and through the tidal marshes of South Carolina's Lowcountry. When the jurors made their pilgrimage to the crime scene, trying to envision Maggie and Paul's last moments, she walked right behind them, sensing the ghosts that haunt the Murdaughs' now-shattered legacy. Through masterful research and cinematic writing, The Devil at His Elbow is a transporting journey through Alex's life, the night of the murders, and the investigation that culminated in a trial that held tens of millions spellbound. With her stunning insights and fearless instinct for the truth, Bauerlein uncovers layers of the Murdaugh murder case that have not been told. Rapidgator https://rg.to/file/71475d9776b110ef9e75b34df5376d4f/fv30o.rar.html Fikper Free Download https://fikper.com/KuF7nQX9PH/fv30o.rar.html Links are Interchangeable - No Password - Single Extraction

epub | 9.1 MB | English| Isbn:9798990890503 | Author: Sylver Michaela | Year: 2024 Description: https://ddownload.com/s268vvj6q764 https://rapidgator.net/file/83cbbe659b8f6316b2a271727496579e/ https://nitroflare.com/view/77A959627A88347/

Paul Badura-Skoda - A Man and His Music (2004) [FLAC] Artist: Paul Badura-Skoda Album: A Man and His Music Year Of Release: 2004 Genre: Classical Quality: FLAC (image+.cue) Bitrate: Lossless Total Time: 08:23:05 (7 CD) Total Size: 1.63 GB TRACKLIST DODATKOWE INFO DOWNLOAD https://xshare.eu/2ADF https://rapidu.net/6522933349/ https://pobierz.to/d5b059b51308f31b http://catshare.net/tVSuDzNV1hC6sDTr http://lunaticfiles.com/axa477tl7nsv http://turbobit.net/bm6op9zcxrym.html https://fileshark.pl/pobierz/21161118/a06dc https://rg.to/file/48560ab3fbb78e50ba7c45f4d6cac697

Lionel Richie Live: His Greatest Hits and More (2007) Year: 2007 Genre: Pop DVD Info: File Size: 4,36 Gb TV System: NTSC Framerate: 30.00 Resolution: 720 x 480 Aspect ratio: 16:9 Audio: English (AC3 Dolby 5.1 chnls 448 Kbps) Albums: [hide_me] https://rapidu.net/3922513580/Lionel.Richie.Live.part2.rar https://rapidu.net/7222513518/Lionel.Richie.Live.part1.rar https://rapidu.net/6322513177/Lionel.Richie.Live.part3.rar https://pobierz.to/62b7dcffa15efdac/Lionel.Richie.Live.part2.rar https://pobierz.to/a701a80b3f2607fd/Lionel.Richie.Live.part3.rar https://pobierz.to/d5bb7bab9fb7baf0/Lionel.Richie.Live.part1.rar http://uploaded.net/file/g4hdc5u2/Lionel.Richie.Live.part2.rar http://uploaded.net/file/6cs8w2jz/Lionel.Richie.Live.part1.rar http://uploaded.net/file/x5op5p4s/Lionel.Richie.Live.part3.rar http://lunaticfiles.com/jojleketmg8n/Lionel.Richie.Live.part1.rar.html http://lunaticfiles.com/qimd3n08ibv3/Lionel.Richie.Live.part2.rar.html http://lunaticfiles.com/laamvxpnk61i/Lionel.Richie.Live.part3.rar.html http://fileshark.pl/pobierz/20555089/26b50/lionel-richie-live-part1-rar http://fileshark.pl/pobierz/20555086/ffb85/lionel-richie-live-part2-rar http://fileshark.pl/pobierz/20555073/a308d/lionel-richie-live-part3-rar [/hide_me]

Artist: Freddy Randall Title: His Great 16: 1951-1956 Year Of Release: 1986 Label: Dormouse [DM5] Genre: Jazz, Dixieland Quality: FLAC (*tracks) Total Time: 00:43:57 Total Size: 133 mb (+5%rec.) Tracks: A1 That's A Plenty A2 Tishomingo Blues A3 South A4 Tight Lines A5 Baby Won't You Please Come Home A6 I Ain't Gonna Give Nobody None Of This Jelly Roll A7 Dark Night Blues A8 Clarinet Marmalade B1 If I Could Be With You B2 Tishomingo Blues B3 Walkin' The Dog B4 Sunday B5 Professor Jazz B6 Muskrat Ramble B7 Ja Da B8 Ain't Misbehavin' http://rapidgator.net/file/a54a0be072fb1f66654f90a2f1e9fb70/Freddy_Randall_1986.rar.html http://ssh.tf/TywY74rXQ/Freddy_Randall_1986.rar

Artist: Tony Hatch & His Orchestra Title: Hits Symphonic Year Of Release: 1972 Label: Pye Records Genre: Instrumental, Easy Listening Quality: CBR 320 kbit/s Total Time: 41 min Total Size: 111MB Tracklist: A1.Storm in a teacup A2.Your song A3.The first time ever I saw your face A4.Without you A5.If we were free A6.Baby I'm a want you B1.Alone again (Naturally) 3:2 B2.If you could read my mind B3.Butterfly B4.Come what may (Apres toi) B5.Shadows of your mind B6.(Is this the way to) Amarillo Credits Engineer - Ray Prickett Leader [Orchestra Leader] - Pat Halling* Producer [Assistant] - Bob Leaper Producer, Arranged By, Sleeve Notes - Tony Hatch http://rapidgator.net/file/498cba11372a04bd7ad34a4d5d878b4d/IB573332THOHS72.rar.html http://ssh.tf/jglumnDfy/IB573332THOHS72.rar

Fancy - Flames Of Love - His Greatest Hits (2013) Fancy - Flames Of Love - His Greatest Hits Genre: Euro-Disco Year: 2013 Source: cd Audio codec: FLAC Bitrate: lossless(Folder.auCDtect) Playtime: 1 CD-01:17:45 2 CD-00:58:11 Cover: tak Size: 1,05 GB 1 CD 1. Bolero (Hold Me In Your Arms Again) 5:40 2. Slice Me Nice 5:25 3. Flames Of Love 5:22 4. Chinese Eyes 5:46 5. Get Lost Tonight 6:30 6. L. A. D. Y. O. 5:37 7. After Midnight 4:40 8. Lady Of Ice 4:55 9. China Blue 5:21 10. Latin Fire 5:52 11. Fools Cry 5:37 12. Bodyguard 6:26 13. No Tears 5:29 14. When Guardian Angels Cry 5:05 2 CD 1.Flames Of Love 3:38 2.Bolero 3:48 3.Fools Cry 5:39 4.Slice Me Nice 5:27 5.Chinese Eyes 2:32 6.Running Man 3:09 7.Lady Of Ice 3:00 8.A Voice In The Dark 4:02 9.Angel Eyes 3:47 10.Ways Of Love 4:26 11.No Tears 3:21 12.All My Loving 2:01 13.When Guardian Angels Cry 5:07 14.Long Way To Paradise 3:55 15.The Music Hitmakers Part 1 4:19 linki: https://rapidu.net/9220965666/ http://catshare.net/It4C96AZMkjIQ8oY https://fileshark.pl/pobierz/18344834/26fa6 http://lunaticfiles.com/jfsbdja174zo http://dailyfiles.net/53b66d658d506f2e http://kingfile.pl/download/rQ0smYo2 http://sharehost.eu/file/oOaUB-HV04a6XFU276ifJw== https://pobierz.to/f3b3658b75a46a1a/Fancy_-_Flames_Of_Love_-_His_Greatest_Hits_(2013)_[FLAC].rar

Artist: Duke Ellington And His Orchestra Title: The Complete Ellington Indigos Year Of Release: 2011 Label: Phoenix Records Genre: Jazz, Big Band, Swing Quality: Mp3 192 kbps Total Time: 01:19:00 Total Size: 115 Mb Tracklist: 01. Solitude (Eddie DeLange, Duke Ellington, Irving Mills) (4:43) 02. Where Or When (Lorenz Hart, Richard Rodgers) (4:02) 03. Mood Indigo (Barney Bigard, Duke Ellington, Irving Mills) (3:06) 04. Night And Day (Cole Porter) (2:54) 05. Prelude To A Kiss (Duke Ellington, Irving Gordon, Irving Mills) (4:44) 06. All The Things You Are (Oscar Hammerstein II, Jerome Kern) (3:50) 07. Willow Weep For Me (Ann Ronell) (4:15) 08. Tenderly (Walter Gross, Jack Lawrence) (5:23) 09. Dancing In The Dark (Howard Dietz, Arthur Schwartz) (4:28) 10. Autumn Leaves (Joseph Kosma, Johnny Mercer, Jacques Prevert) (7:12) 11. The Sky Fell Down (Duke Ellington) (2:57) 12. Comercial Time (Duke Ellington) (3:22) 13. Mood Indigo (Barney Bigard, Duke Ellington, Irving Mills) [Alternate version 1] (4:04) 14. Mood Indigo (Barney Bigard, Duke Ellington, Irving Mills) [Alternate version 2] (3:05) 15. Autumn Leaves (Joseph Kosma, Johnny Mercer, Jacques Prevert) [Alternate version 1] (6:14) 16. Willow Weep For Me (Ann Ronell) (3:55) 17. Where Or When (Lorenz Hart, Richard Rodgers) [Alternate version 1] (3:57) 18. All The Things You Are (Oscar Hammerstein II, Jerome Kern) [Alternate version 1] (4:00) 19. Love (My Heart, My Mind, My Everything) (Duke Ellington) (2:30) Personnel: Duke Ellington and His Orchestra Clark Terry, Willie Cook, Cat Anderson, Harold "Shorty" Baker (tp) Ray Nance (tp, vln, vcl) Quentin Jackson, John Sanders, Britt Woodman (tb) Jimmy Hamilton (cl, ts) Russell Procope (as, cl) Johnny Hodges, Rick Henderson (as) Paul Gonsalves (ts) Harry Carney (bar, cl, b-cl) Duke Ellington (p) Jimmy Woode (b) Sam Woodyard (d) Jimmy Grissom (vcl on 11 & 19 only) Ozzie Bailey (vcl on 10 & 15 only) Recorded in New York, March 13, September 9 & October 1-14, 1957. Digitally remastered and expanded edition of this album from the Jazz legend. This album stands as an outstanding example of the Ellington Orchestra playing Jazz standards. Includes the complete original album Ellington Indigos plus two rare tunes from the sessions omitted from the original LP and all of the alternate takes!! Much of the bonus material appears here on CD for the first time ever! http://rapidgator.net/file/5d6dec2de8d344f0d50235f429f1cd03/CompEllInd_Mp3.rar.html http://ssh.tf/yOpta85gY/CompEllInd_Mp3.rar

Artist: Nico Duportal & His Rhythm Dudes Title: Dealing With My Blues Year Of Release: 2016 Label: Rhythm Bomb Records Genre: Blues, R&B, Rock Quality: FLAC MP3 Total Time: 41:23 Total Size: 252 MB 109 MB Tracklist: 1. Don't You See (3:18) 2. I Know The Rules (3:14) 3. Now Hush (3:41) 4. The One To Blame (2:59) 5. I Will Unfriend You (2:41) 6. Mess And Chaos (3:28) 7. Benzola Ascensor (3:38) 8. Sometimes (2:34) 9. Brand New Day (4:10) 10. Juniors Mambo (3:15) 11. Soulpatch (2:33) 12. Long Way To Go (2:41) 13. Mess And Chaos (Acoustic Version) (3:06) A new album by one of the very few French bluesmen of international reputation regularly touring abroad and collaborating with American luminaries such as Kid Ramos, Junior Watson, RJ Mischo or Big Sandy. Made up only of original songs, his Â? Dealing With The Blues Â? is a tasty gumbo with good doses of exciting roots music such as second line influenced Louisiana rhythm & blues, glittering early soul, rocking gospel and rolling & tumbling jungle. http://rapidgator.net/file/c22f2fb2ef5b118539c98be0c8f92001/NicoDuportalDealingLL2016.rar.html http://ssh.tf/RNzaWnv7g/NicoDuportalDealingLL2016.rar http://uploaded.net/file/pozaqik6/NicoDuportalDealingLL2016.rar http://rapidgator.net/file/b6db119e82ba06dc0b45004c2626635c/NicoDuportalDealing2016.rar.html http://ssh.tf/4aFtqSl7g/NicoDuportalDealing2016.rar http://uploaded.net/file/v4lj5rdd/NicoDuportalDealing2016.rar

TTC Video - Great Masters - Mahler - His Life and Music 8xWEBRip | English | AVI + PDF Guide | 640 x 480 | DX50 ~378 kbps | 23.976 fps MP3 | 128 kbps | 48.0 KHz | 2 channels | 06:03:47 | 1.4 GB Genre: eLearning Video / Biography, Music "I am thrice homeless, as a Bohemian in Austria, as an Austrian among Germans, as a Jew throughout the world-everywhere an intruder, never welcomed." Thus spoke Gustav Mahler (1860-1911), composer, conductor, symphonist. More than many other composers, Gustav Mahler's works are highly personal expressions of his inner world, a world characterized by an overwhelming alienation and loneliness. I am thrice homeless, as a Bohemian in Austria, as an Austrian among Germans, as a Jew throughout the world-everywhere an intruder, never welcomed." Thus spoke Gustav Mahler (1860-1911), composer, conductor, symphonist. More than many other composers, Gustav Mahler's works are highly personal expressions of his inner world, a world characterized by an overwhelming alienation and loneliness.Some of this feeling can be attributed to Mahler's Jewish heritage and his critics' response to it. Part of his isolation began in childhood, a reaction to a brutal father and the loss of eight siblings, including his beloved brother Ernst. The tensions created by the mix of Czech, Germanic, and Jewish cultures Mahler was raised in is one of the elements that makes his work so striking and powerful. Incredibly, Mahler was able to unite the diversity of his world and his often tortured emotional makeup into rich and original music. The First Generation of Expressionism This course offers a biographical and musical study of Mahler, who, along with being a composer, was the greatest opera conductor of his time. Mahler was a titan of post-Romantic musical history. His symphonies are vast musical repositories of his intellectual, emotional, and spiritual expression. His work constitutes the first generation of Expressionism, the early 20th-century art movement that celebrates inner reality as the only reality. Unlike other Expressionist composers, however, Mahler used the musical language of the 19th century to explore expressive themes very "20th century" in their nature. These lectures on Mahler bring to life this complex, anxiety-bound visionary, whose continual search for perfection and the answers to life's mysteries is profoundly reflected in his symphonies and songs. These lectures also include more than a dozen excerpts from Mahler's symphonies and other works. Passion Tempered by Artistic Control "I might suggest that we find Mahler's music so unbelievably moving today because of its angst. Its uncontrollable extroversion, optimism, and pessimism; its sheer power and often schizophrenic emotional progressions are even more relevant to us than to the music's original audience," states Professor Robert Greenberg. "Mahler's music is a mixture of brilliant, rich, irregularly changing harmonies; of extraordinary, often grotesque, juxtapositions of moods: tragedy, humor, farce, irony; constant, almost obsessive melodic activity; sudden, unexpected explosions of passion or rage that disappear as quickly as they come; strutting march music heard back-to-back with Viennese love music; and a pure, crystalline, overwhelming passion untempered by the 'civilizing' effect of artistic control and manipulation." Mahler's Inner Landscape As a child, Mahler built a fantasy world to retreat to as a defense against abuse and loneliness. This ability to retreat reveals itself in the highly personal inner landscapes of Mahler's music. From the time he was quite young, he was entranced by music and became devoted to the piano from about the age of five. From the beginning of his compositional career to its end, from Songs of a Wayfarer (1885) to The Song of the Earth (Das Lied von der Erde) (1909), Mahler's music is about himself, the lonely, isolated individual. He used his compositions as an outlet, a coping tool. Through his music, Mahler coped with some of the deepest issues of life: Romantic rejection (Songs of a Wayfarer, 1885) The struggle between hope and despair (Symphony no. 1, 1888) Questions raised by death and redemption (Symphony no. 2, 1894) Relationships between an individual and nature (Symphony no. 3, 1896) The death of children (Kindertotenlieder, 1904) Grief (Symphony no. 5, 1902). He Never Heard His Masterpiece Performed In later life, the death of Mahler's elder daughter, Maria, in 1907-along with his resignation from the Royal Viennese Opera and the diagnosis of heart disease-was the beginning of the end for him. Maria, Mahler's favorite, lingered for two weeks. The pain of her illness was almost unbearable for him. Apparently, Mahler never spoke to anyone about the death of his daughter. He even forbade his wife from wearing mourning clothes. However, in 1908, Mahler threw himself into composing Das Lied von der Erde as his only solace from the grief of his daughter's death. Das Lied von der Erde is a symphonic song cycle, consisting of six songs. Mahler arranged the songs to create a progressive drama about loss, grief, memory, disintegration, and, ultimately, transfiguration. Das Lied von der Erde tells-from an idealized past in which all things are possible, back to the deadened emotions of the present, and beyond-the bittersweet realization that although life is reborn endlessly, there is no rebirth for the individual. This song cycle doesn't really end. It expires. It hangs on a dissonance that never resolves. All pain is gone, all individuality is lost, and we are left with a feeling of awesome, profound acceptance and resignation to the inevitable. Das Lied von der Erde is considered one of Mahler's great masterpieces, but he did not live to hear it performed. It was premiered seven months after his death. Not a Composer of Operas, but a Brilliant Conductor of Them Although we know him for his compositions, Mahler first made a name for himself first as a conductor. He started out conducting operettas and worked his way up to conducting at the Royal Vienna Opera, the New York Metropolitan Opera, and the New York Philharmonic. His performances were almost magical for his audiences and he ultimately achieved critical acclaim as one of the greatest conductors in musical history. His conducting career was nevertheless marked by difficulties. He tyrannized the performers and fought with theater management. The anti-Semitic press-particularly in Vienna-continued to attack him with ferocity. And, Mahler, the greatest opera conductor of his time-perhaps the greatest of all time-wrote no operas. "His symphonies are his operas," says Professor Greenberg. "They are his all-inclusive art works; his universal statements about life, death, love, redemption, religion, God, nature, resignation, and the human condition in all its glory and folly." Experience Music that Defines Its Creator "As you follow these lectures, you'll find yourself using not only the facts you learn but your own powers of imagination, intuition, and instinct to uncover this music's inner workings," says Professor Greenberg. "You will find Mahler's symphonies are unique. No other body of work, by any composer, traverses such expressive range, so brilliantly combines absolute orchestral/symphonic music with vocal music, so clearly and profoundly define their creator, and are so honestly and deeply felt." Works you'll hear in the lectures are excerpted from: Das klagende Lied (1878) Symphony no. 1 (1888) St. Anthony of Padua Preaches to the Fishes, from Des Knaben Wunderhorn (1893) Symphony no. 2 (1894) Songs of a Wayfarer, no. 2: Ging heut` Morgen ??bers Feld (1884; orchestrated 1896) Symphony no. 3 (1896) Symphony no. 4 (1900) Symphony no. 5 (1902) Symphony no. 6 (1904) Symphony no. 7 (1905) Symphony no. 8 (1907) Das Lied von der Erde (1909) Symphony no. 9 (1910) Download link: http://rapidgator.net/file/7ca66fee43177849564268d933ce1740/6ryty.TTC.Video..Great.Masters..Mahler..His.Life.and.Music.rar.html http://nitroflare.com/view/45816E33E455BD7/6ryty.TTC.Video..Great.Masters..Mahler..His.Life.and.Music.rar https://uploadgig.com/file/download/792a3f9466Fd51Dd/6ryty.TTC.Video..Great.Masters..Mahler..His.Life.and.Music.rar http://uploaded.net/file/2dbsawly/6ryty.TTC.Video..Great.Masters..Mahler..His.Life.and.Music.rar Links are Interchangeable - No Password - Single Extraction

TTC Video - Great Masters - Brahms - His Life and Music 8xWEBRip | English | AVI + PDF Guide | 720 x 544 | XviD ~719 kbps | 29.970 fps MP3 | 160 kbps | 48.0 KHz | 2 channels | 06:07:51 | 2.34 GB Genre: eLearning Video / Biography, Music In both his life and his music, Johannes Brahms (1833-1897) was a man of contrasts. He composed serious Teutonic music and joyful dance music. He was miserly with himself and exceedingly generous with family and associates. He was kind to working people and known for his biting, malicious wit in artistic and aristocratic social circles. Not an easy man to know, Brahms destroyed a good deal of his own work and almost all of his lifetime's correspondence, in later years even collecting his letters from friends so that he could consign them to the flames. This course links the complexities of the man with the electrifying music of the composer through biographical information and musical commentary. An Independent Spirit Brahms had vowed early in life to be lonely but free. He never married, owned a home, held a job for more than a few years, or took on a commissioned piece. In art, he showed a similar independence of spirit. He believed in traditional musical genres and forms as challenges to expressive freedom, as healthy sources of stimulation for his awesome artistic powers. Unlike, for example, Beethoven, Brahms did not reinvent his art repeatedly in response to personal emotional crises, but rather found his essential compositional voice while in his mid-20s, and developed it in more of an evolutionary than a revolutionary fashion. Symphonies and Other Gems You discover that Brahms, with a perfectionist's fanatical zeal, wrote, rewrote, and ultimately destroyed more than 20 string quartets before publishing a pair of exceptionally exquisite pieces at the age of 40, breathing new life into the old bones of an exacting chamber music form. You explore why Brahms took 21 years to complete his first symphony-immediately hailed as "Beethoven's Tenth"-and then produced three more in less than a decade. You find that Brahms single-handedly started a second "golden symphonic age" by inspiring younger composers such as Mahler, Bruckner, Sibelius, Elgar, and Dvor??k. Brahms found unique ways of combining rigor and formal complexity of older Classical and even Baroque genres and forms (sonata, theme and variations, rondo) with melodic inventiveness, harmonic sophistication, and expressive richness prized in the Romantic Age. Brahms's Early Life: Barroom Pianist Brahms was born in the red-light district of Hamburg on May 7, 1833. He began taking music lessons at age 4 and by age 8 showed great potential as a pianist. His parents hired him out to play in the bars and brothels of Hamburg. As a teenager, Brahms grew into a solitary young man who spent time composing, giving lessons, and playing piano in respectable establishments. Brahms had grown to love and admire traditional German music and sound compositional technique, exemplified in the music of Bach, Mozart, and Beethoven. In his late teens, Brahms was exposed to Hungarian gypsy music and met a Hungarian refugee named Eduard Rimenyi. In 1853, Brahms and Rimenyi decided to go on tour and make contacts. Within seven months, Brahms met Joseph Joachim and Clara and Robert Schumann, all of whom would become close friends, and Brahms himself would be hailed as the future of German music. Brahms and the Schumanns Robert Schumann used his influence to have Brahms's first pieces published, including the Piano Sonata in C Major, the Piano Sonata in F-sharp Minor, and the E-flat Minor Scherzo, and Brahms returned to Hamburg to begin building his career. Robert's psychotic breakdown called Brahms back to the Schumann household in 1854. He stayed there to offer emotional support to Clara and began work on a violent, angst-filled piece that would eventually become his Piano Concerto no. 1 in D Minor. Brahms and Clara fell in love, but Brahms was unable to act on his feelings, even after Robert's death in the summer of 1856. Brahms as Wanderer For the next several years, Brahms took various appointments and traveled but refused to commit himself to a long-term professional position. His Piano Concerto in D Minor was premiered in Leipzig in 1859, with disastrous results. He finally stumbled into a position as a choral conductor and composer in Hamburg that would prove to be the key to his musical maturity. By 1860, Brahms had achieved his mature compositional style. We see this combination in his Piano Quartet in G Minor from 1861. His mother died in 1864, leaving Brahms grief stricken but moved to compose his longest and perhaps most personal work, A German Requiem. Brahms, the String Quartet, and his Symphonic Nerve The years 1865-1870 were compositionally productive for Brahms, but he was still terrified at the prospect of writing a symphony. He occupied himself almost exclusively with vocal music, writing, among many other works, the "Cradle Song," probably his most recognized piece, and the magnificent Requiem. In 1871, Brahms accepted the position of director of the Society of the Friends of Music in Vienna, where he was free to study and conduct the music he chose, including that of Handel, Bach, and Beethoven, along with Mendelssohn and Schumann. After seven years of concentrating on vocal music, Brahms again turned to orchestral composition, producing his Variations on a Theme by Joseph Haydn and the String Quartets in C Minor and A Minor. In 1875, Brahms resigned his directorship, freeing himself to complete his Symphony no. 1 in C Minor. Brahms's First Symphony is a brilliant example of his synthesis of Romantic melody, harmony, and spirit with Classical dis[beeep]line and formal structures. During this period, Brahms was rich and famous, comfortably ensconced in the artistic life of Vienna, and producing one genuine masterwork after another, including his Second Symphony, the Violin Concerto in D Major, and the monumental Piano Concerto no. 2 in B-flat Major. The Final Years As Brahms reached his 50s he was still producing prodigious amounts of music. His Third and Fourth Symphonies come from this period, along with songs, sonatas, a Trio in C Major, and the Double Concerto for Violin and 'Cello. When his lifelong friend Clara Schumann died in 1896, Brahms was devastated. His own health deteriorated, and he died of liver cancer in 1897. "His legacy to us is a lifetime of extraordinary craft and artistic beauty without an inferior piece in the collection," notes Professor Greenberg. Works you'll hear in the lectures are excerpted from: Concerto for Violin and Orchestra in D Major, op. 77 (1878) Piano Concerto no. 1 in D Minor, op. 15 (1859) A German Requiem, op. 45 (1865) Horn Trio in E-flat Major, op. 40 (1865) Songs, op. 49, Wiegenlied (Cradle Song) (1868) Symphony no. 1 in C Minor, op. 68 (1876) Symphony no. 2 in D Major, op. 73 (1877) Piano Concerto no. 2 in B-flat Major, op. 83 (1881) Symphony no. 3 in F Major, op. 90 (1883) Symphony no. 4 in E Minor, op. 98 (1885) Quintet for Strings in G Major, op. 111 (1890) Waltz, op. 39, no. 15 (1865) Quartet for Four Voices and Piano, Neckereien (Teasing), op. 31, no. 2 (1859) Serenade in D Major, op. 11 (1858) Variations on a Theme by Haydn, op. 56a (1873) String Quartet in C Minor, op. 51, no. 1 (1873) Download link: http://rapidgator.net/file/b534ada2dfe11d3be3ef65ca505e9fd4/8wo1n.TTC.Video..Great.Masters..Brahms..His.Life.and.Music.2017.part1.rar.html http://rapidgator.net/file/d720fa9cfedbc18ca5057933e6c44345/8wo1n.TTC.Video..Great.Masters..Brahms..His.Life.and.Music.2017.part2.rar.html http://nitroflare.com/view/26CE1E7CCE95A1B/8wo1n.TTC.Video..Great.Masters..Brahms..His.Life.and.Music.2017.part1.rar http://nitroflare.com/view/0D1079861E7BF39/8wo1n.TTC.Video..Great.Masters..Brahms..His.Life.and.Music.2017.part2.rar https://uploadgig.com/file/download/66C38516a54e7865/8wo1n.TTC.Video..Great.Masters..Brahms..His.Life.and.Music.2017.part1.rar https://uploadgig.com/file/download/38Af0699a845ef63/8wo1n.TTC.Video..Great.Masters..Brahms..His.Life.and.Music.2017.part2.rar http://uploaded.net/file/ted0bcoa/8wo1n.TTC.Video..Great.Masters..Brahms..His.Life.and.Music.2017.part1.rar http://uploaded.net/file/7xpkkdqq/8wo1n.TTC.Video..Great.Masters..Brahms..His.Life.and.Music.2017.part2.rar Links are Interchangeable - No Password - Single Extraction

Great Masters: Shostakovich-His Life and Music 8xWEBRip | English | AVI + PDF Guide | 640 x 480 | DX50 ~393 kbps | 29.970 fps MP3 | 128 kbps | 48.0 KHz | 2 channels | 06:15:25 | 1.41 GB Genre: eLearning Video / Biography, Music Discover the extraordinary life, times, and art of Dmitri Shostakovich (1906-1975), great musical master and flawed but faithful witness to the survival of the human spirit under totalitarianism. He is without a doubt one of the absolutely central composers of the 20th century. His symphonies and string quartets are mainstays of the repertoire. But Shostakovich is also a figure whose story raises challenging and exciting issues that go far beyond music: They touch on questions of conscience, of the moral role of the artist, of the plight of humanity in the face of total war and mass oppression, and of the inner life of history's bloodiest century. A Soviet Impression The Bolshevik Revolution took place when Dmitri Shostakovich was a boy of 11. His life and career from then on coincided with, and in a sense mirrored, the rise, tortured life, and eventual failure of the Soviet communist regime. The premise of Professor Robert Greenberg's approach to this giant among 20th-century composers is that nothing he said publicly about his music ("for official Soviet consumption") should be taken at face value. He lived the great bulk of his career under Stalin, and he knew what that meant. He had seen friends taken away in the purges, never to return. The crucial aspect on Shostakovich's career, argues Professor Greenberg, is defined by his posthumous book of reminiscences, Testimony: The Memoirs of Dmitri Shostakovich, a volume based on a series of extraordinarily frank private interviews that the composer gave to a young Soviet musicologist named Solomon Volkov. In them, Shostakovich makes clear that he was no hero or martyr-as a friend said, "He did not want to rot in a prison or a graveyard"-but also shows that at the same time he was never willing to become a docile instrument of the Soviet regime. Shostakovich speaks through his music, which bears messages from a buried life of his experiences during the terror of Stalin, the Nazi destruction of his country, postwar reconstruction, and the arms race. To decode these messages, you study a mix of biographical information intertwined with numerous musical excerpts from the composer's work. You learn to hear how, in work after work, often composed under circumstances of crushing difficulty and anxiety, Shostakovich used a brilliant arsenal of ironic juxtapositions (a piping piccolo theme in a symphony supposed to glorify Stalin, for instance), musical codes from such un-Soviet sources as American jazz or Jewish klezmer tunes, and other techniques to assert the integrity of his art in the face of totalitarian oppression, and to pay, as he said, "homage to the dead." Professor Greenberg provides careful, gripping accounts of the political circumstances amid which Shostakovich composed his masterworks-meaning above all his 15 symphonies and 15 string quartets. Shostakovich: Portrait of the Artist as Witness and Survivor The flood of declassified material that has come pouring out of old Soviet archives since 1991 is a rich resource for these lectures. The tale this material tells is harrowing, but it is one we cannot look away from, notes Professor Greenberg. Certainly, he says, we will never understand Shostakovich unless and until we come to grips with it, for only by knowing this awful history can we hope to grasp anything even approaching "the full and true meaning of the art that this frail, fearful, and outwardly timid but inwardly resolute genius has bequeathed to us, his fortunate posterity. "Unlike the other musical biographies that I have created for The Teaching Company, this one-Shostakovich's-will have more than its share of controversy," says Professor Greenberg. "There are two reasons for this. The first is simple enough: Having died fairly recently, and having composed major works almost to the end of his life, Shostakovich is a very 'fresh' figure. We are still coming to terms with his enormously influential compositional output-particularly his symphonies and string quartets, works which are so central to the contemporary repertoire. "The second reason for the controversy is far more complicated: Shostakovich was a Soviet artist, and the Soviet State used his music as a tool. Art and politics make strange and problematic bedfellows. But they are a coupling that we cannot possibly avoid if we are to talk about Dmitri Shostakovich and his music. These lectures, then, tell the story of a man and his art, a place and a political system, all of them truly indivisible from one another." Shostakovich knew Stalin personally and was singled out for criticism by him. Shostakovich was not just the single most important composer of string quartets and symphonies from the 1920s to the 1970s, he was a witness to the rise and failure of Soviet Communism, perhaps the defining event of the 20th century. Biography Presented in Detail Among what you learn about Shostakovich's life is: After the condemnation of his music by Stalin in 1936, Shostakovich never left home without soap and a toothbrush, so convinced was he that he would be arrested. He included a special set of notes representing a "musical signature" in many of his works. The Quintet for Piano and Strings in G Minor of 1940 comments on the official Soviet preference for upbeat, "accessible" music by sandwiching a movement that codes the bumptious theme associated with Russian circus clowns between movements that brilliantly pay tribute to J. S. Bach. Shostakovich loved Jewish music-especially klezmer because of the way it combines joy with despair. Defying Soviet anti-Semitism, he "coded" Jewish music in works such as 1944's Piano Trio in E Minor, wrote a song cycle called From Jewish Poetry (1948), and famously memorialized the plight of persecuted and murdered Jews in his Babi Yar Symphony of 1962. The brutal and vicious second-movement scherzo of the magnificent 10th Symphony was written that way because it was intended as a musical portrait of the recently deceased Josef Stalin. An Artist for Humanity When Dmitri Shostakovich died in Moscow on December 9, 1975, he was "hailed as a 'hero of the people,' " says Professor Greenberg. "But we know him as a survivor, a witness, and an artist who spoke for all of humanity." Works you'll hear in the lectures are excerpted from: Symphony no. 3 in E-flat Major, op. 20 (1929) Lady Macbeth of Mtsensk, op. 29, (1930-32) Symphony no. 5 in D Minor, op. 47 (1937) String Quartet no. 1 in C Major, op. 49 (1938) Quintet for Piano and Strings in G Minor, op. 57 (1940) Symphony no. 7 in C Major, op. 60, Leningrad (1941) Piano Trio in E Minor, op. 67 (1944) String Quartet no. 3 in F Major, op. 73 (1946) String Quartet no. 5 in B-flat Major, op. 92 (1952) Symphony no. 10 in E Minor, op. 93 (1953) String Quartet no. 7 in F-sharp Minor, op. 108 (1960) Symphony no. 13 in B-flat Minor, op. 113, Babi Yar (1962) String Quartet no. 10 in A-flat Major, op. 118 (1964) String Quartet no. 15 in E-flat Minor, op. 144 (1974) Download link: http://rapidgator.net/file/2a86e4e2fc12bb8e8eda78aaec806c00/23ha3.Great.Masters.ShostakovichHis.Life.and.Music.rar.html http://nitroflare.com/view/0E818740C76C832/23ha3.Great.Masters.ShostakovichHis.Life.and.Music.rar https://uploadgig.com/file/download/e935B89a4ac111EB/23ha3.Great.Masters.ShostakovichHis.Life.and.Music.rar http://uploaded.net/file/hjnfzoc5/23ha3.Great.Masters.ShostakovichHis.Life.and.Music.rar Links are Interchangeable - No Password - Single Extraction