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Paul Badura-Skoda - A Man and His Music (2004) [FLAC] Artist: Paul Badura-Skoda Album: A Man and His Music Year Of Release: 2004 Genre: Classical Quality: FLAC (image+.cue) Bitrate: Lossless Total Time: 08:23:05 (7 CD) Total Size: 1.63 GB TRACKLIST DODATKOWE INFO DOWNLOAD https://xshare.eu/2ADF https://rapidu.net/6522933349/ https://pobierz.to/d5b059b51308f31b http://catshare.net/tVSuDzNV1hC6sDTr http://lunaticfiles.com/axa477tl7nsv http://turbobit.net/bm6op9zcxrym.html https://fileshark.pl/pobierz/21161118/a06dc https://rg.to/file/48560ab3fbb78e50ba7c45f4d6cac697

Lionel Richie Live: His Greatest Hits and More (2007) Year: 2007 Genre: Pop DVD Info: File Size: 4,36 Gb TV System: NTSC Framerate: 30.00 Resolution: 720 x 480 Aspect ratio: 16:9 Audio: English (AC3 Dolby 5.1 chnls 448 Kbps) Albums: [hide_me] https://rapidu.net/3922513580/Lionel.Richie.Live.part2.rar https://rapidu.net/7222513518/Lionel.Richie.Live.part1.rar https://rapidu.net/6322513177/Lionel.Richie.Live.part3.rar https://pobierz.to/62b7dcffa15efdac/Lionel.Richie.Live.part2.rar https://pobierz.to/a701a80b3f2607fd/Lionel.Richie.Live.part3.rar https://pobierz.to/d5bb7bab9fb7baf0/Lionel.Richie.Live.part1.rar http://uploaded.net/file/g4hdc5u2/Lionel.Richie.Live.part2.rar http://uploaded.net/file/6cs8w2jz/Lionel.Richie.Live.part1.rar http://uploaded.net/file/x5op5p4s/Lionel.Richie.Live.part3.rar http://lunaticfiles.com/jojleketmg8n/Lionel.Richie.Live.part1.rar.html http://lunaticfiles.com/qimd3n08ibv3/Lionel.Richie.Live.part2.rar.html http://lunaticfiles.com/laamvxpnk61i/Lionel.Richie.Live.part3.rar.html http://fileshark.pl/pobierz/20555089/26b50/lionel-richie-live-part1-rar http://fileshark.pl/pobierz/20555086/ffb85/lionel-richie-live-part2-rar http://fileshark.pl/pobierz/20555073/a308d/lionel-richie-live-part3-rar [/hide_me]

Artist: Freddy Randall Title: His Great 16: 1951-1956 Year Of Release: 1986 Label: Dormouse [DM5] Genre: Jazz, Dixieland Quality: FLAC (*tracks) Total Time: 00:43:57 Total Size: 133 mb (+5%rec.) Tracks: A1 That's A Plenty A2 Tishomingo Blues A3 South A4 Tight Lines A5 Baby Won't You Please Come Home A6 I Ain't Gonna Give Nobody None Of This Jelly Roll A7 Dark Night Blues A8 Clarinet Marmalade B1 If I Could Be With You B2 Tishomingo Blues B3 Walkin' The Dog B4 Sunday B5 Professor Jazz B6 Muskrat Ramble B7 Ja Da B8 Ain't Misbehavin' http://rapidgator.net/file/a54a0be072fb1f66654f90a2f1e9fb70/Freddy_Randall_1986.rar.html http://ssh.tf/TywY74rXQ/Freddy_Randall_1986.rar

Artist: Tony Hatch & His Orchestra Title: Hits Symphonic Year Of Release: 1972 Label: Pye Records Genre: Instrumental, Easy Listening Quality: CBR 320 kbit/s Total Time: 41 min Total Size: 111MB Tracklist: A1.Storm in a teacup A2.Your song A3.The first time ever I saw your face A4.Without you A5.If we were free A6.Baby I'm a want you B1.Alone again (Naturally) 3:2 B2.If you could read my mind B3.Butterfly B4.Come what may (Apres toi) B5.Shadows of your mind B6.(Is this the way to) Amarillo Credits Engineer - Ray Prickett Leader [Orchestra Leader] - Pat Halling* Producer [Assistant] - Bob Leaper Producer, Arranged By, Sleeve Notes - Tony Hatch http://rapidgator.net/file/498cba11372a04bd7ad34a4d5d878b4d/IB573332THOHS72.rar.html http://ssh.tf/jglumnDfy/IB573332THOHS72.rar

Fancy - Flames Of Love - His Greatest Hits (2013) Fancy - Flames Of Love - His Greatest Hits Genre: Euro-Disco Year: 2013 Source: cd Audio codec: FLAC Bitrate: lossless(Folder.auCDtect) Playtime: 1 CD-01:17:45 2 CD-00:58:11 Cover: tak Size: 1,05 GB 1 CD 1. Bolero (Hold Me In Your Arms Again) 5:40 2. Slice Me Nice 5:25 3. Flames Of Love 5:22 4. Chinese Eyes 5:46 5. Get Lost Tonight 6:30 6. L. A. D. Y. O. 5:37 7. After Midnight 4:40 8. Lady Of Ice 4:55 9. China Blue 5:21 10. Latin Fire 5:52 11. Fools Cry 5:37 12. Bodyguard 6:26 13. No Tears 5:29 14. When Guardian Angels Cry 5:05 2 CD 1.Flames Of Love 3:38 2.Bolero 3:48 3.Fools Cry 5:39 4.Slice Me Nice 5:27 5.Chinese Eyes 2:32 6.Running Man 3:09 7.Lady Of Ice 3:00 8.A Voice In The Dark 4:02 9.Angel Eyes 3:47 10.Ways Of Love 4:26 11.No Tears 3:21 12.All My Loving 2:01 13.When Guardian Angels Cry 5:07 14.Long Way To Paradise 3:55 15.The Music Hitmakers Part 1 4:19 linki: https://rapidu.net/9220965666/ http://catshare.net/It4C96AZMkjIQ8oY https://fileshark.pl/pobierz/18344834/26fa6 http://lunaticfiles.com/jfsbdja174zo http://dailyfiles.net/53b66d658d506f2e http://kingfile.pl/download/rQ0smYo2 http://sharehost.eu/file/oOaUB-HV04a6XFU276ifJw== https://pobierz.to/f3b3658b75a46a1a/Fancy_-_Flames_Of_Love_-_His_Greatest_Hits_(2013)_[FLAC].rar

Artist: Duke Ellington And His Orchestra Title: The Complete Ellington Indigos Year Of Release: 2011 Label: Phoenix Records Genre: Jazz, Big Band, Swing Quality: Mp3 192 kbps Total Time: 01:19:00 Total Size: 115 Mb Tracklist: 01. Solitude (Eddie DeLange, Duke Ellington, Irving Mills) (4:43) 02. Where Or When (Lorenz Hart, Richard Rodgers) (4:02) 03. Mood Indigo (Barney Bigard, Duke Ellington, Irving Mills) (3:06) 04. Night And Day (Cole Porter) (2:54) 05. Prelude To A Kiss (Duke Ellington, Irving Gordon, Irving Mills) (4:44) 06. All The Things You Are (Oscar Hammerstein II, Jerome Kern) (3:50) 07. Willow Weep For Me (Ann Ronell) (4:15) 08. Tenderly (Walter Gross, Jack Lawrence) (5:23) 09. Dancing In The Dark (Howard Dietz, Arthur Schwartz) (4:28) 10. Autumn Leaves (Joseph Kosma, Johnny Mercer, Jacques Prevert) (7:12) 11. The Sky Fell Down (Duke Ellington) (2:57) 12. Comercial Time (Duke Ellington) (3:22) 13. Mood Indigo (Barney Bigard, Duke Ellington, Irving Mills) [Alternate version 1] (4:04) 14. Mood Indigo (Barney Bigard, Duke Ellington, Irving Mills) [Alternate version 2] (3:05) 15. Autumn Leaves (Joseph Kosma, Johnny Mercer, Jacques Prevert) [Alternate version 1] (6:14) 16. Willow Weep For Me (Ann Ronell) (3:55) 17. Where Or When (Lorenz Hart, Richard Rodgers) [Alternate version 1] (3:57) 18. All The Things You Are (Oscar Hammerstein II, Jerome Kern) [Alternate version 1] (4:00) 19. Love (My Heart, My Mind, My Everything) (Duke Ellington) (2:30) Personnel: Duke Ellington and His Orchestra Clark Terry, Willie Cook, Cat Anderson, Harold "Shorty" Baker (tp) Ray Nance (tp, vln, vcl) Quentin Jackson, John Sanders, Britt Woodman (tb) Jimmy Hamilton (cl, ts) Russell Procope (as, cl) Johnny Hodges, Rick Henderson (as) Paul Gonsalves (ts) Harry Carney (bar, cl, b-cl) Duke Ellington (p) Jimmy Woode (b) Sam Woodyard (d) Jimmy Grissom (vcl on 11 & 19 only) Ozzie Bailey (vcl on 10 & 15 only) Recorded in New York, March 13, September 9 & October 1-14, 1957. Digitally remastered and expanded edition of this album from the Jazz legend. This album stands as an outstanding example of the Ellington Orchestra playing Jazz standards. Includes the complete original album Ellington Indigos plus two rare tunes from the sessions omitted from the original LP and all of the alternate takes!! Much of the bonus material appears here on CD for the first time ever! http://rapidgator.net/file/5d6dec2de8d344f0d50235f429f1cd03/CompEllInd_Mp3.rar.html http://ssh.tf/yOpta85gY/CompEllInd_Mp3.rar

Artist: Nico Duportal & His Rhythm Dudes Title: Dealing With My Blues Year Of Release: 2016 Label: Rhythm Bomb Records Genre: Blues, R&B, Rock Quality: FLAC MP3 Total Time: 41:23 Total Size: 252 MB 109 MB Tracklist: 1. Don't You See (3:18) 2. I Know The Rules (3:14) 3. Now Hush (3:41) 4. The One To Blame (2:59) 5. I Will Unfriend You (2:41) 6. Mess And Chaos (3:28) 7. Benzola Ascensor (3:38) 8. Sometimes (2:34) 9. Brand New Day (4:10) 10. Juniors Mambo (3:15) 11. Soulpatch (2:33) 12. Long Way To Go (2:41) 13. Mess And Chaos (Acoustic Version) (3:06) A new album by one of the very few French bluesmen of international reputation regularly touring abroad and collaborating with American luminaries such as Kid Ramos, Junior Watson, RJ Mischo or Big Sandy. Made up only of original songs, his Â? Dealing With The Blues Â? is a tasty gumbo with good doses of exciting roots music such as second line influenced Louisiana rhythm & blues, glittering early soul, rocking gospel and rolling & tumbling jungle. http://rapidgator.net/file/c22f2fb2ef5b118539c98be0c8f92001/NicoDuportalDealingLL2016.rar.html http://ssh.tf/RNzaWnv7g/NicoDuportalDealingLL2016.rar http://uploaded.net/file/pozaqik6/NicoDuportalDealingLL2016.rar http://rapidgator.net/file/b6db119e82ba06dc0b45004c2626635c/NicoDuportalDealing2016.rar.html http://ssh.tf/4aFtqSl7g/NicoDuportalDealing2016.rar http://uploaded.net/file/v4lj5rdd/NicoDuportalDealing2016.rar

TTC Video - Great Masters - Mahler - His Life and Music 8xWEBRip | English | AVI + PDF Guide | 640 x 480 | DX50 ~378 kbps | 23.976 fps MP3 | 128 kbps | 48.0 KHz | 2 channels | 06:03:47 | 1.4 GB Genre: eLearning Video / Biography, Music "I am thrice homeless, as a Bohemian in Austria, as an Austrian among Germans, as a Jew throughout the world-everywhere an intruder, never welcomed." Thus spoke Gustav Mahler (1860-1911), composer, conductor, symphonist. More than many other composers, Gustav Mahler's works are highly personal expressions of his inner world, a world characterized by an overwhelming alienation and loneliness. I am thrice homeless, as a Bohemian in Austria, as an Austrian among Germans, as a Jew throughout the world-everywhere an intruder, never welcomed." Thus spoke Gustav Mahler (1860-1911), composer, conductor, symphonist. More than many other composers, Gustav Mahler's works are highly personal expressions of his inner world, a world characterized by an overwhelming alienation and loneliness.Some of this feeling can be attributed to Mahler's Jewish heritage and his critics' response to it. Part of his isolation began in childhood, a reaction to a brutal father and the loss of eight siblings, including his beloved brother Ernst. The tensions created by the mix of Czech, Germanic, and Jewish cultures Mahler was raised in is one of the elements that makes his work so striking and powerful. Incredibly, Mahler was able to unite the diversity of his world and his often tortured emotional makeup into rich and original music. The First Generation of Expressionism This course offers a biographical and musical study of Mahler, who, along with being a composer, was the greatest opera conductor of his time. Mahler was a titan of post-Romantic musical history. His symphonies are vast musical repositories of his intellectual, emotional, and spiritual expression. His work constitutes the first generation of Expressionism, the early 20th-century art movement that celebrates inner reality as the only reality. Unlike other Expressionist composers, however, Mahler used the musical language of the 19th century to explore expressive themes very "20th century" in their nature. These lectures on Mahler bring to life this complex, anxiety-bound visionary, whose continual search for perfection and the answers to life's mysteries is profoundly reflected in his symphonies and songs. These lectures also include more than a dozen excerpts from Mahler's symphonies and other works. Passion Tempered by Artistic Control "I might suggest that we find Mahler's music so unbelievably moving today because of its angst. Its uncontrollable extroversion, optimism, and pessimism; its sheer power and often schizophrenic emotional progressions are even more relevant to us than to the music's original audience," states Professor Robert Greenberg. "Mahler's music is a mixture of brilliant, rich, irregularly changing harmonies; of extraordinary, often grotesque, juxtapositions of moods: tragedy, humor, farce, irony; constant, almost obsessive melodic activity; sudden, unexpected explosions of passion or rage that disappear as quickly as they come; strutting march music heard back-to-back with Viennese love music; and a pure, crystalline, overwhelming passion untempered by the 'civilizing' effect of artistic control and manipulation." Mahler's Inner Landscape As a child, Mahler built a fantasy world to retreat to as a defense against abuse and loneliness. This ability to retreat reveals itself in the highly personal inner landscapes of Mahler's music. From the time he was quite young, he was entranced by music and became devoted to the piano from about the age of five. From the beginning of his compositional career to its end, from Songs of a Wayfarer (1885) to The Song of the Earth (Das Lied von der Erde) (1909), Mahler's music is about himself, the lonely, isolated individual. He used his compositions as an outlet, a coping tool. Through his music, Mahler coped with some of the deepest issues of life: Romantic rejection (Songs of a Wayfarer, 1885) The struggle between hope and despair (Symphony no. 1, 1888) Questions raised by death and redemption (Symphony no. 2, 1894) Relationships between an individual and nature (Symphony no. 3, 1896) The death of children (Kindertotenlieder, 1904) Grief (Symphony no. 5, 1902). He Never Heard His Masterpiece Performed In later life, the death of Mahler's elder daughter, Maria, in 1907-along with his resignation from the Royal Viennese Opera and the diagnosis of heart disease-was the beginning of the end for him. Maria, Mahler's favorite, lingered for two weeks. The pain of her illness was almost unbearable for him. Apparently, Mahler never spoke to anyone about the death of his daughter. He even forbade his wife from wearing mourning clothes. However, in 1908, Mahler threw himself into composing Das Lied von der Erde as his only solace from the grief of his daughter's death. Das Lied von der Erde is a symphonic song cycle, consisting of six songs. Mahler arranged the songs to create a progressive drama about loss, grief, memory, disintegration, and, ultimately, transfiguration. Das Lied von der Erde tells-from an idealized past in which all things are possible, back to the deadened emotions of the present, and beyond-the bittersweet realization that although life is reborn endlessly, there is no rebirth for the individual. This song cycle doesn't really end. It expires. It hangs on a dissonance that never resolves. All pain is gone, all individuality is lost, and we are left with a feeling of awesome, profound acceptance and resignation to the inevitable. Das Lied von der Erde is considered one of Mahler's great masterpieces, but he did not live to hear it performed. It was premiered seven months after his death. Not a Composer of Operas, but a Brilliant Conductor of Them Although we know him for his compositions, Mahler first made a name for himself first as a conductor. He started out conducting operettas and worked his way up to conducting at the Royal Vienna Opera, the New York Metropolitan Opera, and the New York Philharmonic. His performances were almost magical for his audiences and he ultimately achieved critical acclaim as one of the greatest conductors in musical history. His conducting career was nevertheless marked by difficulties. He tyrannized the performers and fought with theater management. The anti-Semitic press-particularly in Vienna-continued to attack him with ferocity. And, Mahler, the greatest opera conductor of his time-perhaps the greatest of all time-wrote no operas. "His symphonies are his operas," says Professor Greenberg. "They are his all-inclusive art works; his universal statements about life, death, love, redemption, religion, God, nature, resignation, and the human condition in all its glory and folly." Experience Music that Defines Its Creator "As you follow these lectures, you'll find yourself using not only the facts you learn but your own powers of imagination, intuition, and instinct to uncover this music's inner workings," says Professor Greenberg. "You will find Mahler's symphonies are unique. No other body of work, by any composer, traverses such expressive range, so brilliantly combines absolute orchestral/symphonic music with vocal music, so clearly and profoundly define their creator, and are so honestly and deeply felt." Works you'll hear in the lectures are excerpted from: Das klagende Lied (1878) Symphony no. 1 (1888) St. Anthony of Padua Preaches to the Fishes, from Des Knaben Wunderhorn (1893) Symphony no. 2 (1894) Songs of a Wayfarer, no. 2: Ging heut` Morgen ??bers Feld (1884; orchestrated 1896) Symphony no. 3 (1896) Symphony no. 4 (1900) Symphony no. 5 (1902) Symphony no. 6 (1904) Symphony no. 7 (1905) Symphony no. 8 (1907) Das Lied von der Erde (1909) Symphony no. 9 (1910) Download link: http://rapidgator.net/file/7ca66fee43177849564268d933ce1740/6ryty.TTC.Video..Great.Masters..Mahler..His.Life.and.Music.rar.html http://nitroflare.com/view/45816E33E455BD7/6ryty.TTC.Video..Great.Masters..Mahler..His.Life.and.Music.rar https://uploadgig.com/file/download/792a3f9466Fd51Dd/6ryty.TTC.Video..Great.Masters..Mahler..His.Life.and.Music.rar http://uploaded.net/file/2dbsawly/6ryty.TTC.Video..Great.Masters..Mahler..His.Life.and.Music.rar Links are Interchangeable - No Password - Single Extraction

TTC Video - Great Masters - Brahms - His Life and Music 8xWEBRip | English | AVI + PDF Guide | 720 x 544 | XviD ~719 kbps | 29.970 fps MP3 | 160 kbps | 48.0 KHz | 2 channels | 06:07:51 | 2.34 GB Genre: eLearning Video / Biography, Music In both his life and his music, Johannes Brahms (1833-1897) was a man of contrasts. He composed serious Teutonic music and joyful dance music. He was miserly with himself and exceedingly generous with family and associates. He was kind to working people and known for his biting, malicious wit in artistic and aristocratic social circles. Not an easy man to know, Brahms destroyed a good deal of his own work and almost all of his lifetime's correspondence, in later years even collecting his letters from friends so that he could consign them to the flames. This course links the complexities of the man with the electrifying music of the composer through biographical information and musical commentary. An Independent Spirit Brahms had vowed early in life to be lonely but free. He never married, owned a home, held a job for more than a few years, or took on a commissioned piece. In art, he showed a similar independence of spirit. He believed in traditional musical genres and forms as challenges to expressive freedom, as healthy sources of stimulation for his awesome artistic powers. Unlike, for example, Beethoven, Brahms did not reinvent his art repeatedly in response to personal emotional crises, but rather found his essential compositional voice while in his mid-20s, and developed it in more of an evolutionary than a revolutionary fashion. Symphonies and Other Gems You discover that Brahms, with a perfectionist's fanatical zeal, wrote, rewrote, and ultimately destroyed more than 20 string quartets before publishing a pair of exceptionally exquisite pieces at the age of 40, breathing new life into the old bones of an exacting chamber music form. You explore why Brahms took 21 years to complete his first symphony-immediately hailed as "Beethoven's Tenth"-and then produced three more in less than a decade. You find that Brahms single-handedly started a second "golden symphonic age" by inspiring younger composers such as Mahler, Bruckner, Sibelius, Elgar, and Dvor??k. Brahms found unique ways of combining rigor and formal complexity of older Classical and even Baroque genres and forms (sonata, theme and variations, rondo) with melodic inventiveness, harmonic sophistication, and expressive richness prized in the Romantic Age. Brahms's Early Life: Barroom Pianist Brahms was born in the red-light district of Hamburg on May 7, 1833. He began taking music lessons at age 4 and by age 8 showed great potential as a pianist. His parents hired him out to play in the bars and brothels of Hamburg. As a teenager, Brahms grew into a solitary young man who spent time composing, giving lessons, and playing piano in respectable establishments. Brahms had grown to love and admire traditional German music and sound compositional technique, exemplified in the music of Bach, Mozart, and Beethoven. In his late teens, Brahms was exposed to Hungarian gypsy music and met a Hungarian refugee named Eduard Rimenyi. In 1853, Brahms and Rimenyi decided to go on tour and make contacts. Within seven months, Brahms met Joseph Joachim and Clara and Robert Schumann, all of whom would become close friends, and Brahms himself would be hailed as the future of German music. Brahms and the Schumanns Robert Schumann used his influence to have Brahms's first pieces published, including the Piano Sonata in C Major, the Piano Sonata in F-sharp Minor, and the E-flat Minor Scherzo, and Brahms returned to Hamburg to begin building his career. Robert's psychotic breakdown called Brahms back to the Schumann household in 1854. He stayed there to offer emotional support to Clara and began work on a violent, angst-filled piece that would eventually become his Piano Concerto no. 1 in D Minor. Brahms and Clara fell in love, but Brahms was unable to act on his feelings, even after Robert's death in the summer of 1856. Brahms as Wanderer For the next several years, Brahms took various appointments and traveled but refused to commit himself to a long-term professional position. His Piano Concerto in D Minor was premiered in Leipzig in 1859, with disastrous results. He finally stumbled into a position as a choral conductor and composer in Hamburg that would prove to be the key to his musical maturity. By 1860, Brahms had achieved his mature compositional style. We see this combination in his Piano Quartet in G Minor from 1861. His mother died in 1864, leaving Brahms grief stricken but moved to compose his longest and perhaps most personal work, A German Requiem. Brahms, the String Quartet, and his Symphonic Nerve The years 1865-1870 were compositionally productive for Brahms, but he was still terrified at the prospect of writing a symphony. He occupied himself almost exclusively with vocal music, writing, among many other works, the "Cradle Song," probably his most recognized piece, and the magnificent Requiem. In 1871, Brahms accepted the position of director of the Society of the Friends of Music in Vienna, where he was free to study and conduct the music he chose, including that of Handel, Bach, and Beethoven, along with Mendelssohn and Schumann. After seven years of concentrating on vocal music, Brahms again turned to orchestral composition, producing his Variations on a Theme by Joseph Haydn and the String Quartets in C Minor and A Minor. In 1875, Brahms resigned his directorship, freeing himself to complete his Symphony no. 1 in C Minor. Brahms's First Symphony is a brilliant example of his synthesis of Romantic melody, harmony, and spirit with Classical dis[beeep]line and formal structures. During this period, Brahms was rich and famous, comfortably ensconced in the artistic life of Vienna, and producing one genuine masterwork after another, including his Second Symphony, the Violin Concerto in D Major, and the monumental Piano Concerto no. 2 in B-flat Major. The Final Years As Brahms reached his 50s he was still producing prodigious amounts of music. His Third and Fourth Symphonies come from this period, along with songs, sonatas, a Trio in C Major, and the Double Concerto for Violin and 'Cello. When his lifelong friend Clara Schumann died in 1896, Brahms was devastated. His own health deteriorated, and he died of liver cancer in 1897. "His legacy to us is a lifetime of extraordinary craft and artistic beauty without an inferior piece in the collection," notes Professor Greenberg. Works you'll hear in the lectures are excerpted from: Concerto for Violin and Orchestra in D Major, op. 77 (1878) Piano Concerto no. 1 in D Minor, op. 15 (1859) A German Requiem, op. 45 (1865) Horn Trio in E-flat Major, op. 40 (1865) Songs, op. 49, Wiegenlied (Cradle Song) (1868) Symphony no. 1 in C Minor, op. 68 (1876) Symphony no. 2 in D Major, op. 73 (1877) Piano Concerto no. 2 in B-flat Major, op. 83 (1881) Symphony no. 3 in F Major, op. 90 (1883) Symphony no. 4 in E Minor, op. 98 (1885) Quintet for Strings in G Major, op. 111 (1890) Waltz, op. 39, no. 15 (1865) Quartet for Four Voices and Piano, Neckereien (Teasing), op. 31, no. 2 (1859) Serenade in D Major, op. 11 (1858) Variations on a Theme by Haydn, op. 56a (1873) String Quartet in C Minor, op. 51, no. 1 (1873) Download link: http://rapidgator.net/file/b534ada2dfe11d3be3ef65ca505e9fd4/8wo1n.TTC.Video..Great.Masters..Brahms..His.Life.and.Music.2017.part1.rar.html http://rapidgator.net/file/d720fa9cfedbc18ca5057933e6c44345/8wo1n.TTC.Video..Great.Masters..Brahms..His.Life.and.Music.2017.part2.rar.html http://nitroflare.com/view/26CE1E7CCE95A1B/8wo1n.TTC.Video..Great.Masters..Brahms..His.Life.and.Music.2017.part1.rar http://nitroflare.com/view/0D1079861E7BF39/8wo1n.TTC.Video..Great.Masters..Brahms..His.Life.and.Music.2017.part2.rar https://uploadgig.com/file/download/66C38516a54e7865/8wo1n.TTC.Video..Great.Masters..Brahms..His.Life.and.Music.2017.part1.rar https://uploadgig.com/file/download/38Af0699a845ef63/8wo1n.TTC.Video..Great.Masters..Brahms..His.Life.and.Music.2017.part2.rar http://uploaded.net/file/ted0bcoa/8wo1n.TTC.Video..Great.Masters..Brahms..His.Life.and.Music.2017.part1.rar http://uploaded.net/file/7xpkkdqq/8wo1n.TTC.Video..Great.Masters..Brahms..His.Life.and.Music.2017.part2.rar Links are Interchangeable - No Password - Single Extraction

Great Masters: Shostakovich-His Life and Music 8xWEBRip | English | AVI + PDF Guide | 640 x 480 | DX50 ~393 kbps | 29.970 fps MP3 | 128 kbps | 48.0 KHz | 2 channels | 06:15:25 | 1.41 GB Genre: eLearning Video / Biography, Music Discover the extraordinary life, times, and art of Dmitri Shostakovich (1906-1975), great musical master and flawed but faithful witness to the survival of the human spirit under totalitarianism. He is without a doubt one of the absolutely central composers of the 20th century. His symphonies and string quartets are mainstays of the repertoire. But Shostakovich is also a figure whose story raises challenging and exciting issues that go far beyond music: They touch on questions of conscience, of the moral role of the artist, of the plight of humanity in the face of total war and mass oppression, and of the inner life of history's bloodiest century. A Soviet Impression The Bolshevik Revolution took place when Dmitri Shostakovich was a boy of 11. His life and career from then on coincided with, and in a sense mirrored, the rise, tortured life, and eventual failure of the Soviet communist regime. The premise of Professor Robert Greenberg's approach to this giant among 20th-century composers is that nothing he said publicly about his music ("for official Soviet consumption") should be taken at face value. He lived the great bulk of his career under Stalin, and he knew what that meant. He had seen friends taken away in the purges, never to return. The crucial aspect on Shostakovich's career, argues Professor Greenberg, is defined by his posthumous book of reminiscences, Testimony: The Memoirs of Dmitri Shostakovich, a volume based on a series of extraordinarily frank private interviews that the composer gave to a young Soviet musicologist named Solomon Volkov. In them, Shostakovich makes clear that he was no hero or martyr-as a friend said, "He did not want to rot in a prison or a graveyard"-but also shows that at the same time he was never willing to become a docile instrument of the Soviet regime. Shostakovich speaks through his music, which bears messages from a buried life of his experiences during the terror of Stalin, the Nazi destruction of his country, postwar reconstruction, and the arms race. To decode these messages, you study a mix of biographical information intertwined with numerous musical excerpts from the composer's work. You learn to hear how, in work after work, often composed under circumstances of crushing difficulty and anxiety, Shostakovich used a brilliant arsenal of ironic juxtapositions (a piping piccolo theme in a symphony supposed to glorify Stalin, for instance), musical codes from such un-Soviet sources as American jazz or Jewish klezmer tunes, and other techniques to assert the integrity of his art in the face of totalitarian oppression, and to pay, as he said, "homage to the dead." Professor Greenberg provides careful, gripping accounts of the political circumstances amid which Shostakovich composed his masterworks-meaning above all his 15 symphonies and 15 string quartets. Shostakovich: Portrait of the Artist as Witness and Survivor The flood of declassified material that has come pouring out of old Soviet archives since 1991 is a rich resource for these lectures. The tale this material tells is harrowing, but it is one we cannot look away from, notes Professor Greenberg. Certainly, he says, we will never understand Shostakovich unless and until we come to grips with it, for only by knowing this awful history can we hope to grasp anything even approaching "the full and true meaning of the art that this frail, fearful, and outwardly timid but inwardly resolute genius has bequeathed to us, his fortunate posterity. "Unlike the other musical biographies that I have created for The Teaching Company, this one-Shostakovich's-will have more than its share of controversy," says Professor Greenberg. "There are two reasons for this. The first is simple enough: Having died fairly recently, and having composed major works almost to the end of his life, Shostakovich is a very 'fresh' figure. We are still coming to terms with his enormously influential compositional output-particularly his symphonies and string quartets, works which are so central to the contemporary repertoire. "The second reason for the controversy is far more complicated: Shostakovich was a Soviet artist, and the Soviet State used his music as a tool. Art and politics make strange and problematic bedfellows. But they are a coupling that we cannot possibly avoid if we are to talk about Dmitri Shostakovich and his music. These lectures, then, tell the story of a man and his art, a place and a political system, all of them truly indivisible from one another." Shostakovich knew Stalin personally and was singled out for criticism by him. Shostakovich was not just the single most important composer of string quartets and symphonies from the 1920s to the 1970s, he was a witness to the rise and failure of Soviet Communism, perhaps the defining event of the 20th century. Biography Presented in Detail Among what you learn about Shostakovich's life is: After the condemnation of his music by Stalin in 1936, Shostakovich never left home without soap and a toothbrush, so convinced was he that he would be arrested. He included a special set of notes representing a "musical signature" in many of his works. The Quintet for Piano and Strings in G Minor of 1940 comments on the official Soviet preference for upbeat, "accessible" music by sandwiching a movement that codes the bumptious theme associated with Russian circus clowns between movements that brilliantly pay tribute to J. S. Bach. Shostakovich loved Jewish music-especially klezmer because of the way it combines joy with despair. Defying Soviet anti-Semitism, he "coded" Jewish music in works such as 1944's Piano Trio in E Minor, wrote a song cycle called From Jewish Poetry (1948), and famously memorialized the plight of persecuted and murdered Jews in his Babi Yar Symphony of 1962. The brutal and vicious second-movement scherzo of the magnificent 10th Symphony was written that way because it was intended as a musical portrait of the recently deceased Josef Stalin. An Artist for Humanity When Dmitri Shostakovich died in Moscow on December 9, 1975, he was "hailed as a 'hero of the people,' " says Professor Greenberg. "But we know him as a survivor, a witness, and an artist who spoke for all of humanity." Works you'll hear in the lectures are excerpted from: Symphony no. 3 in E-flat Major, op. 20 (1929) Lady Macbeth of Mtsensk, op. 29, (1930-32) Symphony no. 5 in D Minor, op. 47 (1937) String Quartet no. 1 in C Major, op. 49 (1938) Quintet for Piano and Strings in G Minor, op. 57 (1940) Symphony no. 7 in C Major, op. 60, Leningrad (1941) Piano Trio in E Minor, op. 67 (1944) String Quartet no. 3 in F Major, op. 73 (1946) String Quartet no. 5 in B-flat Major, op. 92 (1952) Symphony no. 10 in E Minor, op. 93 (1953) String Quartet no. 7 in F-sharp Minor, op. 108 (1960) Symphony no. 13 in B-flat Minor, op. 113, Babi Yar (1962) String Quartet no. 10 in A-flat Major, op. 118 (1964) String Quartet no. 15 in E-flat Minor, op. 144 (1974) Download link: http://rapidgator.net/file/2a86e4e2fc12bb8e8eda78aaec806c00/23ha3.Great.Masters.ShostakovichHis.Life.and.Music.rar.html http://nitroflare.com/view/0E818740C76C832/23ha3.Great.Masters.ShostakovichHis.Life.and.Music.rar https://uploadgig.com/file/download/e935B89a4ac111EB/23ha3.Great.Masters.ShostakovichHis.Life.and.Music.rar http://uploaded.net/file/hjnfzoc5/23ha3.Great.Masters.ShostakovichHis.Life.and.Music.rar Links are Interchangeable - No Password - Single Extraction

Great Masters - Beethoven - His Life and Music 8xWEBRip | English | AVI + PDF Guide | 512 x 384 | XviD ~872 kbps | 29.970 fps MP3 | 128 kbps | 48.0 KHz | 2 channels | 06:04:50 | 2.47 GB Genre: eLearning Video / Biography, Music Ludwig van Beethoven was one of the most prolific and inspiring forces in the history of music. With his brilliant compositions and his unique approach to the piano, he changed the face of western concert music forever. After Beethoven nothing could ever be the same again. This course by Professor Robert Greenberg is a biographical and musical study of Beethoven . It puts the great musician's life in a social, political, and cultural context. First and foremost, it is a biographical study, and includes excerpts from more than a dozen of Beethoven's works.You will learn about Beethoven's: Dysfunctional family life and relationships with his mother, father, paternal grandfather, and brothers Musical training, especially his unique approach to the piano Appearance and attitude Celebrity in music- and piano-crazed Vienna Compositional successes including symphonies, piano sonatas, and string quartets, among many others Hearing loss and the crisis of 1802 Delusions and his relationship with his nephew Karl. You learn about the core features of some of his greatest music, but without the detailed, technical analyses in the courses The Symphonies of Beethoven, or in the Concert Masterworks series, wherein Professor Greenberg discusses Beethoven's Emperor Concerto and Violin Concerto. Reinventing Musical Expression in the Western World Beethoven's appearance was somewhat off-putting. He was short with a thick body and an unusually large head, covered with his famous wild hair. Heinrich Friedrich Ludwig Rellstab, a journalist, music critic, and contemporary of Beethoven's, described his hair as "Not frizzy, not straight, but a mixture of everything." Beethoven was physically clumsy; he was liable to knock over or break anything he touched. He could not keep time when dancing and had problems cutting and shaping the quill pens he needed for writing. Beethoven exhibited a pathological hatred for authority, a persecution complex, and delusional behaviors. With his deafness, these problems forced him to look inward and reinvent himself. In doing so, he reinvented the nature of musical expression in the Western world. An Artist of Musical Transformations Beethoven experienced "rebirth" as an artist three times over the course of his life. Intense Composition He was born December 17, 1770, into a dysfunctional family with an abusive and alcoholic father and a depressed mother. His musical talent was recognized early, but his father attempted to beat him into becoming a child prodigy to rival Mozart. It was a futile attempt; there could only be one Mozart. By 1785, the young Beethoven was the family breadwinner and, in 1787, the primary caregiver for his younger brothers. In 1789, he sought and was granted some relief from these responsibilities from local authorities and experienced his first musical rebirth. It was for him a time of intense composition. He wrote five sets of piano variations, ballet music, concert arias, chamber works for piano and winds, and two cantatas for vocal soloists, chorus, and orchestra. Pianist and Hero When he moved to Vienna to study with Haydn in 1792, Beethoven "was living with a reputation as a virtuoso pianist in a city that was mad for pianists," says Professor Greenberg. "He outplayed virtually every other pianist in the city in competitions and became the darling of the Viennese aristocracy. During this same time, he took lessons with Haydn, although his dislike of authority figures made most music lessons a waste of time." These early years in Vienna were also significant for his compositional career. From 1792-1803, he produced, among many other works, the Opus 1 Trios for Piano, Violin, and 'Cello; the Opus 18 string quartets; and the Symphony no. 1 in C Major. Meanwhile, his popularity outside Vienna increased. In 1801, Beethoven's career and finances were flourishing, but he was in poor health. His hearing loss was becoming progressively worse, and he grew more and more depressed and anxious. His emotional crisis reached a peak in 1802-but served as the creative catharsis that brought about a second musical rebirth a year later, in a self-sufficient and heroic guise, struggling against his fate. He took as a model for this new self-image Napoleon Bonaparte, who at the time, represented a vision of individualism and empowerment. Beethoven's music reflects this vision in its insistence on expressing the heights and depths of the artist's emotions. His Symphony no. 3 in E-flat Major, op. 55, for example, was revolutionary in its proportions and dramatic expressive content. This first of the "Heroic Symphonies" changed the history of Western music. During this compositional period from 1803-1812,Beethoven produced masterworks: the Fourth, Fifth, and Sixth Symphonies; the Violin Concerto; the Choral Fantasy; the Fourth and Fifth Piano Concerti; the five middle string quartets; the Mass in C Major; and the opera Fidelio. But toward the end of this period, Beethoven experienced a short affair with the mysterious "Immortal Beloved," an episode that ultimately pre[beeep]itated his fall into despair and public ridicule. In his youth, Beethoven had been irrationally possessive and jealous of his brothers. So when his brother Carl died, Beethoven transferred these feelings to his nephew Karl and pursued four years of destructive litigation to gain guardianship of the boy. "Modern" Works and the Ninth Symphony In 1819, Beethoven used events, once again, as a catalyst for an artistic rebirth. In the last years of his life, he wrote many of his most profound, most "modern" works, including the six late string quartets, the Ninth Symphony, and the Missa Solemnis. Beethoven's Symphony no. 9 became the single most influential piece of music composed in the 19th century. The work breaks with time-honored conventions and distinctions to give precedence to the expressive needs and desires of the artist. During these years, Beethoven was consumed by his craft, but socially, he was still difficult with friends, family, and business associates. An "Impossible" Composer Beethoven died March 26, 1827. At the end of his life he had managed a reconciliation with his family and was given an affectionate tribute by the Viennese people. When Gioacchino Rossini met Beethoven in 1822, he was stunned by the squalor of his apartment and the sadness of the artist himself. As Frances Toye tells the story, "Later, Rossini tried to do something for Beethoven, himself heading a subscription list. To no purpose, however. The answer [the Viennese gave] was always the same: Beethoven is impossible.'" Works you'll hear in the lectures are excerpted from: Symphony no. 7 in A Major, op. 92 (1812) Missa Solemnis in D Major, op. 123 (1823) Symphony no. 8 in F Major, op. 93 (1812) Wellington's Victory, op. 91 (1813) Piano Sonata in B-flat Major, op. 106 (1818) Piano Sonata in C Major, op. 53 (1804) Symphony no. 3 in E-flat Major, op. 55 (1805) String Quartet no. 7 in F Major, op. 59, no. 1 (1806) String Quartet no. 9 in C Major, op. 59, no. 3 (1806) Symphony no. 6 in F Major, op. 68 (1808) Piano Concerto no. 4 in G Major, op. 58 (1806) Symphony no. 5 in C Minor, op. 67 (1808) Symphony no. 9 in D Minor, op. 125 (1824) Download link: http://rapidgator.net/file/f0a83720b8f336d982a08be64d070167/spv53.Great.Masters..Beethoven..His.Life.and.Music.2017.part1.rar.html http://rapidgator.net/file/9b6b02a32c85dd23e498c8582dad0d1a/spv53.Great.Masters..Beethoven..His.Life.and.Music.2017.part2.rar.html http://nitroflare.com/view/FC055449034FDA5/spv53.Great.Masters..Beethoven..His.Life.and.Music.2017.part1.rar http://nitroflare.com/view/98CF20F893DAA58/spv53.Great.Masters..Beethoven..His.Life.and.Music.2017.part2.rar https://uploadgig.com/file/download/859e2FeF8b46B419/spv53.Great.Masters..Beethoven..His.Life.and.Music.2017.part1.rar https://uploadgig.com/file/download/248ee2d97e5D80b9/spv53.Great.Masters..Beethoven..His.Life.and.Music.2017.part2.rar http://uploaded.net/file/936w71b5/spv53.Great.Masters..Beethoven..His.Life.and.Music.2017.part1.rar http://uploaded.net/file/7dor39h7/spv53.Great.Masters..Beethoven..His.Life.and.Music.2017.part2.rar Links are Interchangeable - No Password - Single Extraction

Artist: Duke Ellington And His Orchestra Title: Duke Ellington & His Orchestra Live in Cologne 1969 Year Of Release: 2016 Label: Jazzline Genre: Jazz Quality: mp3 320 kbps Total Time: 01:08:58 Total Size: 160 mb Tracklist --------- 01. JamBlues 02. Rockin' in Rhythm 03. 430 Blues 04. Take the A-Train 05. Up Jump 06. Satin Doll 07. April in Paris 08. El Gato 09. Black Butterfly 10. Don't Get Around Much Anymore 11. Caravan 12. Mood Indigo 13. I'm Beginning to See the Light 14. Sophisticated Lady 15. Diminuendo and Crescendo in Blue http://rapidgator.net/file/db28ea39279b0da5afa58368950059d9/-9506DE6916.rar.html http://ssh.tf/Y01bmP3xL/-9506DE6916.rar http://uploaded.net/file/qt1y32x8/-9506DE6916.rar

Henry Red Allen - Feelin' Good: His First In Person Album (2016) Title: Feelin' Good His First In Person Album Artist : Henry Red Allen Year : 2016 Genre: Jazz Packed size: 101 MB Format : MP3 Bitrate : 320Kbps Tracklist : 01 - Cherry 02 - Sweet Substitute 03 - Trav'lin All Alone 04 - Yellow Dog Blues 05 - You're Nobody 'till Somebody Loves You 06 - Siesta At The Fiesta 07 - Feeling Good 08 - Patrol Wagon Blues 09 - I'm Coming Virginia 10 - Gee Baby, Ain't I Good To You 11 - Rag Mop http://uploadgig.com/file/download/AaCe100028e5E906/376763b9803225493e9102a1b278aa330f405.rar http://rapidgator.net/file/8bae87988f966fe5d6228d9775393303/376763b9803225493e9102a1b278aa330f405.rar.html

Artist: Commander Cody & His Lost Planet Airmen Title: 3 Original Warner Albums Year Of Release: 2016 Label: Warner / BGO Records [bGOCD1238] Genre: Rock / Country / Country Rock / Rock & Roll Quality: FLAC (tracks+.cue,log) Mp3 Total Time: 2CD (02:17:15) Total Size: 995 MB 365 MB (Scans) Commander Cody & His Lost Planet Airmen - Commander Cody And His Lost Planet Airmen/Tales From The Ozone/We've Got A Live One Here! Digitally remastered two CD set containing Commander Cody's three Warner Bros albums from 1975 and 1976. Immensely popular live, this country rock-western swing-rockabilly band couldn't quite achieve great chart success. All three albums here did make the US Top 200, but Cody decided to disband the act in 1976,We've Got A Live One Here! was recorded in England during their tour in January and February 1976. Tracklist: Disc 1: Commander Cody And His Lost Planet Airmen (1975) 1. Southbound 2. Don't Let Go 3. California Okie 4. Willin' 5. The Boogie Man Boogie 6. Hawaii Blues 7. House Of Blue Lights 8. Keep On Lovin' Her 9. Devil And Me 10. Four Or Five Times 11. That's What I Like About The South Tales From The Ozone (1975) 12. Minnie The Moocher 13. It's Gonna Be One Of Those Nights 14. Connie 15. I've Been To Georgia On A Fast Train 16. Honky Tonk Music 17. Lightnin' Bar Blues 18. Paid In Advance 19. Cajun Baby 20. Tina Louise 21. The Shadow Knows 22. Roll Your Own 23. Gypsy Fiddle Disc 2: We've Got A Live One Here! (1976) 1. One Of Those Nights 2. Semi Truck 3. Smoke! Smoke! Smoke! 4. Big Mamou 5. San Antonio Rose 6. 18 Wheels 7. Mama Hated Diesels 8. Lookin' At The World Through A Windshell 9. My Window Faces South 10. Milkcow Blues 11. It Should've Been Me 12. Back To Tennessee 13. Seeds And Stems 14. Rock That Boogie 15. Riot In Cell Block No. 9 16. Don't Let Go 17. Too Much Fun 18. Hot Rod Lincoln 19. Lost In The Ozone http://rapidgator.net/file/7e75ca50a8f8edc89ba9a1461fdc9017/CCandHLPAirm-3OWA016FL.part1.rar.html http://rapidgator.net/file/4163786b47ecb9c8d7fad3bef29a0b56/CCandHLPAirm-3OWA016FL.part2.rar.html http://ssh.tf/c2tYVg1XL/CCandHLPAirm-3OWA016FL.part1.rar http://ssh.tf/MDBv2GBXL/CCandHLPAirm-3OWA016FL.part2.rar http://uploaded.net/file/qo1c5azi/CCandHLPAirm-3OWA016FL.part1.rar http://uploaded.net/file/6yrapka0/CCandHLPAirm-3OWA016FL.part2.rar http://rapidgator.net/file/db38ddae435a3e6c74e161a807219b1e/CCandHLPAirm-3OWA016.rar.html http://ssh.tf/tapB7WEXL/CCandHLPAirm-3OWA016.rar http://uploaded.net/file/sqycdv8h/CCandHLPAirm-3OWA016.rar

Witchery - In His Infernal Majesty's Service [Japanese Edition] (2016) Title: In His Infernal Majesty's Service [Japanese Edition] Artist : Witchery Year : 2016 Genre: Blackened Thrash Metal Packed size: 107 MB Format : MP3 Bitrate : 320Kbps Tracklist : 01 - Lavey-Athan 02 - Zoroast 03 - Netherworld Emperor 04 - Nosferatu 05 - The Burning Of Salem 06 - Gilded Fang 07 - Empty Tombs 08 - In Warm Blood 09 - Escape From Dunwich Valley 10 - Feed The Gun 11 - Oath Breaker 12 - Daemon Eater (Bonus Track) 13 - Eye For An Eye (Bonus Track) http://uploadgig.com/file/download/9a675243fE68C5ad/3749172d6b824a84cd48bf87829a7483292e7.rar http://rapidgator.net/file/0d19c6b2140b0cf8bd8c9e87f9472fde/3749172d6b824a84cd48bf87829a7483292e7.rar.html http://uploaded.net/file/6t2bhjex/3749172d6b824a84cd48bf87829a7483292e7.rar

Artist: Stan Kenton And His Orchestras Title: The Kenton Era Year Of Release: 2006 Label: Sounds of Yester Year Genre: Jazz Quality: FLAC (tracks) Total Time: 02:34:57 Total Size: 513 MB Tracklist: CD 1 01. The Prologue (11:48) 02. Artistry In Rhythm (0:43) 03. Two Moods (2:08) 04. Etude For Saxophones (3:15) 05. I Got It Bad And That Ain't Good (2:59) 06. Lamento Gitano (2:54) 07. Reed Rapture (2:14) 08. La Cumparsita (3:17) 09. St. James Infirmary (3:17) 10. Arkansas Traveler (2:04) 11. Artistry In Rhythm (0:57) 12. Russian Lullaby (2:20) 13. I Lost My Sugar In Salt Lake City (2:05) 14. Opus A Dollar Three Eighty (2:22) 15. I Know That You Know (1:52) 16. I'm Going Mad For A Pad (3:04) 17. Ol' Man River (3:01) 18. I'll Remember April (3:04) 19. Liza (2:10) 20. One Twenty (2:41) 21. Body And Soul (3:14) 22. Tea For Two (2:50) 23. I Never Thought I'd Sing The Blues (2:58) 24. I've Got The World On A String (3:38) 25. Everybody Swing (2:14) 26. You May Not Love Me (2:54) 27. More Than You Know (2:24) CD 2 01. Artistry In Harlem Swing (2:46) 02. If I Could Be With You (3:42) 03. By The River St. Marie (1:37) 04. Sophisticated Lady (3:11) 05. Interlude (3:54) 06. Over The Rainbow (3:20) 07. Machito (2:15) 08. Elegy For Alto (4:02) 09. In Veradero (4:16) 10. Amazona (4:38) 11. Salute (4:03) 12. Coop's Solo (3:40) 13. Ennui (3:38) 14. Samana (3:50) 15. Swing House (2:53) 16. You Go To My Head (3:18) 17. Baa-Too-Kee (2:41) 18. Stella By Starlight (3:17) 19. Bill's Blues (2:52) 20. Modern Opus (3:13) 21. Zoot (3:17) 22. Epilogue (2:11) 23. Artistry In Rhythm (3:59) This four-LP set contains a great deal of extraordinary music from Stan Kenton, most of it recorded live in concert or taken from radio transcriptions. Kenton is heard reminiscing about his first 15 years in the business, there are some selections taken from his famous 1941 stint at the Rendezvous Ballroom in Balboa, CA, numbers from rehearsals in 1944, radio airchecks dating from 1944-48, some startling performances by Kenton's Innovations orchestra of 1950-51 and a few swinging numbers from his 1952-53 big band. Virtually all of the music is rare, making this an essential acquisition for collectors. -- Scott Yanow http://rapidgator.net/file/0bb34c9e731786fd6ae939b870c86bc9/TKER.rar.html ssssssssssssssssssssssssssssss http://ssh.tf/Orcih6SSp/TKER.rar ssssssssssssssssssssssssssssss http://uploaded.net/file/ey2mxvcb/TKER.rar

Artist: Patrick Williams & His Blues Xpress Title: Big Easy Blues Year Of Release: 2015 Label: LocoBop Genre: Blues Rock Quality: 320 kbps Total Time: 45:16 Total Size: 107 MB Tracklist: 1. Pride And Joy (4:24) 2. I'll Play The Blues For You (5:23) 3. Everyday I Have The Blues (4:50) 4. I'm Already Gone (3:58) 5. Killing Floor (3:22) 6. Little Wing (5:33) 7. Rock Me Baby (3:27) 8. Double Trouble (6:42) 9. Big Leg Woman (3:14) 10. Crossroads (4:18) Personnel: Patrick Williams - Harmonica/Vocals James Mitchell Jr. - Bass Herman Halphen - Drums Ryan Hall - Guitar Reuben Watts - Percussion Singer and harp man Patrick Williams is one of those rare NOLA natives who chose blues over jazz, and as such, he holds down what there is of the Bourbon Street blues scene.Which is not faint praise because his backup band is as tight as can be, with the kind of interplay and sense of groove you only find, well, in a jazz band. Patrick's voice is a solid soul-blues instrument, and as you might expect from his gig, he hits all the obvious highlights-"Crossroads," "Little Wing," "Rock Me Baby," "Pride & Joy." (If you need further ID on those classics, this is not the band for you.) And aside from putting a little extra get-up in Howlin' Wolf's deathless "Killing Floor" and accenting the funk in Freddie King's "Big Leg Woman," the Xpress doesn't do anything startling with the material. The real news here is guitarist Ryan Hall, another native who's been doing time with Texas alt-blues trio Woody's Rampage. Barely out of his teens, Hall can wring necks with anyone on the Austin scene, and almost certainly cut the heads of any Crescent City native to whom blues is their first language-he's got plenty of fireworks, and yet he's already smart enough to save them for when they'll do the most damage. The whole band handles the Texas-Chicago electric blues nexus with a local's sense of rhythm, but Hall can play on Bourbon Street anytime, as well as Sixth Street, Beale Street. he can take over any town he wants, really. Keep him here 'till the blues comes back. ~Robert Fontenot http://rapidgator.net/file/544643dcfa7d1c51d0cf7ea28da71dfd/PatrickWilliamsEasy2015.rar.html ssssssssssssssssssssssssssssss http://ssh.tf/7RJSBZBjp/PatrickWilliamsEasy2015.rar ssssssssssssssssssssssssssssss http://uploaded.net/file/b92oxpgc/PatrickWilliamsEasy2015.rar