Znajdź zawartość

Artist: Babajack Title: The Maker Year Of Release: 2008 Label: Babajack Genre: Roots, Blues, Acoustic Blues, Folk Blues Quality: Flac (image, log, .cue) Total Time: 41:40 Total Size: 277 Mb (covers) Tracklist: 1. Life Is a Struggle (5:14) 2. Standing On On the Corner (4:04) 3. Coming Home (5:02) 4. A Thousand Angels (3:25) 5. Mary (4:09) 6. Daddy's Gone (4:11) 7. Stones in My Shoes (3:09) 8. I Wish (4:21) 9. The Lady Baby Stomp (4:16) 10. But I'm Happy (3:46) BabaJack have collected more British Blues Awards this year. Becky is 'Instrumentalist of the Year' for the fourth time (2012, 2013, 2015 & 2016) and Trevor is a runner up as 'Harmonica Player of the year'. They have been finalists for 'Best Acoustic Act' and the Rooster Album was runner up for 'Best Album of 2012'. On top of this they were finalists at the European Blues Challenge 2012. AND... Becky Tate made honorary member of the UK Blues Federation! Becky has been asked to join the UK Blues Federation as an ambassador for blues music and to support the federation in developing the genre in and outside the UK in all it's forms and genre. We are very proud to be part of this and in great company! http://rapidgator.net/file/245dee8352c1ddc1fc016ceeb685566e/bjtm.rar.html ssssssssssssssssssssssssssssss http://ssh.tf/YkVT6MrZp/bjtm.rar ssssssssssssssssssssssssssssss http://uploaded.net/file/zsr4mbkm/bjtm.rar

Artist: Babajack Title: Live: Summer 2015 Year Of Release: 2015 Label: Babajack Genre: Blues, Acoustic Blues, Folk-Blues Quality: Flac (image, log, .cue) Total Time: 63:20 Total Size: 392 Mb (covers) Tracklist: 01. Money's All Gone 02. Coming Home 03. Falling Hard 04. Hammer And Tongs 05. Rock 'n' Roll Star 06. Sunday Afternoon 07. Back Door 08. Breathe 09. Running Man 10. Gallows Pole 11. Skin And Bone 'Babajack Live' starts out as a blues album - all wailing harp, rough-hewn slide and hypnotic rhythms on homemade instruments - but quickly develops organically into a body of music with more depth. The background to the album is that it was originally meant to be recorded at the Albert Hall, but circumstances dictated otherwise, leading to a last minute change of venue. In that context both the band and producer Paul Long have done remarkably well to nail an essential live album full of Becky's edgy vocals, the ensemble's rip-roaring percussive style and their inspired interplay. The band explores layers of expansive Afro-rhythmic textures with a Delta blues feel, shot through with a rocky edge. The kick ass rhythm section of drummer Tosh Murase and Adam Bertenshaw push vocalist and percussionist Becky Tate and the harp playing guitarist to the limit. It helps of course that their material is an amalgamation of roots-rock, blues and folk that some might call tribal fusion. It's a musical hybrid that readily lends itself to their intense version of 'Gallows Pole', a number that runs the full gamut of styles from folk to blues and rock. It's easy to identify Babajack as a jam band who eschew structure for feel and spontaneity. But that would be to overlook their musical complexity, comprising sudden tempo changes and a subtle use of dynamics that gives tracks like the extended 'Coming Home' its impact. The song's break-down pairs Julia Palmer Price's gently bowed cello with Becky's emotive vocal. An if there are moments when you are not sure where the band is going, it gives them a definable edge. Julia returns later to add some ethereal sounds on the beautifully crafted 'Breathe', which is a perfect title for a short atmospheric piece full of poise and presence 'Bababajack Live', shifts from acoustic blues roots through moments of rocking intensity to ride roughshod over expectations. On 'Falling hard', the emphasis is on Becky's tremulous phrasing and Trevor's sonorous harp. The duo stretch the song over a rock solid backbeat, as the track ebbs and flows from quiet emotive moments to polar opposite explosive dynamics. The pregnant pause at the end of the song is that of an audience collectively catching its breath! Becky tells the crowd that: 'some people say we're not really blues' , and then they offer the perfect musical riposte with groundbreaking music that draws on several musical traditions and fuses it all together in their own inimitable style. And having established a rhythmic template for their music, the band strips things down on 'Hammer & Tongs' to just the voice and lyrical harp on an arrangement in which Becky's phrasing is everything. If there's a downside its simply that a surfeit of mid-tempo rhythms is in danger of overloading the senses, though the band seems to be aware of this in the way they explore different dynamics and a variety of vocal attacks. On 'Rock & Roll Star' they build a brusque groove on the back of a big rock drum figure, tempered by funky bass licks. A mid-number Steger rap gives the effect of layered vocals on a track that comes closest to capturing their unique style. 'Back Door' features Trevor on harp, slide and feverish rhythm as the band stretches out, while the sheer intensity of 'Gallows Pole' earns them a deserved raucous reception. Brave, Imaginative and never less than inspired, 'Babajack Live ' is a timely reminder that great music will always stand above the industry's attempts to box and label it. http://rapidgator.net/file/d99b4ad0c38624fe4a154db8177a75cd/blsf.rar.html ssssssssssssssssssssssssssssss http://ssh.tf/uz[beeep]bcZp/blsf.rar ssssssssssssssssssssssssssssss http://uploaded.net/file/giizw87y/blsf.rar

Artist: BabaJack Title: Exercising Demons Year Of Release: 2010 Label: Rochelle & the Sidewinders Genre: Blues, Acoustic Blues, Folk-Blues Quality: Flac (image, log, .cue) Total Time: 51:52 Total Size: 378 Mb (covers) Tracklist: 1. Big Man Blues (4:22) 2. Sweet Jelly Love (5:00) 3. Going Down (5:17) 4. Parade (4:49) 5. Big Summer Rising (5:02) 6. Dog Tired (4:41) 7. The Last Train (3:50) 8. Religion (6:21) 9. I Walk On Diamonds (4:05) 10. The Well Song (8:20) This is a CD that is going to grab you by the shoulders and shake you around for a bit, resettling your mind into a new locale on a wide-open range. It can seem serene and be flowing smoothly and in a blink erupt with a power and energy you never saw sneaking up on you. It is folky and then goes to almost violent tribal rhythms that display the sheer power of the music being generated. There are gypsy rhythms intertwined with African beats, drone, blues, and folk music. BabaJack is comprised of Trevor Steger on acoustic Dobro and wine box guitars, harmonica and vocals; Becky Tate vocals, drum, and stomp, with Aron Attwood on drums, bass, percussion and vocals (he also produced the disc) and they are joined by about five of their cohorts on various tracks on various instruments. The songs they unleash on the unsuspecting-they did write all of them-are well written and show the versatility of this group with their friends. The singing, mostly done by Becky, is always full of emotion and very evocative and expressive. Though her voice comes very close to the level of surrender to the song, it is the musical rhythms that carry them. It is as much as what they don't play, the spaces they create and don't play into, as what they do play that creates the tension in the songs. Becky's voice has a gritty edge to it that gives it added texture along with Trevor's percussive guitar playing, particularly when he is using his slide. Though it might sound as if it could be hibildy gibbery it is a very cohesive disc that earns repeated listenings with its musicianship. http://rapidgator.net/file/c5b3b981969fd9d0220cc10c1066bacb/bjed.rar.html ssssssssssssssssssssssssssssss http://ssh.tf/f5qAlLyZp/bjed.rar ssssssssssssssssssssssssssssss http://uploaded.net/file/e5wj291u/bjed.rar