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Carla Bley - The Lost Chords Find Paolo Fresu (2007) [FLAC] Artist: Carla Bley Album: The Lost Chords Find Paolo Fresu Year Of Release: 2007 Genre: Jazz, Contemporary Jazz Quality: FLAC (tracks) Bitrate: Lossless Total Time: 00:55:53 Total Size: 322 MB TRACKLIST DODATKOWE INFO DOWNLOAD https://xshare.eu/1SJ0 https://rapidu.net/4524589965/ https://nowfile.net/file/14sjwx http://catshare.net/SI3xZNKQOB9vmY5r https://lunaticfiles.com/jzy0078gsu56 http://turbobit.net/fuzajicvzy9r.html http://freshfile.pl/dl/5tvX1Z12h1NVgT1S/ https://fileshark.pl/pobierz/23805671/d5076 https://rg.to/file/cb122e7b13e795fd34131292919f2d10

Artist: Chet Baker and Paul Bley Title: Diane Year Of Release: 1985 (2000) Label: SteepleChase Genre: Jazz Quality: Mp3 / 320kbps Total Time: 51:41 min Total Size: 119 MB Tracklist --------- 01. If I Should Lose You 02. You Go To My Head 03. How Deep Is The Ocean 04. Pent-Up House 05. Every Time We Say Good Bye 06. Diane 07. Skidadidlin' 08. Little Girl Blue Chet Baker recorded at every opportunity during the last decade or so of his tragic life, with widely varying results due to his drug addiction. But this surprising duo session with pianist Paul Bley is one of his better efforts from this period, focusing primarily on standard ballads by top composers. Bley's playing in the mid-'80s usually was freer in nature, but he willingly plays more mainstream backing for the trumpeter. Baker's tone adds to the poignant air in a rather deliberate interpretation of "If I Should Lose You," with Bley playing beautiful, sparse chords behind him. The duo gels nicely in a midtempo setting of Sonny Rollins' "Pent-Up House," while Baker's "Skidadidlin'" is a low key, bluesy number. Baker sings "You Go to My Head" in a thoughtful manner. First issued on LP, the CD edition added a warm extended performance of Richard Rodgers' "Little Girl Blue" that obviously was omitted at first only due to time restrictions. ~ Ken Dryden Personnel: Piano - Paul Bley; Trumpet - Chet Baker; Vocals - Chet Baker (tracks: 2) http://rapidgator.net/file/4ea99a840cf961933eff2f3c909984bd/ChetDiane.rar.html http://ssh.tf/05mEX2QXL/ChetDiane.rar http://uploaded.net/file/encptold/ChetDiane.rar

Artist: Paul Bley, Franz Koglmann, Gary Peacock Title: Annette Year Of Release: 2001 Label: HAT HUT Records Genre: Avant-Garde Jazz Quality: FLAC [16bit/44.1kHz] Total Time: 64:51 Total Size: 244.1 MB Tracklist: 01. Touching [take 1] (5:52) 02. El Cordobes (8:31) 03. Cartoon (6:26) 04. Albert's Love Theme (3:46) 05. Kid Dynamite (4:26) 06. Miracles (6:47) 07. Blood [take 1] (5:03) 08. Annette (6:26) 09. Both (4:26) 10. Blood [take 2] (2:46) 11. Mister Joy (8:37) 12. Touching [take 2] (1:45) Personnel: Paul Bley - piano Franz Koglmann - flugelhorn, trumpet Gary Peacock - bass http://rapidgator.net/file/ff17bccff4c0deadabd3891e0af0e93d/Annette.rar.html http://ssh.tf/rDAvbjaqJ/Annette.rar http://uploaded.net/file/vuc342oq/Annette.rar

Artist: Paul Bley, Tiziana Ghiglioni Title: Lyrics Year Of Release: 1991 Label: Splasc(H) Recordsâ?Ž Genre: Jazz / Vocal Jazz Quality: Mp3 / 320kbps Total Time: 52:14 min Total Size: 117 MB Tracklist ---------- 01. Beginning 02. Long Ago (And Far Away) 03. Close 04. Don't Blame Me 05. Clime 06. Yesterdays 07. Current 08. Lover Man 09. Soulful 10. The More I See You 11. Ending V Recorded in 1991, this disc gorgeously assembles two of the most lyric "voices" on one CD, Canadian pianist Paul Bley and Italian chanteuse Tiziana Ghiglioni, performing solo and duet in a series of originals and standards. Of the 11 tunes, Bley composed six, all of which are piano solos, which serve as preludes or postludes --depending on your point of view -- to the duets on the standards by Kern, Gershwin, Dorothy Fields/Jimmy McHugh, etc. Bley's compositions are all lyric songs, or songs without lyrics that follow a conventional form and are adorned by his usual lush pointillism. From "Beginning" to "Clime" to "Soulful," Bley digs very deep for the melodic invention only he can put across, stringing lines of arpeggios next to open mode chords and tying them together in a chromaticism of his own design. His triplets give way to staggered ninths and flatted fifths before working themselves out in a lyric line that is as complex as it is stunningly beautiful. As for the duets with Ghiglioni, she proves Bley's perfect foil -- especially on tunes like Gershwin and Kern's "Long Ago and Far Away." Ghiglioni allows the song to come through her voice; she has no need to "make it her own" by taming or twisting it to fit her oracular talent. She allows Bley to bring her the changes and she takes the melody elegantly, letting it come from her mouth as a song, not a vehicle for vocal stylishness. The same goes for "Lover Man," one of the finest versions ever recorded: As she allows the lyric to drip from her emotions and not vice versa, Bley picks it all up and polishes the tune, as the singing needs no assistance. The final duet, "The More I See You," is a revelation in symbiotic musicianship. Ghiglioni just barely anti[beeep]tes Bley's line as he holds back a fraction of a second to change the shape of his chord voicing to highlight the depth and dimension in Ghiglioni's singing. The song becomes not a sentimental piece of jazz' nostalgic past, but a living, breathing hymn to longing. And you can't ask for more than that. ~Thom Jurek http://rapidgator.net/file/b9edc712cb8602e18bcaf2ab9ba75493/PaulBleyTizianaLyrics.rar.html http://ssh.tf/JXNogL1xS/PaulBleyTizianaLyrics.rar https://bytewhale.com/neljut9rqgvz/PaulBleyTizianaLyrics.rar