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Artist: Ronnie Jay Wheeler Title: Red Dust Hideaway Year Of Release: 2013 Label: Ronnie Jay Wheeler Genre: Roots Rock, Folk, Country, Blues, Americana Quality: Mp3/320 kbps Total Time: 01:12:26 Total Size: 178 Mb Tracklist: 1. Such a Sight to See 2. Red Dust Hideaway (Fourth Rate Romance Blues) 3. Book of Empty Pages 4. They Won't Play My Songs on K101 5. White Houses 6. Tornado Alley Love 7. Stranger in a Strange Land 8. Chem Trail Pneumonia Blues 9. I Wish I Was a Fiddler (from Eureka Springs) 10. Can't Seem to Make You Mine/Somebody's Watching You 11. When They Ring the Golden Bells 12. Red Dog Bottle Cap Song (Know When to Walk Away) 13. Old Jim's Recreation 14. This Land Is Your Land 15. Chem Trail Pneumonia (Bonus Track) This is my third CD to be registered with CD Baby. The first was in 2002 and the second was in 2004, so I'm glad to be back! For biographical information about me you could check out the first one here at CD Baby which was Way Over Yonder under Ron Wheeler by search or at www.cdbaby.com/cd/wheeler or the second one here called All Over The Map under Ronnie Jay Wheeler with the URL www.cdbaby.com/wheeler2 or my website www.ronniejaywheelermusic.com. Most recently I've been running my record store, Alley Records, in Oklahoma City and playing music out and about with my friend and lead guitar player Jack Ardis. While out in Santa Fe during Ethnographic weekend this past summer, a friend of mine, Freddy Lopez, who plays harmonica, was showing me a few record stores I hadn't been aware of. When that was over, he mentioned there was something else he wanted to show me. . .he took me out to west Santa Fe on a hill top to see a recording studio called Frogville. I was blown away by what I saw. A great place with an inviting ambiance to which I was greatly attracted. Long story short, I had intuition, the stars were aligned for this Moon Child, the Holy Spirit was affirmative to it, numbers were speaking to me, I could finally afford to do another self-released CD, and Bill Palmer the engineer and his partner JC Treadwell reassured me we could do it fast and simple and my way! We came back out October 7-11 and 15th and 16 and it was done. It was mostly a magical, mystical, and spiritual time with wonderful, happy people helping me. I think it's the best record I've made. Hope you enjoy the CD, too! http://rapidgator.net/file/616076850c91e6659cc74d450ffb25b2/rjwrdh.rar.html http://ssh.tf/eFfPaFhhL/rjwrdh.rar http://uploaded.net/file/1jtpz3cp/rjwrdh.rar

Hideaway Studio The Pentodian Resonator Choir KONTAKT | 484MB A selection of twelve unique synthetic choirs made up of 215 hand crafted vocal formants. At least 50% of the samples in this collection were created using little more than a handful of discrete circuits and vintage lab gear all processed with vintage classic analog and tube technology and brought together in the same proven 4-voice layering engine as the Orbitone library.... Passive L/C Resonator Formant Circuits based on the 1938 Novachord.... The Celestial Choirs featured in The Pentodian Choir started off life as little more than a series of short pulses created by an old hand-configured analog lab signal generator. The frequency of the pulse train was gently modulated using the swept oscillator function to act as a vibrato. The pulses were converted into exponential ramps using a passive wave shaper circuit similar to those found in early string synths and the resulting sawtooth fed into a Triple Passive L/C Resonator circuit based on the 1938 Novachord formant resonator section. This is little more than three coils of wire and three capacitors! The resulting waveform was then impedance buffered using the entire vertical signal path of a 1968 Tektronix 545B tube oscilloscope! The output from the vertical signal output socket was then fed into a prototype tube overdrive unit and into a tube equaliser. *215 generously long 24-bit samples *12 hand made multi-sampled resonator choirs *4-Voice Layering Engine with ability to save *12 editable example instrument patches *8 example layered multi patches *User Manual System Requirements *Requires Kontakt version 4.2.4 or higher *Around 500Mb Free Hard Disk Space Download: http://uploaded.net/file/p6yal7i1/4z2q6.Hideaway.Studio.The.Pentodian.Resonator.Choir.KONTAKT.rar or http://rapidgator.net/file/5f12ce588ada6545e65158d1f4196fdd/4z2q6.Hideaway.Studio.The.Pentodian.Resonator.Choir.KONTAKT.rar.html or http://www.oboom.com/77GTLPNN/4z2q6.Hideaway.Studio.The.Pentodian.Resonator.Choir.KONTAKT.rar

Hideaway Studio S-VX Hybrid Library KONTAKT | 730MB Complex Analog Oscillators with 12-bit Crunch into Curtis Filters.... In the mid 80's AKAI released the infamous S900 which was to be one of the first of a new generation of highly affordable professional samplers. The S900 and it's bigger brother, the S950, became big sellers and completely changed the playing field amongst their competitors with their five digit offerings. The S900 was a 12-bit machine with a tiny 750K memory and a floppy drive for sample storage. At the time it was a revelation but it's now really very basic by today's standards. However.... Like so many early samplers such as the E-mu Emulator II, the SCI Prophet 2000 and the Ensoniq Mirage, the S900 has sonic character in bucket loads and still has a following to this day. One feature of the S900 that was often overlooked was a curious 13 pin connector on the rear panel marked "VOICE OUT"... AKAI had released a small number of polyphonic analog synthesizers during the same era as the S900. These included the AX73 keyboard and the VX90 rack mount. They have often been overlooked over the years possibly due to their rather control-free front panels and menu driven user interfaces. This is a perhaps a little unkind as these instruments feature genuine Curtis VCOs and filters unlike many offerings of the time such as the Juno-106 which was a DCO synth. To this effect they drift out tune with temperature like the best of them! Thank god for the auto-tune button!... The infamous 13 pin connector permitted the sampler to be used as a complex oscillator source driving the filter stages and VCAs modulated by the envelope generators. In short, you get to mix 12-bit digital crunch with the warmth of analog filters! The Sampling Process... The instruments in the S-VX Hybrid Library were constructed using several vintage analog sound sources acting as complex sampled oscillators feeding the VX90 synth. This formed the basis of an unusual albeit somewhat clunky hybrid synth.... Sound sources were mostly Minimoog model D but also included 1938 Novachord, 1967 Philicorda GM751, 1978 ARP Omni-2 string section, Roland JUNO-106 polysynth and 3 tube waveshaped 1960's tube oscillators beating in parallel. 32 ten second long raw oscillator sources were captured in 12-bits using a recently refurbished S900 fitted with a new backlight and a (superb!) Lotharek HxC virtual floppy drive. The results were stored on SD card as part of a bank of 79 virtual disks. The resulting interim sample set acted as oscillator sources for the VX90. Several patches were programmed on the VX90 to filter the oscillators transposed over five octaves from the S900 and the results from the VX90, including it's gorgeous analog chorus, was multi-sampled direct from the output in 24-bit stereo. 376 samples were captured in this manner for the library. The result?... Complex warm analog oscillator sources transposed over 5 octaves with a touch of 12-bit crunch shaped with classic Curtis VCFs and VCAs! System Requirements The S-VX Hybrid Library requires Kontakt version 4.2.4 or higher Download: http://www.uploadable.ch/file/kn8Up2H7bMkM/nkvvw.Hideaway.Studio.SVX.Hybrid.Library.KONTAKT.rar or http://uploaded.net/file/h3bn14ry/nkvvw.Hideaway.Studio.SVX.Hybrid.Library.KONTAKT.rar or http://rapidgator.net/file/c8cdd5cd784074aa8154f1d272b51cad/nkvvw.Hideaway.Studio.SVX.Hybrid.Library.KONTAKT.rar.html or http://www.oboom.com/1OWTEOAC/nkvvw.Hideaway.Studio.SVX.Hybrid.Library.KONTAKT.rar