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Artist: Christian Poltera, Rundfunk-Sinfonieorchester Berlin, Gilbert Varga Title: Martin?? & Shostakovich: Cello Concertos Year Of Release: 2017 Label: BIS Genre: Classical, Orchestral, Cello, Modern Era Quality: flac lossless Total Time: 01:04:16 Total Size: 275 mb Tracklist --------- 01. Cello Concerto No. 2 in G Major, Op. 126: I. Largo 02. Cello Concerto No. 2 in G Major, Op. 126: II. Allegretto 03. Cello Concerto No. 2 in G Major, Op. 126: III. Allegretto 04. Cello Concerto No. 2, H. 304: I. Moderato 05. Cello Concerto No. 2, H. 304: II. Andante poco moderato 06. Cello Concerto No. 2, H. 304: III. Allegro The two cello concertos by Dmitri Shsotakovich were both written for his friend Mstislav Rostropovich but whereas the first is rhythmic and virtuosic, teh second is subdued and introverted. Composed in 1966, it is often regarded as a watershed work, heralding Shostakovich's final stylistic period marked by a certain sombreness and a trend towards more transparent scoring. The op. 126 concerto has become somewhat overshadowed by its older, more accessible sibling, something which also applies to the second work on this disc, for completely different reasons. Having compmleted his Cello Cocnerto No. 2 in 1945, Bohuslav Martinu was unsuccessful in his attempts to interest a leading cellist in promoting it. When the composer furthermore reworked his first cello concerto in 1955, the new version effectively obliterated all traces of the 1945 concerto, which didn't receive its first performance until 1965, six years after Martinu's death. The work is melodious with lyrical qualities, and many have interpreted it as an expression of the nostalgia the composer experienced as an exile in the U.S.A. during the last winter of the World War II. http://rapidgator.net/file/e3bd37c7e12effb930fe9b2f747fee4e/11574CCC17flac.rar.html http://ssh.tf/FLx3XKPu6/11574CCC17flac.rar

Artist: Meredith Blecha-Wells, Sun Min Kim Title: Martinu: Small Storms Year Of Release: 2017 Label: Navona Genre: Classical Quality: FLAC (tracks) Total Time: 58:36 Total Size: 256 MB Tracklist: Bohuslav Martinu (1890-1959) Variations on a Theme of Rossini (the prayer from Act III of "Moses"), H. 290 1. Theme. Poco allegro - Allegro moderato (01:10) 2. Var. 1, Poco allegro (00:54) 3. Var. 2, Poco pi??? allegro (01:37) 4. Var. 3, Andante (02:19) 5. Var. 4, Allegro (00:43) 6. Theme. Vivo - Moderato maestoso (01:01) 7. Ariette, H. 188b (01:44) 7 Arabesques, H. 201 ''???tudes rhythmiques'' 8. No. 1, Poco allegro (01:39) 9. No. 2, Moderato (02:12) 10. No. 3, Andante moderato (02:35) 11. No. 4, Allegro (02:05) 12. No. 5, Adagio (02:41) 13. No. 6, Allegretto (01:33) 14. No. 7, Allegretto moderato (01:35) Suite miniature, H. 192 15. I. Moderato (01:24) 16. II. Poco andante (02:17) 17. III. Poco moderato (01:12) 18. IV. Andante (01:55) 19. V. Poco allegro (01:14) 20. VI. Allegretto (01:16) 21. VII. Moderato (01:20) 4 Nocturnes, H. 189 22. No. 1, Andantino moderato (02:55) 23. No. 2, Lento (06:19) 24. No. 3, Moderato (03:47) 25. No. 4, Allegretto moderato (02:04) Variations on a Slovakian Theme, H. 378 26. Theme. Poco andante, rubato (01:32) 27. Var. 1, Moderato (01:05) 28. Var. 2, Poco allegro (01:21) 29. Var. 3, Moderato (01:45) 30. Var. 4, Scherzo, allegretto (02:04) 31. Var. 5, Allegro (01:18) PERSONNEL Meredith Blecha-Wells, cello Sun Min Kim, piano Like many European composers alive during the World Wars, Bohuslav Martinu (1890-1959) was nomadic. But while most of these artists??? music changed drastically based on their location, Martinu???s compositional style consistently referenced the culture of his Czech heritage. SMALL STORMS ??? cellist Meredith Blecha-Wells??? debut record ??? contains Martinu???s duos for cello and piano from the latter half of his life, with the performances of Blecha-Wells and pianist Sun Min Kim fully embodying the folkloric sensibility and conservative style that typify the composer???s oeuvre. Blecha-Wells??? beautiful playing is especially apt at capturing Martinu???s oft-celebrated gift for melody and lyricism. Consistent with his Romantic and Neoclassicist predilections, the works featured on SMALL STORMS come from genres originating in the nineteenth century, and, in some cases, even earlier. In her variations, nocturnes, and arabesques, the cellist looks not to redefine these time-tested genres, but instead personalizes their forms within the composer???s characteristic musical language. Blecha-Wells??? rendition of Martinu???s Seven Arabesques for Cello and Piano and Nocturnes for Cello and Piano are emblematic examples of the composer???s mixture of the European Classical tradition, elements of his native Czech culture, and the influence of his contemporaries. ???Adante,??? the fourth movement of the Suite Miniature, works along these lines and sounds most heavily inspired by folk music. Conversely, ???Adante Moderato??? from Arabesque might be the most modernist, namely in its dissonance and use of irregular time signatures. Throughout SMALL STORMS, the duo???s playing blends wonderfully, no matter a passage???s virtuosity or simplicity. It should come as no surprise that Martinu???s cello writing is highlighted in this recording ??? Blecha-Wells??? lyrical warmth and powerful athleticism triumphantly illustrate why the composer welcomed her instrument???s entire expressive continuum in his music. http://rapidgator.net/file/39d37e8f3dc70b984ff1ed770cf59fc3/Martinu_-_Small_Storms.rar.html http://ssh.tf/TkSpc9qwH/Martinu_-_Small_Storms.rar