Znajdź zawartość

Maigret w kabarecie / Maigret In Montmartre (2017) PL.HDTV.Xvid-MX / Lektor PL gatunek: Krymina?? produkcja: Wielka Brytania premiera: 24 grudnia 2017 (??wiat) Maigret prowadzi ??ledztwo w sprawie ??mierci hrabiny i nocnej tancerki, kt??re ??Ä?czy mroczna przesz??o??Ä? i pewien hotel w Nicei. https://pobierz.to/e50eab9f0d0001c4 https://rapidu.net/2923285576/ http://lunaticfiles.com/e5kt6pd42jmc https://xshare.eu/1N0d http://kingfile.pl/download/1V23qZ3W http://dailyfiles.net/e73a18adf23fc2c8 http://catshare.net/o8h4D6tm7a4CuXBX https://rapidgator.net/file/f80f79383d935c56d7deda756bef07bd http://www.fileshark.pl/pobierz/21652998/60618/ http://ul.to/e9242v3z

Maigret w kabarecie / Maigret In Montmartre (2017) PL.HDTV.Xvid-MX / Lektor PL gatunek: Krymina?? produkcja: Wielka Brytania premiera: 24 grudnia 2017 (??wiat) Maigret prowadzi ??ledztwo w sprawie ??mierci hrabiny i nocnej tancerki, kt??re ??Ä?czy mroczna przesz??o??Ä? i pewien hotel w Nicei. http://szybkiplik.pl/download/75bdf18c7acaa97756b33f7596046597.html http://dl.free.fr/rnCAXUMRi https://1fichier.com/?f4hxrnz5p3 https://pobierz.to/e50eab9f0d0001c4 https://rapidu.net/2923285576/ http://lunaticfiles.com/e5kt6pd42jmc https://xshare.eu/1N0d http://kingfile.pl/download/1V23qZ3W http://dailyfiles.net/e73a18adf23fc2c8 http://catshare.net/o8h4D6tm7a4CuXBX https://rapidgator.net/file/f80f79383d935c56d7deda756bef07bd http://www.fileshark.pl/pobierz/21652998/60618/ http://ul.to/e9242v3z

Artist: George Adams & Don Pullen Quartet Title: Live At Montmartre Year Of Release: 1985 / 2015 Label: Timeless Records Genre: Jazz Quality: FLAC (tracks) Total Time: 50:24 min Total Size: 332 MB Tracklist: 1. I.J. (8:07) 2. Flame Games (11:31) 3. Well, I Guess We'll Never Know (8:27) 4. Forever Lovers (10:54) 5. Song Everlasting (11:25) This matchup looks really good on paper -- a guest shot by fluid, flexible guitarist John Scofield in the full flush of his first inventive phase with the quartet whose inside/outside mastery should have defined mainstream jazz in the '80s (if there was any justice, which we all now know there isn't). But Live at Montmarte really doesn't live up to expectations, in part because the first two tracks hit tempos that go beyond breakneck to become frenetic and one big technical gaffe. The culprit there is Cameron Brown's bass, which is miked so high it sounds like he's playing bass guitar on the first three tracks. It distorts the instrumental balance, rastily bombing out on the octave drops driving the near "Compared to What"-groove opening "Flame Games" and pulling attention from Don Pullen's strong solo on "Well, I Guess We'll Never Know" because of the loud, fat bass tone. "I.J." is too rushed to effectively lock in as George Adams strews about tenor sax notes and "Flame Games" breaks into an energetic, near-fusion theme that sometimes works and sometimes doesn't, with equally sporadic moments in the solos. Things improve tempo-wise with "Well, I Guess We'll Never Know," enabling the group to finally achieve some cohesion and give a pretty muted Dannie Richmond his only (and brief) bit of solo space. With Brown's technical troubles resolved, the ballad-based final tracks are fine, with Adams and Scofield doubling on the pretty gorgeous, vaguely Arabic-tinged melody to "Forever Lovers." Adams goes for a Trane-like tone and flurries in his solo but still crams in a few too many notes, Scofield smoothly picks up the solo thread, and Pullen goes off with cluster swirls before bringing it back home. "Song Everlasting" features a mellifluous tenor melody before Pullen takes over, followed by Adams and Scofield, both sounding far better playing at these more relaxed tempos. Live at Montmarte isn't all it could have been, but sometimes things just don't happen. It sounds like Scofield and the group never found a truly comfortable common ground. They don't clash, but it never feels like they're totally in synch, either, at least not enough to reach the greater-than-the-sum-of-the-quartet-with-guest-soloist-parts level. The live albums by the George Adams-Don Pullen Quartet, itself, are better choices -- as are most of the other strong discs that the group released on Timeless during the '80s when the U.S. jazz industry didn't want to know. -- Don Snowden http://rapidgator.net/file/3fa7603d2982737fcfca0e8607f5ef9f/LAMO.rar.html http://ssh.tf/8WJRNznFL/LAMO.rar http://uploaded.net/file/cb33pxxt/LAMO.rar

Artist: Various Artists Title: Moanin - Live At Jazzhus Montmartre Year Of Release: 2016 Label: Storyville Records Genre: Jazz Quality: FLAC (tracks) Total Time: 41:41 min Total Size: 179 MB Tracklist: 1. Moanin (Live) [09:01] 2. What Is This Thing Called Love (Live) [10:23] 3. It Got It Bad and That Aint Good (Live) [07:24] 4. Sitting on the Dock of the Bay (Live) [08:42] 5. Do You Know What It Means to Miss New Orleans (Live) [06:10] One of the many young hard bop revivalists to have arrived on the scene in the late '70s and early '80s, Kenny Washington has been in particular demand by much older musicians, playing with such legendary veterans as Lee Konitz, Betty Carter, Johnny Griffin, Dizzy Gillespie, Clark Terry, and Tommy Flanagan. Born in Brooklyn, Washington studied with former Dizzy Gillespie drummer Rudy Collins and attended New York's LaGuardia High School for Music & Art. Washington worked with Konitz while still in his teens, recording with the saxophonist's nonet in 1977. He worked with Carter from 1978-1979 and Griffin in 1980. A prolific freelancer, Washington has compiled an enormous discography, performing on dozens of sessions by many of jazz's most prominent figures. Washington has a strong interest in jazz history; he's written liner notes for and/or helped prepare classic jazz re-releases by Art Blakey and Count Basie, among others. He's also taught jazz drumming at the New School in New York City, and worked as an announcer at the New Jersey jazz radio station WBGO. ~ Chris Kelsey http://rapidgator.net/file/5e3f96bfd9c51e9073ade8442adadeef/MLJM.rar.html http://ssh.tf/5fJQXEyMJ/MLJM.rar http://uploaded.net/file/3vcuui0o/MLJM.rar