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Musicals - November 2024 English | 68 pages | PDF | 69.6 MB Musicals magazine is a celebration of all things Musical Theatre, with a focus on the West End and Broadway, but also covering regional and international productions, and what's on screen as well as on stage. Whether you're new to Musical Theatre, an aficionado, or somewhere in between, this magazine is for you. It features interviews with creative teams, from producers and designers to composers and lyricists as well as the stars of the shows. https://fikper.com/x4ROcFLNb0/ https://fileaxa.com/gdzjvljj19qq https://ddownload.com/z702pvpre1u7 https://rapidgator.net/file/7b6f33613338df29f8f37c903538e777/ https://turbobit.net/81aq2g5w39v4.html

Musicals - October-November 2024 English | 68 pages | PDF | 65.6 MB Musicals magazine is a celebration of all things Musical Theatre, with a focus on the West End and Broadway, but also covering regional and international productions, and what's on screen as well as on stage. Whether you're new to Musical Theatre, an aficionado, or somewhere in between, this magazine is for you. It features interviews with creative teams, from producers and designers to composers and lyricists as well as the stars of the shows. [img=https://ddownload.com/images/promo/banner_240-32.png] https://ddownload.com/21738nb5qxnk https://rapidgator.net/file/68ae2aab712328e561cc03972b3af956/ https://turbobit.net/jvxxspbbd2ly.html

Free Download Manboobs: A Memoir of Musicals, Visas, Hope, and Cake (Audiobook) English | ASIN: B0D5JWD2Q9 | 2024 | 7 hours and 32 minutes | M4B@64 kbps | 221 MB Author: Komail Aijazuddin Narrator: Komail Aijazuddin A blazing new talent's hilarious memoir about coming of age and coming out in Pakistan, moving to America, looking for love, and falling in love with himself along the way. What do you do when you're too gay for Pakistan, too Pakistani to be gay in America, and ashamed of your body everywhere? How can you find happiness despite years of humiliation, physical danger, and a legion of Brooklyn hipsters who know you only as a queer from Whereveristan? How do you summon the courage to be yourself no matter where you are? Even as a young child in Lahore, Komail Aijazuddin knew he was different-no one else at his all-boys prep school was pirouetting off their desks, or being bullied for their "manboobs," or spontaneously bursting into songs from The Little Mermaid. Aijazuddin began to believe his only chance at a happy, meaningful life would be found elsewhere: America, the land of the free, the home of the gays. But the hostility of a post-9/11 world and society's rejection of his art, his desires, and his body would soon teach him that finding happiness takes a lot more than a plane ticket. Searching for his place between two worlds while navigating a minefield of expectations, prejudice, and self-doubt, Aijazuddin discovered-sometimes painfully, sometimes hilariously-that there are people and places he'd need to let go of to move forward. Manboobs is a riotously funny memoir of searching for love, seamlessly blending humor, politics, pop culture, and the bravery required to be yourself. Aijazuddin confidently announces himself as an exciting new voice in humor with his moving and charming reexamination of the American dream and our search for home. Rapidgator https://rg.to/file/32bfd3eee6dccf4de9b2b11682b50c15/y0bpz.rar.html Fikper Free Download https://fikper.com/CZSLaJYNCF/y0bpz.rar.html Links are Interchangeable - No Password - Single Extraction

Musicals - August-September 2024 English | 86 pages | PDF | 92.1 MB Musicals magazine is a celebration of all things Musical Theatre, with a focus on the West End and Broadway, but also covering regional and international productions, and what's on screen as well as on stage. Whether you're new to Musical Theatre, an aficionado, or somewhere in between, this magazine is for you. It features interviews with creative teams, from producers and designers to composers and lyricists as well as the stars of the shows. https://rapidgator.net/file/12541019a09991a26de229c8989a9075/ https://nitroflare.com/view/D7476DC72BF3BEF/

Artist: VA Title: The Greatest Musicals of the 20th Century Year Of Release: 2001 Label: Reader's Digest Genre: Pop, Soundtrack Quality: mp3 / Flac (tracks) Total Time: 05:58:45 Total Size: 833,57 Mb / 2,09 Gb Tracklist The Greatest Musicals of the 20th Century 1; The Magic of Andrew Lloyd Webber 1 Superstar ('Jesus Christ Superstar') 4:12 - Carl Wayne, Gordon Lorenz Singers, The 2 I Don't Know How to Love Him ('Jesus Christ Superstar') 3:31 - Mary Carewe 3 Any Dream Will Do ('Joseph') 3:52 - Leslie Nichols 4 Close Every Door ('Joseph') 3:37 - Dave Willetts 5 Half a Moment ('Jeeves') 3:27 - Carl Wayne 6 Don't Cry for Me Argentina ('Evita') 4:47 - Joan Baxter 7 High Flying Adored ('Evita') 4:10 - Dave Willetts 8 Another Suitcase in Another Hall ('Evita') 3:33 - Stephanie Lawrence 9 On This Night of a Thousand Stars ('Evita') 2:54 - Carl Wayne 10 Oh, What a Circus ('Evita') 2:26 - Jess Conrad 11 Nothing Like You've Ever Known ('Song and Dance') 3:28 - Johnny Nichols 12 Memory ('Cats') 3:40 - Betty Buckley 13 Mr Mistoffelees ('Cats') 3:24 - Paul Jones 14 Starlight Express ('Starlight Express') 5:00 - Mark Sellers, John Farlow, Tricia Holloway 15 The Phantom of the Opera ('The Phantom of the Opera') 3:42 - Fiona Hendley 16 The Music of the Night ('The Phantom of the Opera') 5:34 - Michael Maguire 17 Love Changes Everything ('Aspects of Love') 3:13 - John Dulieu 18 As If We Never Said Goodbye ('Sunset Boulevard') 5:28 - Betty Buckley 19 No Matter What ('Whistle Down the Wind') 4:24 - Steve Butler The Greatest Musicals of the 20th Century 2; Broadway Classics 1 Oh What a Beautiful Mornin' ('Oklahoma') 3:06 - Ivor Emmanuel 2 Surrey with the Fringe on Top ('Oklahoma') 3:22 - James Walker Chorus & Orchestra, The 3 People Will Say We're in Love ('Oklahoma') 4:12 - Margot Moser & Robert Peterson 4 Oklahoma ('Oklahoma') 2:40 - Robert Mandell, his Chorus & Orchestra 5 Ol' Man River ('Show Boat') 3:25 - Ivor Emmanuel 6 Can't Help Lovin' Dat Man ('Show Boat') 3:55 - Rosemary Squires 7 Bill ('Show Boat') 3:59 - Anna Moffo 8 The Girl that I Marry ('Annie Get Your Gun') 3:12 - Ivor Emmanuel 9 There's No Business Like Show Business ('Annie Get Your Gun') 2:29 - Robert Mandell, his Chorus & Orchestra 10 They Say It's Wonderful ('Annie Get Your Gun') 3:42 - Rosemary Squires & Stanley Grover 11 What Kind of Fool Am I ('Stop the World - I Want to Get Off') 3:04 - Tom Saffery 12 C'est Magnifique ('Can Can') 2:34 - Edmund Hockridge 13 It's All Right with Me ('Can Can') 4:34 - Darryll Knock 14 I Love Paris ('Can Can') 3:16 - Burt Clare 15 Bewitched ('Pal Joey') 4:28 - Mary Carewe & Mike Pearn 16 Tea for Two ('No, No, Nanette') 3:06 - Margot Moser & Stanley Grover 17 Smoke Gets in Your Eyes ('Roberta') 3:22 - Anna Moffo 18 Hello Young Lovers ('The King and I') 3:12 - Julia McKenzie 19 March of the Siamese Children ('The King and I') 3:25 - James Walker & his Orchestra 20 Getting to Know You ('The King and I') 2:55 - Adele Leigh 21 We Kiss in a Shadow ('The King and I') 3:32 - Lorna Dallas & Jim Smilie 22 Shall We Dance ('The King and I') 2:47 - Doreen Hume The Greatest Musicals of the 20th Century 3; Musical Movie Favourites 1 The Rain in Spain ('My Fair Lady') 2:22 - Various 2 Wouldn't It Be Loverly ('My Fair Lady') 2:49 - Tinuke Olafimihan 3 With a Little Bit of Luck ('My Fair Lady') 2:52 - Ron Moody 4 I Could Have Danced All Night ('My Fair Lady') 3:44 - Marilyn Hill Smith 5 Get Me to the Church on Time ('My Fair Lady') 2:36 - Mike Sammes 6 I've Grown Accustomed to Her Face ('My Fair Lady') 2:38 - Rex Harrison 7 On the Street Where You Live ('My Fair Lady') 3:02 - Michael Maguire 8 Thank Heaven for Little Girls ('Gigi') 2:48 - Jim Smilie 9 Gigi ('Gigi') 4:04 - Rex Harrison 10 The Sound of Music ('The Sound of Music') 2:51 - Rosalind Page 11 My Favourite Things ('The Sound of Music') 2:26 - Rosemary Squires 12 Do Re Mi ('The Sound of Music') 2:45 - Doreen Hume 13 Climb Ev'ry Mountain ('The Sound of Music') 3:33 - Marni Nixon 14 Edelweiss ('The Sound of Music') 2:53 - Mary Carewe 15 People ('Funny Girl') 2:31 - Rosemary Squires 16 You Are Woman (I Am Man) ('Funny Girl') 3:52 - ??????????????????? 17 Don't Rain on My Parade ('Funny Girl') 2:45 - Sheila Parker 18 Supercalifragilisticespialidocious ('Mary Poppins') 2:13 - ??????????????????? 19 Maria ('West Side Story') 2:53 - Michael Maguire 20 Tonight ('West Side Story') 3:12 - Rosalind Page 21 America ('West Side Story') 3:11 - ??????????????????? 22 I Feel Pretty ('West Side Story') 3:01 - ??????????????????? 23 Somewhere ('West Side Story') 2:31 - John Dulieu 24 Beauty and the Beast ('Beauty and the Beast') 2:57 - Gemma Craven The Greatest Musicals of the 20th Century 4; Showtime! 1 Hello, Dolly! ('Hello Dolly!') 2:40 - Robert Mandell Chorus and Orchestra, The 2 Wonderful Copenhagen ('Hans Christian Andersen') 3:01 - Tommy Steele 3 Mame ('Mame') 3:58 - Fred Lucas and the Mike Sammes Choir 4 Night and Day ('The Gay Divorce') 3:26 - Robert Peterson 5 I Get a Kick Out of You ('Anything Goes') 2:13 - Louise Gold 6 The Lady Is a Tramp ('Babes in Arms') 2:48 - Stanley Grover 7 My Heart Belongs to Daddy ('Leave It to Me') 2:57 - Julie Dawn 8 Prologue: The Carousel Waltz ('Carousel') 5:49 - Reg Owen & His Orchestra 9 June Is Bustin' Out All Over ('Carousel') 3:09 - Peter Knight Chorus and Orchestra, The 10 If I Loved You ('Carousel') 5:04 - Margot Moser and Robert Peterson 11 You'll Never Walk Alone ('Carousel') 3:27 - Helen Landis and the Mike Sammis Choir 12 Adelaide's Lament ('Guys and Dolls') 3:39 - Barbara Dickson 13 Guys and Dolls ('Guys and Dolls') 3:17 - Gary Wilmot, Gary Williams and Andy Brown 14 Wunderbar ('Kiss Me Kate') 3:06 - Bryan Johnson and Doreen Hume 15 Brush Up Your Shakespeare ('Kiss Me Kate') 3:31 - Brian Greene and Matt Zimmerman 16 What I Did for Love ('A Chorus Line') 4:04 - Joan Baxter and the Mike Sammes Choir 17 If My Friends Could See Me Now ('Sweet Charity') 2:38 - Stella Moray 18 Big Spender ('Sweet Charity') 3:19 - Joan Baxter and the Mike Sammes Choir 19 Aquarius ('Hair') 3:29 - Joan Baxter and the Mike Sammes Choir 20 Good Morning Starshine ('Hair') 3:42 - Oliver The Greatest Musicals of the 20th Century 5; The World of the Musical 1 Willkommen ('Cabaret') 1:29 - Nigel Planer 2 Cabaret ('Cabaret') 4:14 - Joan Baxter 3 The Money Song ('Cabaret') 2:59 - New York Theater Broadway Choir, The 4 If I Were a Rich Man ('Fiddler on the Roof') 5:39 - Topol 5 Sunrise, Sunset ('Fiddler on the Roof') 3:36 - Robert Peterson 6 Some Enchanted Evening ('South Pacific') 3:04 - Ivor Emmanuel 7 I'm Gonna Wash That Man Right Outa My Hair ('South Pacific') 3:34 - Julie Bryant 8 I'm in Love With a Wonderful Guy ('South Pacific') 2:55 - Gemma Craven 9 I Talk to the Trees ('Paint Your Wagon') 3:33 - Ethan Freeman 10 Wandrin' Star ('Paint Your Wagon') 3:41 - Simon Masterton Smith 11 I Wonder What The King Is Doing Tonight? ('Camelot') 2:01 - Richard Harris 12 Camelot ('Camelot') 2:33 - Richard Harris, Fiona Fullerton 13 How to Handle a Woman ('Camelot') 3:45 - Richard Harris 14 If Ever I Would Leave You ('Camelot') 4:03 - Michael Maguire 15 Stranger in Paradise ('Kismet') 3:42 - Lorna Dallas, Jim Smilie 16 Baubles, Bangles and Beads ('Kismet') 3:18 - Lorna Dallas 17 Oliver! 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TTC Video - Great American Music: Broadway Musicals Course No. 7318 | .MP4, XviD, 344 kbps, 620x432 | English, MP3, 128 kbps, 2 Ch | 16x44 mins | + PDF Guidebook | 2.35 GB Lecturer: Bill Messenger, M.A. Give my regards to Broadway. . Is it possible to read those lyrics, let alone hear them, without mentally filling in: Remember me to Herald Square? Have you begun to hum or sing it to yourself, with the words and notes carrying you back in time to the Broadway of George M. Cohan and the heyday of Tin Pan Alley? For most people who've grown up with and shared America's musical heritage, such a phrase opens the floodgates to a wealth of memories and feelings because, after all, that's what great songs do. What a delight, then, to be able to promise you the same experience in an entire course. For in Professor Bill Messenger's Great American Music: Broadway Musicals, you get the story and the music, as well-and not only in the examples expertly played by Professor Messenger at the piano to illustrate insights, techniques, or subtleties of composition. You'll also hear rare recordings of groundbreaking artists such as Nora Bayes, the singer selected by Cohan to record his unofficial World War I anthem, "Over There,"and Fanny Brice, the great star immortalized in Funny Girl. And you'll hear contemporary recreations that reconstruct the sound of early musical theater, as well. You'll listen in on recorded interviews that take you behind the scenes of some of Broadway's biggest hits and most memorable moments. Beyond Nostalgia: A Complete Learning Experience But Great American Music: Broadway Musicals is far more than just an immersion in musical nostalgia. Professor Messenger ranges across the entire culture of which music is a part, teaching you some of the intricacies of musical composition and song construction-and how they were used to create specific effects-as well as the social and historical backdrop against which musical theater needs to be considered. You'll learn, for example, how Jerome Kern dealt with what was perhaps Broadway's first attempt to use music's technical subtleties as a way to suggest time and place when he was writing Show Boat, deliberately incorporating into his music for "Ol' Man River" a five-note pentatonic scale often used in Negro spirituals. Professor Messenger tells how "You're a Grand Old Flag," today one of Cohan's most memorable songs, was greeted with dismay and anger when Cohan introduced it in his 1906 musical, George Washington, Jr., with its original and affectionate title and lyric, "You're a Grand Old Rag." Though Cohan quickly rewrote the song in the form we know today, sheet music for the original version-at a time when sheet music was immensely popular-had already reached stores all over New York City. Visiting one store after another, Cohan managed to retrieve almost every copy, burning them and replacing them with the new version. Today, there are only a half-dozen very valuable copies of the original in existence. A Stage that Is Never Far from the Real World But the harsh reception given the original version of Cohan's song is far from the only reminder this course offers that the Broadway stage, as wondrous an escape as it might be, is still an illusion, with only the flimsiest of curtains separating it from the real-world passions-and even life-and-death conflicts-from which it draws. Consider just one moment in the life of Jerome Kern, a moment marked by the clanging of an alarm clock he did not hear. After his heart had been broken by a flashy showgirl and vowing never again to be taken advantage of, Kern had met and married a timid 19-year-old English girl 10 years his junior and brought her back to America, an overwhelming experience for her. On the morning he was to sail to England with his producer, Charles Frohman, Kern overslept. By the time his still-timid wife had decided to awaken him, Kern had missed his voyage. The ship was the ill-fated Lusitania, and Frohman was one of 1,198 who perished on it. Kern survived to complete a fruitful career that would include, 11 years later, his remarkable score for Show Boat, with melodies, like its haunting "Ol' Man River," that are still enjoyed today. In today's era of songs written and produced specifically for compact discs, it's easy to forget that an overwhelming number of standards that have both delighted and helped mend the broken hearts of Americans for decades-and will undoubtedly still be doing so a century from now-were, like "Ol' Man River," originally written for the stage. "My Funny Valentine," for example, came from Rodgers and Hart's Babes in Arms; "Oh, What a Beautiful Mornin'" from Rodgers and Hammerstein's Oklahoma!; "Someone to Watch Over Me" from George and Ira Gershwin's Oh, Kay!; "Begin the Beguine" from Cole Porter's Jubilee; and "Almost Like Being in Love" from Lerner and Loewe's Brigadoon. We've heard these songs-and hundreds more like them-for as long as we can remember. In many ways, they're the soundtrack of America. For millions of us the music makes up the soundtrack of our own lives, as well; if you were somehow able to remove them from our collective memory, it's hard to imagine any of us as quite the same people. But the total creative output of the extraordinary roster of artists who gave us these songs tells only part of the story, which would be incomplete even with the addition of the performers, writers, choreographers, directors, and others who also helped create the stage magic that launched these songs into immortality. A Capsule View of Two Vibrant Centuries That's because American musical theater, much as we often concentrate on the so-called "golden age" of the 1950s, spans the history of two vibrant centuries: the era of the minstrel show, whose contributions to American music were immense, in spite of the embarrassment we still feel at many of its images; vaudeville; ragtime; the revue; and the age of fully integrated book musicals launched by the 1927 production of Show Boat. And that history, moreover, has an importance that goes beyond music. "Musicals, the great ones, speak to us in voices we both recognize and pay attention to," notes Professor Messenger. "Half a century after the show Carousel premiered, Billy Bigelow still speaks to our sense of right and wrong. We don't want him to commit that robbery! We regret that he does. "The paradox of the Broadway musical is that it's an escape from reality, while simultaneously being a confrontation with it. The betrayal that destroys Camelot is with us here and now." It's difficult to imagine a finer teacher for this material than Professor Messenger; he is a scholar, teacher, and professional musician. His course, Elements of Jazz: From Cakewalks to Fusion, makes clear, even to those with no musical training, the techniques, prin[beeep]les, and innovations that make it possible for music to embody so much. In bringing those skills to Great American Music: Broadway Musicals, Professor Messenger has created a complete learning experience-educational, insightful, and sublimely enjoyable-that can forever change the way you experience musical theater. 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Artist: VA Title: Greatest Ever Musicals Year Of Release: 2016 Label: Greatest Ever Records Genre: Stage & Screen, Musicals, Opera, Ballad, Broadway Quality: MP3 320 kbps Total Time: 03:49:12 Total Size: 557 Mb :: TRACKLIST :: CD1: 01. Michael Ball - Fight The Fight 03:34 02. Beverley Knight - Colored Woman 03:25 03. Melanie C - I Don't Know How To Love Him 05:18 04. Joe Mcelderry - I Dreamed A Dream 03:42 05. Alfie Boe - Pure Imagination 03:21 06. John Barrowman & Chorus - Close Every Door 03:34 07. Denise Van Outen - Tell Me On A Sunday 04:05 08. Martine Mccutcheon - The Winner Takes It All 04:48 09. Original Cast - Sunny Afternoon 03:35 10. Ruthie Henshall - Electricity 03:04 11. Imelda Staunton & & James Mcconville - Not While I'm Around 03:32 12. Cast Of Matilda - When I Grow Up 03:38 13. Sierra Boggess & Andrew Lloyd Webber - Love Never Dies 06:12 14. Kristin Chenoweth & Idina Menzel - Defying Gravity 05:53 15. Shrek Ensemble - I'm A Believer 02:40 16. Michael Ball - Falling Slowly 04:16 17. Alfie Boe Ft. Kerry Ellis - Come What May 04:49 18. Original London Cast Of Sunny Afternoon - Waterloo Sunset 03:20 19. Petula Clark - With One Look 02:53 CD2: 20. Michael Crawford Ft. Barbara Bonney - The Phantom Of The Opera 04:28 21. Jason Donovan - Any Dream Will Do 03:56 22. Elaine Paige - Anything Goes 04:10 23. Paul Nicholas - Magica Mr. Mistofelees 03:40 24. Barbara Dickson - Another Suitcase In Another Hall 04:34 25. Dana Carol - The Perfect Year 03:46 26. Philip Schofield - Talk To The Animals 03:24 27. Boyzone - No Matter What 04:35 28. Kim Creswell & Graham Bickley - The Last Night Of The World 04:10 29. Jason Donovan & Rocky Horror Cast - The Time Warp 04:23 30. Elaine Paige & Barbara Dickson - I Know Him So Well 04:17 31. Sara Brightman & Paul Miles-Kington - Pie Jesu 03:56 32. Murray Head - One Night In Bangok 03:54 33. Madness - Our House 03:12 34. Paul Nicholas & Paul Jones - Starlight Express 05:11 35. Barbara Dickson - Tell Me It's Not True 03:23 36. Michael Crawford Ft. Francis Rufelle - Only You 04:57 37. Cleo Laine - Losing My Mind 04:17 CD3: 38. Elaine Paige - Memory 05:17 39. Marti Webb, Harry Rabinowitz - Take That Look Off Your Face 03:36 40. David Essex - Oh What A Circus 03:56 41. M - Pop Muzik 03:19 42. John Travolta - Sandy 02:33 43. Frankie Valli & The Four Seasons - December 1963 (Oh, What A Night) 03:30 44. Julie Covington - Don't Cry For Me Argentina 05:26 45. Spencer Davis Group - Gimme Some Lovin' 02:54 46. Rod Stewart - Maggie May (Tonight's The Night ) 05:15 47. Topol - If I Were A Rich Man 05:11 48. Bruce Reitherman & Phil Harris - The Bare Necessities 04:51 49. John Travolta & Olivia Newton John - Grease Mega-Mix 04:51 50. The Temptations - The Way You Do The Things You Do 02:45 51. Wilson Pickett - Mustang Sally 03:07 52. Martha Reeves & The Vandellas - Dancing In The Street 02:40 53. Ron Moody (Fagin) - You've Got To Pick A Pocket Or Two 02:55 54. Louis Prima, Phil Harris, Bruce Reitherman - I Wanna Be Like You (The Monkey Song) 04:39 55. Petula Clark - Mama's Talkin' Soft 02:11 56. Sandie Shaw - (There's) Always Something There To Remind Me 02:43 57. Marilyn Monroe - Diamonds Are A Girl's Best Friend 03:32 58. Judy Garland - Over The Rainbow 03:37 DOWNLOAD http://rapidgator.net/file/ace354957f90357b2396e5394e970f95/sr5oz.VA..Greatest.Ever.Musicals.2016.rar.html https://bytewhale.com/61x8wuvcrkc9/sr5oz.VA..Greatest.Ever.Musicals.2016.rar http://uploaded.net/file/gx5fjj9o/sr5oz.VA..Greatest.Ever.Musicals.2016.rar https://www.bigfile.to/file/6uNhkZmgCvEb/sr5oz.VA..Greatest.Ever.Musicals.2016.rar http://nitroflare.com/view/718FC436CD04C79/sr5oz.VA..Greatest.Ever.Musicals.2016.rar http://uploadgig.com/file/download/E66571c82eeC6160/sr5oz.VA..Greatest.Ever.Musicals.2016.rar