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Strezov Sampling - Tupans X3M - KONTAKT | 2.48 Gb Inspired by the sound of recent action blockbusters. Deeply sampled Tupans in different ensemble sizes (a8, a3, Solo). Featuring consistent extensive articulations across all instruments, three sets of handcrafted Sound Design Percussion and the renowned X3M Percussion Engine. One of the most requested instruments is finally released. Inspired by the aggressive sound of recent Action Blockbusters, Strezov Sampling decided to produce the definitive sample set of Tupans. A sound which hasn't been commercially available up until now. The Tupan is a traditional Bulgarian drum played with a beater and a stick at the same time. Tupans X3M, recorded in the Sofia Session Studio with different ensemble sizes (a8, a3, Solo), delivers you the articulations to perform traditional Tupan rhythms with instant cinematic sound but also, in addition to that, contains advanced playing styles with brushes, damped beaters, mallets and more. But Tupans X3M is not just all about organic and realistic sounding Tupans. In fact it's way more than that, since it also includes a handcrafted selection of three different Sound Design Percussion sets ranging from Epic Ensembles, Thunderous Impacts and neutral sounding percussive sound effects suitable for any style of music. These sounds were created from the sample material of Tupans X3M and our flagship percussion suite Thunder X3M, resulting in a broad sound spectrum suitable for any project in need of new fresh sound colors. Download link: http://rapidgator.net/file/7361f431d5a9314d621984a4d45d1d19/fvwz7.Strezov.Sampling..Tupans.X3M.KONTAKT.part1.rar.html http://rapidgator.net/file/1170d43da2bf80423b8ff893839b2668/fvwz7.Strezov.Sampling..Tupans.X3M.KONTAKT.part2.rar.html http://rapidgator.net/file/f149162fd5daa9d222bc61dc2c7c1965/fvwz7.Strezov.Sampling..Tupans.X3M.KONTAKT.part3.rar.html http://rapidgator.net/file/2874dbe5d9a2e932c1d8eba331c24678/fvwz7.Strezov.Sampling..Tupans.X3M.KONTAKT.part4.rar.html http://rapidgator.net/file/02646ad68f981063a9a015aa6cf3eb59/fvwz7.Strezov.Sampling..Tupans.X3M.KONTAKT.part5.rar.html http://rapidgator.net/file/72c6b811eda9ae0ffc77488cefa1163f/fvwz7.Strezov.Sampling..Tupans.X3M.KONTAKT.part6.rar.html http://nitroflare.com/view/585248D47821BEB/fvwz7.Strezov.Sampling..Tupans.X3M.KONTAKT.part1.rar http://nitroflare.com/view/2BD1717D647F234/fvwz7.Strezov.Sampling..Tupans.X3M.KONTAKT.part2.rar http://nitroflare.com/view/DDD61866FC16277/fvwz7.Strezov.Sampling..Tupans.X3M.KONTAKT.part3.rar http://nitroflare.com/view/C262B194BCF4FA2/fvwz7.Strezov.Sampling..Tupans.X3M.KONTAKT.part4.rar http://nitroflare.com/view/F98DF396F44E838/fvwz7.Strezov.Sampling..Tupans.X3M.KONTAKT.part5.rar http://nitroflare.com/view/30EFC0ED35ADBBC/fvwz7.Strezov.Sampling..Tupans.X3M.KONTAKT.part6.rar http://uploaded.net/file/n7gsfeg7/fvwz7.Strezov.Sampling..Tupans.X3M.KONTAKT.part1.rar http://uploaded.net/file/642alhtg/fvwz7.Strezov.Sampling..Tupans.X3M.KONTAKT.part2.rar http://uploaded.net/file/9jar0p2u/fvwz7.Strezov.Sampling..Tupans.X3M.KONTAKT.part3.rar http://uploaded.net/file/gjvy90rl/fvwz7.Strezov.Sampling..Tupans.X3M.KONTAKT.part4.rar http://uploaded.net/file/qn858why/fvwz7.Strezov.Sampling..Tupans.X3M.KONTAKT.part5.rar http://uploaded.net/file/h1lvh2ok/fvwz7.Strezov.Sampling..Tupans.X3M.KONTAKT.part6.rar http://uploadgig.com/file/download/b136985DF9acc29D/fvwz7.Strezov.Sampling..Tupans.X3M.KONTAKT.part1.rar http://uploadgig.com/file/download/02b2b4F053D81f02/fvwz7.Strezov.Sampling..Tupans.X3M.KONTAKT.part2.rar http://uploadgig.com/file/download/591ffB767401Ab83/fvwz7.Strezov.Sampling..Tupans.X3M.KONTAKT.part3.rar http://uploadgig.com/file/download/878EA94f9d095Edd/fvwz7.Strezov.Sampling..Tupans.X3M.KONTAKT.part4.rar http://uploadgig.com/file/download/d29a8A50B1944274/fvwz7.Strezov.Sampling..Tupans.X3M.KONTAKT.part5.rar http://uploadgig.com/file/download/a499A881dca2d93C/fvwz7.Strezov.Sampling..Tupans.X3M.KONTAKT.part6.rar Links are Interchangeable - No Password - Single Extraction

Musical Sampling Soaring Strings KONTAKT | 3.87 Gb We wanted performances that catered to... (yes, I have to say it) soaring string lines and dramatic passages by having the players really dig in with the vibrato and giving us all they had with the triple forte dynamic. This also meant approaching the sessions in a unique, musical way to capture the kind of singular legato we were looking for. Another focus was to dial things back with what we felt was necessary to produce credible string arrangements in a shorter amount of time. This involved creating a single, natural mix and omitting seldom-used legato articulations. We also developed a "Sustain Sync" feature that synchronizes the starting sustain with the following intervals/repetitions, which saves you from having to make adjustments to start-notes to closely match the intervals timing upon quantization. Lastly, we included a "To Silence" button that can enable the modwheel to completely diminish the softest dynamic to silence. This not only provides unique possibilities with expression, but also saves the need to use another controller to simulate a decrescendo to "niente". We also agreed that recording medium-sized ensembles in their traditional seating arrangement would not only provide enough "solo-istic" detail in the recordings, but would have a more natural transparency when writing harmonies. After various tests throughout the year, months of recording, editing, programming and bringing the polish as far as we could - we're thrilled to finally share our debut offering, Soaring Strings. Happy composing! Features * Innovative musical approach to sessions * Medium-sized ensembles: violins, violas, cellos, basses * Sections recorded in traditional seating arrangement * Molto expressivo vibrato across the dynamic range * Natural dynamics retained * Section registers: Violins (G3-C6) Violas (C3-G5) Cellos (C2-C5) Basses (C1-C3) * Four dynamics of legato (p * Fives dynamics of sustains (pp * True Bow-Change Repetition Sampling * Sustain Sync * "To Silence" feature * Detailed sustain patches for each section * Detailed full strings sustain patch * Recorded on a scoring stage * 48khz/24bit * Compatible with Kontakt 5.5.1+ (requires full version of Kontakt) Download link: http://uploaded.net/file/n2t39nvg/7y80y.Musical.Sampling.Soaring.Strings.KONTAKT.part01.rar http://uploaded.net/file/cmloyhjl/7y80y.Musical.Sampling.Soaring.Strings.KONTAKT.part02.rar http://uploaded.net/file/qenz5li0/7y80y.Musical.Sampling.Soaring.Strings.KONTAKT.part03.rar http://uploaded.net/file/ammhsz50/7y80y.Musical.Sampling.Soaring.Strings.KONTAKT.part04.rar http://uploaded.net/file/kp6hkc1v/7y80y.Musical.Sampling.Soaring.Strings.KONTAKT.part05.rar http://uploaded.net/file/f7vgvqnn/7y80y.Musical.Sampling.Soaring.Strings.KONTAKT.part06.rar http://uploaded.net/file/lufyr76s/7y80y.Musical.Sampling.Soaring.Strings.KONTAKT.part07.rar http://uploaded.net/file/tfwfe3zg/7y80y.Musical.Sampling.Soaring.Strings.KONTAKT.part08.rar http://nitroflare.com/view/43FD30FC94BAA63/7y80y.Musical.Sampling.Soaring.Strings.KONTAKT.part01.rar http://nitroflare.com/view/6B577D20B2C27CF/7y80y.Musical.Sampling.Soaring.Strings.KONTAKT.part02.rar http://nitroflare.com/view/2A35CA5E4057A2F/7y80y.Musical.Sampling.Soaring.Strings.KONTAKT.part03.rar http://nitroflare.com/view/49A431ABF7D0D80/7y80y.Musical.Sampling.Soaring.Strings.KONTAKT.part04.rar http://nitroflare.com/view/68890644A330376/7y80y.Musical.Sampling.Soaring.Strings.KONTAKT.part05.rar http://nitroflare.com/view/C411223002181D1/7y80y.Musical.Sampling.Soaring.Strings.KONTAKT.part06.rar http://nitroflare.com/view/1C3D88BF9C61D2D/7y80y.Musical.Sampling.Soaring.Strings.KONTAKT.part07.rar http://nitroflare.com/view/B146402DE45705C/7y80y.Musical.Sampling.Soaring.Strings.KONTAKT.part08.rar http://alfafile.net/file/wX4C/7y80y.Musical.Sampling.Soaring.Strings.KONTAKT.part01.rar http://alfafile.net/file/wX4e/7y80y.Musical.Sampling.Soaring.Strings.KONTAKT.part02.rar http://alfafile.net/file/wX4p/7y80y.Musical.Sampling.Soaring.Strings.KONTAKT.part03.rar http://alfafile.net/file/wX4J/7y80y.Musical.Sampling.Soaring.Strings.KONTAKT.part04.rar http://alfafile.net/file/wX4a/7y80y.Musical.Sampling.Soaring.Strings.KONTAKT.part05.rar http://alfafile.net/file/wXwz/7y80y.Musical.Sampling.Soaring.Strings.KONTAKT.part06.rar http://alfafile.net/file/wXwN/7y80y.Musical.Sampling.Soaring.Strings.KONTAKT.part07.rar http://alfafile.net/file/wXwG/7y80y.Musical.Sampling.Soaring.Strings.KONTAKT.part08.rar Links are Interchangeable - No Password - Single Extraction

Strezov Sampling - Thunder X3M Extreme (KONTAKT) REPACK | 8.21 GB The concept behind the original Thunder Series was to capture unique instrument combinations playing live - on-set mixture between timpani and toms, between Bulgarian tupans, snare drums and many more. The series was held in high regard and after some further experiments with the second volume, the third installment even featured a 15 men percussion ensemble recorded in a big hall playing together! THUNDER X3M takes all three previous editions of the Thunder Series and breathes new live to the sample material by implementing a powerful engine that allows the user to manipulate and map the samples. This, along with a massive amount of brandnew recorded samples, opens vast musical possibilities for every composer out there! The complete Thunder Series has been recorded with multiple Dynamic layers (up to 10) and Round Robins (up to 27 per sound). The new Thunder Engine The concept behind the new Thunder engine is fairly simple - the keyboard range is divided into 12 zones that you are able to assign different sounds to. After making the template of your choosing just plug in and play - nothing else needed! In addition to that the engine also allows you to tweak individual zones, as well as the whole mapped ensemble patch with various effects, mic positions and two custom vintage analog hardware chains. Combining these with the natural and organic recordings you have maximum flexibility when it comes to sound. Once you load up the Thunder X3M Ensemble Builder you automatically load all samples inside the "Samples" directory. However, the instrument is built in such a way that it actually keeps all samples purged, unless you load them up into a zone. This means that not only you have a single patch with all types of percussion you might need, but it is also optimized and doesn't hurt your RAM ressources in any way! The new Thunder X3M Engine features: 12 percussion zones - you can load up instruments from different categories into 12 separate zones (Low ensembles, High Ensembles, Ethnic Percussion, Epic metals, Sound Design Percussion, Distorted Percussion) and thus create your own percussive template! Pitch knob - allows you to adjust the pitch of the samples. Really useful to load a single instrument two times and then change the pitch of one of the zones. For instance - load up a solo Taiko low on zones 1 and 2, then decrease the pitch of zone 2 all the way to the left. And now your have even thicker sound of a taiko - be sure to turn on your sub speaker for even more awesomeness! Transient controls - transient attack and sustain work like a compressor; the attack amps up the beginning of the wave file, while the sustain can increase or decrease the sample tail. These are just PERFECT for getting even punchier sound! Separate volume and EQ controls for each zone! SAVE AND LOAD functions that allow you to easily exchange templates between projects! Integrated HELP file Three microphone positions - Close, Decca, Hall Two custom vintage analog hardware chains, (NYC Compression and Sub-Bass Enhancement), you can seamlessly blend in to enhance the sounds Instrument List: LOW ENSEMBLES The Brute - low taiko (mallets) and gran casa (hands); Elder Titan ML - 7 timpani, 3 bass drums and 5 floor toms, recorded with mallets (ML) Elder Titan ST - 7 timpani, 3 bass drums and 5 floor toms, recorded with sticks (ST) Elder Titan BR - 7 timpani, 3 bass drums and 5 floor toms, recorded with brushes (BR) King Kong Rise - 2 concert bass drums, 1 detuned kick drum, 3 detuned timpani and shouts; the shouts are a part of the recording, they were not added afterwards. King Kong Shout - 2 concert bass drums, 1 detuned kick drum, 3 detuned timpani and shouts; the shouts are a part of the recording, they were not added afterwards. The Kraken - 2 concert bass drums and 1 detuned kick drum (huge sticks), 3 detuned timpani (hard mallets); The Mandarin - 2 concert bass drums (huge sticks) and 4 wooden clacks; Camel Safari - 2 concert bass drums (mallets), 2 detuned timpani (sticks), 4 bulgarian tupans (sticks); The Hulk - 2 concert bass drums (mallets), 2 detuned timpani (mallets), 1 kick drum (played with a mallet), 3 low toms (mallets); HIGH ENSEMBLES Fists of Fury - six detuned timpani (sticks), solo taiko (hard sticks), 2 floor toms (mallets); Two Toms - two floor toms (sticks); Armada Snares - 15 snares (sticks); Pirate Ship - 8 different snares (sticks); Fist Fighter - 2 concert bass drums, 1 detuned kick drum, 3 floor toms - played with hands; Warrior Click Clackers 1 - 4 tupans (sticks), 2 concert bass drums (sticks), 2 detuned timpani (sticks) - all of them: rimshots; Click Clackers 2 - 8 toms, detuned (sticks) - all of them: rimshots; Dawn Rider - 4 tupans ('beater'), 3 high toms (sticks), 1 mid tom (sticks); Dervish - 3 bulgarian tupans (sticks), 1 darbuka (hands+stick), snare drum with tambourine (sticks), 1 floor tom, 1 concert bass drum (mallet), 1 snare drum (sticks); Greater Beasts 1 - 8 toms, normal tuning (sticks); Greater Beasts 2 - 8 toms, detuned on set (sticks); Mountain King - 2 timpani, 1 concert bass drum, 2 snares, 3 toms (all of them with brushes); Voyvoda 1- 3 tupans (small sticks), 2 floor toms (sticks), 2 concert bass drums (mallets), 1 snare drum (sticks); ETHNIC ENSEMBLES Bendir - solo Turkish bendir, played with mallets; Cajon Low - solo cajon, played with mallets; Cajon High - solo cajon, played with hands; Wooden Sticks - two sticks, played by one player; Kali - combination of 5 tambourines, 6 djembes and 4 darbukas; Mumbai Chase BR - 15 large water jugs, recorded with brushes (BR); Mumbai Chase H - 15 large water jugs, recorded with hands (H) Mumbai Chase ST - 15 large water jugs, recorded with sticks (ST); The Cartel - 4 cajons, 6 djembes, 1 gran casa, 4 darbukas; Urban Warriors ML - basins and buckets, recorded with mallets (ML) Urban Warriors ST - basins and buckets, recorded with sticks (ST) Jungle Chase - 6 toms (rimshots); Samurai - 6 custom made wooden stick clacks; Voyvoda Tupans - 3 tupans (small sticks), 2 floor toms (sticks), 2 concert bass drums (mallets), 1 mid tom (sticks); SOLO PERCUSSION Taiko Flam - low taiko, flammed hits; Taiko Low - low taiko hits; Taiko Mid - mid taiko hits; Taiko High - high taiko hits; Taiko Rim - taiko rimshots; Thor's Hammer - "Mahler hammer" on wood; Gran Casa Case - concert bass drum inside a case, sticks; Gran Casa H - concert bass drum with hands (H); Gran Casa ML - concert bass drum with mallets (ML); Gran Casa ST - concert bass drum with sticks (ST); Kick ML - drum kit kick, played with mallets (ML); Kick ST - drum kit kick, played with sticks (ST); Kick RIM - drum kit kick, played on the rim; Tom 12" ML - 12" tom, played with mallet (ML); Tom 12" ST - 12" tom, played with sticks (ML); Tom 14" ML - 14" tom, played with mallet (ML); Tom 14" ST - 14" tom, played with sticks (ML); Tom 16" ML- 16" tom, played with mallet (ML); Tom 16" ST - 16" tom, played with sticks (ML); EPIC metaLS Anvil 1 - anvil played with a hammer; Anvil 2 - anvil played with a hammer; Anvil 3 - anvil played with a hammer; Anvil 4 - anvil played with a hammer; Anvil 5 - anvil played with a hammer; Lightning - two anvils, being hit with another anvil; Thrall 1 - anvil, being hit with a metal chain; Thrall 2 - multiple anvils, being hit with a hammer; Uruk-Hai - metal anvil, thrown on top of pile of anvils; Thunderbolt - an ensemble of various metals - big "anvil" sound; metal Freak - 5 small anvils (hammers); Gates of Hell - metal gates, played with hammers; Gates of Hell Low - detuned metal gates, played with hammers; SOUND DESIGN PERCUSSION Balrog - processed samples of hits on enormous sheets of metal; ensemble hits with hammers and large drumsticks. Dragon - 2 concert bass drums (mallets), 2 detuned toms (large sticks), 2 "anvils" (hammers); Emperor Kong 1 - processed off-beat hits of 2 concert bass drums, 1 detuned kick drum, 3 detuned timpani and shouts; Emperor Kong 2 - processed hits of 2 concert bass drums, 1 detuned kick drum, 3 detuned timpani and shouts; Mammuthus - processed low booms; Steampunk - processed high clacks; Thunderbolt Dist - processed metal hits; Werewolf - processed toms; Most of the patches also have distorted versions, that were run through a Marshal amp! http://www.strezov-sampling.com/products/view/THUNDER%20X3M.html Download link: http://rapidgator.net/file/54712710addfe69d972f1ccb30f30847/zjk4d.Strezov.Sampling..Thunder.X3M.Extreme.KONTAKT.REPACK.part01.rar.html]zjk4d.Strezov.Sampling..Thunder.X3M.Extreme.KONTAKT.REPACK.part01.rar.html 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Musical Sampling Adventure Brass KONTAKT | 2.95 Gb While not the biggest, baddest, wettest brass library out there, Adventure Brass accomplishes what we initially set out to do; to create an instrument that is first and foremost, fun to play. Third, we recorded medium-sized sections that would treat well to both unison and harmonic passages with believable transparency. Except the Tuba - I think we can all agree one of those is enough. Last but not least, to get that intangible little somethin' - why not record in Los Angeles; a town with some experience performing and recording for film and television. Details: * Recorded in Los Angeles * Section sizes: 2 Trumpets, 4 Horns, 2 Trombones, 1 Tuba * "Morph Stacking" programming allows any note length to sound natural * Flexible Releases: Automatically selects appropriate release based on note length * Recorded in traditional seating arrangement * Adjustable "Humanization" feature * "To Silence" feature * "Solo Trumpet Overlay" feature * True playable repetitions for trumpets * Three mic positions: Close, Room, Mixed * 3.1 GB uncompressed * Compatible with Kontakt 5.5.1+ (requires full version of Kontakt) Download link: http://nitroflare.com/view/153443C507DFDE2/jokcf.Musical.Sampling.Adventure.Brass.KONTAKT.part1.rar]jokcf.Musical.Sampling.Adventure.Brass.KONTAKT.part1.rar http://nitroflare.com/view/2A56DBA34A6FBCD/jokcf.Musical.Sampling.Adventure.Brass.KONTAKT.part2.rar]jokcf.Musical.Sampling.Adventure.Brass.KONTAKT.part2.rar http://nitroflare.com/view/85B6751ADC928E4/jokcf.Musical.Sampling.Adventure.Brass.KONTAKT.part3.rar]jokcf.Musical.Sampling.Adventure.Brass.KONTAKT.part3.rar http://uploaded.net/file/uav6ebmw/jokcf.Musical.Sampling.Adventure.Brass.KONTAKT.part1.rar]jokcf.Musical.Sampling.Adventure.Brass.KONTAKT.part1.rar http://uploaded.net/file/xkc5u1tv/jokcf.Musical.Sampling.Adventure.Brass.KONTAKT.part2.rar]jokcf.Musical.Sampling.Adventure.Brass.KONTAKT.part2.rar http://uploaded.net/file/m59dgosv/jokcf.Musical.Sampling.Adventure.Brass.KONTAKT.part3.rar]jokcf.Musical.Sampling.Adventure.Brass.KONTAKT.part3.rar [b]alfafile_net[/b]: http://alfafile.net/file/4yU7/jokcf.Musical.Sampling.Adventure.Brass.KONTAKT.part1.rar]jokcf.Musical.Sampling.Adventure.Brass.KONTAKT.part1.rar http://alfafile.net/file/4yUD/jokcf.Musical.Sampling.Adventure.Brass.KONTAKT.part2.rar]jokcf.Musical.Sampling.Adventure.Brass.KONTAKT.part2.rar http://alfafile.net/file/4ykL/jokcf.Musical.Sampling.Adventure.Brass.KONTAKT.part3.rar]jokcf.Musical.Sampling.Adventure.Brass.KONTAKT.part3.rar Links are Interchangeable - No Password - Single Extraction

Musical Sampling Soaring Strings (KONTAKT) | 3.87 Gb We wanted performances that catered to... (yes, I have to say it) soaring string lines and dramatic passages by having the players really dig in with the vibrato and giving us all they had with the triple forte dynamic. This also meant approaching the sessions in a unique, musical way to capture the kind of singular legato we were looking for. Another focus was to dial things back with what we felt was necessary to produce credible string arrangements in a shorter amount of time. This involved creating a single, natural mix and omitting seldom-used legato articulations. We also developed a "Sustain Sync" feature that synchronizes the starting sustain with the following intervals/repetitions, which saves you from having to make adjustments to start-notes to closely match the intervals timing upon quantization. Lastly, we included a "To Silence" button that can enable the modwheel to completely diminish the softest dynamic to silence. This not only provides unique possibilities with expression, but also saves the need to use another controller to simulate a decrescendo to "niente". We also agreed that recording medium-sized ensembles in their traditional seating arrangement would not only provide enough "solo-istic" detail in the recordings, but would have a more natural transparency when writing harmonies. After various tests throughout the year, months of recording, editing, programming and bringing the polish as far as we could - we're thrilled to finally share our debut offering, Soaring Strings. Happy composing! Features * Innovative musical approach to sessions * Medium-sized ensembles: violins, violas, cellos, basses * Sections recorded in traditional seating arrangement * Molto expressivo vibrato across the dynamic range * Natural dynamics retained * Section registers: Violins (G3-C6) Violas (C3-G5) Cellos (C2-C5) Basses (C1-C3) * Four dynamics of legato (p * Fives dynamics of sustains (pp * True Bow-Change Repetition Sampling * Sustain Sync * "To Silence" feature * Detailed sustain patches for each section * Detailed full strings sustain patch * Recorded on a scoring stage * 48khz/24bit * Compatible with Kontakt 5.5.1+ (requires full version of Kontakt) Download link: http://rapidgator.net/file/63a7ff40be17860f83286a7e6e49b7ac/7pci3.Musical.Sampling.Soaring.Strings.KONTAKT.part01.rar.html]7pci3.Musical.Sampling.Soaring.Strings.KONTAKT.part01.rar.html 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Strezov Sampling DISTORT 2 KONTAKT | 2.8 Gb DISTORT 2 is an electric guitar sample library, recorded and played by engineer Plamen Penchev, perfect for film and trailer composers on a tight deadline. Featuring three different mic positions, as well as seperated clean samples DISTORT 2 is in every way supperior to its predecessor DISTORT 1. However we decided to include DISTORT 1, because combining both of them gives you even more options in terms of sound. Features: Doubletracked guitar (L or R), recorded separately with three mic positions (dynamic mic, ribbon mic and hall), up and down picking. Close mics - Peluso R14 (ribbon), Shure SM58 (dynamic) Hall mics Stereo pair Gefell SMS2000. Two round robin on sustains, four round robins on mutes. Open chords (Power chords), open single tones, mute chords, mute single tones. Completely clean samples without processing included Amp - Marshall JCM2000 Cabinet - Marshall 1960 (Vintage30 speakers) Guitar - Gibson Flying V includes DISTORT 1 (1958 Korina Flying V Epiphone Guitar, amped through a Mesa Boogie amplifier) Download link: http://nitroflare.com/view/389F5B22058BC60/bukd3.Strezov.Sampling.DISTORT.2.KONTAKT.part1.rar]bukd3.Strezov.Sampling.DISTORT.2.KONTAKT.part1.rar http://nitroflare.com/view/3F33654EDEBB879/bukd3.Strezov.Sampling.DISTORT.2.KONTAKT.part2.rar]bukd3.Strezov.Sampling.DISTORT.2.KONTAKT.part2.rar http://nitroflare.com/view/26B89BFF9FF9343/bukd3.Strezov.Sampling.DISTORT.2.KONTAKT.part3.rar]bukd3.Strezov.Sampling.DISTORT.2.KONTAKT.part3.rar http://nitroflare.com/view/3C470B4B39B67AE/bukd3.Strezov.Sampling.DISTORT.2.KONTAKT.part4.rar]bukd3.Strezov.Sampling.DISTORT.2.KONTAKT.part4.rar http://nitroflare.com/view/EC5827912963CFB/bukd3.Strezov.Sampling.DISTORT.2.KONTAKT.part5.rar]bukd3.Strezov.Sampling.DISTORT.2.KONTAKT.part5.rar http://uploaded.net/file/j8eb3i8p/bukd3.Strezov.Sampling.DISTORT.2.KONTAKT.part1.rar]bukd3.Strezov.Sampling.DISTORT.2.KONTAKT.part1.rar http://uploaded.net/file/e7trwlbu/bukd3.Strezov.Sampling.DISTORT.2.KONTAKT.part2.rar]bukd3.Strezov.Sampling.DISTORT.2.KONTAKT.part2.rar http://uploaded.net/file/w88ne637/bukd3.Strezov.Sampling.DISTORT.2.KONTAKT.part3.rar]bukd3.Strezov.Sampling.DISTORT.2.KONTAKT.part3.rar http://uploaded.net/file/67c5pidc/bukd3.Strezov.Sampling.DISTORT.2.KONTAKT.part4.rar]bukd3.Strezov.Sampling.DISTORT.2.KONTAKT.part4.rar http://uploaded.net/file/3ky6xlyv/bukd3.Strezov.Sampling.DISTORT.2.KONTAKT.part5.rar]bukd3.Strezov.Sampling.DISTORT.2.KONTAKT.part5.rar [b]alfafile_net[/b]: http://alfafile.net/file/dJQP/bukd3.Strezov.Sampling.DISTORT.2.KONTAKT.part1.rar]bukd3.Strezov.Sampling.DISTORT.2.KONTAKT.part1.rar http://alfafile.net/file/dJQq/bukd3.Strezov.Sampling.DISTORT.2.KONTAKT.part2.rar]bukd3.Strezov.Sampling.DISTORT.2.KONTAKT.part2.rar http://alfafile.net/file/dJQp/bukd3.Strezov.Sampling.DISTORT.2.KONTAKT.part3.rar]bukd3.Strezov.Sampling.DISTORT.2.KONTAKT.part3.rar http://alfafile.net/file/dJQs/bukd3.Strezov.Sampling.DISTORT.2.KONTAKT.part4.rar]bukd3.Strezov.Sampling.DISTORT.2.KONTAKT.part4.rar http://alfafile.net/file/dJQv/bukd3.Strezov.Sampling.DISTORT.2.KONTAKT.part5.rar]bukd3.Strezov.Sampling.DISTORT.2.KONTAKT.part5.rar Links are Interchangeable - No Password - Single Extraction

Strezov Sampling DISTORT 2 KONTAKT | 2.8 Gb DISTORT 2 is an electric guitar sample library, recorded and played by engineer Plamen Penchev, perfect for film and trailer composers on a tight deadline. The main goal for this library has been to give the user flexibility and freedom while playing. We know that composers usually do not have time to fool around with knobs and buttons, this is why Distort only requires you to load it up and you can immediately start playing. The library is straight-forward, having two zones - one with palm mutes, the other one with sustains. You can play riffs with both of your hands and achieve great realistic results within only few minutes. Featuring three different mic positions, as well as seperated clean samples DISTORT 2 is in every way supperior to its predecessor DISTORT 1. However we decided to include DISTORT 1, because combining both of them gives you even more options in terms of sound. Features: Doubletracked guitar (L or R), recorded separately with three mic positions (dynamic mic, ribbon mic and hall), up and down picking. Close mics - Peluso R14 (ribbon), Shure SM58 (dynamic) Hall mics Stereo pair Gefell SMS2000. Two round robin on sustains, four round robins on mutes. Open chords (Power chords), open single tones, mute chords, mute single tones. Completely clean samples without processing included Amp - Marshall JCM2000 Cabinet - Marshall 1960 (Vintage30 speakers) Guitar - Gibson Flying V includes DISTORT 1 (1958 Korina Flying V Epiphone Guitar, amped through a Mesa Boogie amplifier) Download link: http://rapidgator.net/file/b5450680d92746ccf6b3fbecf6b3f6f7/zow12.Strezov.Sampling.DISTORT.2.KONTAKT.part1.rar.html]zow12.Strezov.Sampling.DISTORT.2.KONTAKT.part1.rar.html http://rapidgator.net/file/1195d7fceb473dd7162b89083defcd33/zow12.Strezov.Sampling.DISTORT.2.KONTAKT.part2.rar.html]zow12.Strezov.Sampling.DISTORT.2.KONTAKT.part2.rar.html http://rapidgator.net/file/2332755e62b748d036df7b499bc06a53/zow12.Strezov.Sampling.DISTORT.2.KONTAKT.part3.rar.html]zow12.Strezov.Sampling.DISTORT.2.KONTAKT.part3.rar.html http://nitroflare.com/view/52CD56BA0C8EC0D/zow12.Strezov.Sampling.DISTORT.2.KONTAKT.part1.rar]zow12.Strezov.Sampling.DISTORT.2.KONTAKT.part1.rar http://nitroflare.com/view/329ECEAD85418BC/zow12.Strezov.Sampling.DISTORT.2.KONTAKT.part2.rar]zow12.Strezov.Sampling.DISTORT.2.KONTAKT.part2.rar http://nitroflare.com/view/7CE58D1D189845F/zow12.Strezov.Sampling.DISTORT.2.KONTAKT.part3.rar]zow12.Strezov.Sampling.DISTORT.2.KONTAKT.part3.rar http://uploaded.net/file/zkokb9cm/zow12.Strezov.Sampling.DISTORT.2.KONTAKT.part1.rar]zow12.Strezov.Sampling.DISTORT.2.KONTAKT.part1.rar http://uploaded.net/file/m2lo863k/zow12.Strezov.Sampling.DISTORT.2.KONTAKT.part2.rar]zow12.Strezov.Sampling.DISTORT.2.KONTAKT.part2.rar http://uploaded.net/file/ybhtjzf6/zow12.Strezov.Sampling.DISTORT.2.KONTAKT.part3.rar]zow12.Strezov.Sampling.DISTORT.2.KONTAKT.part3.rar https://www.bigfile.to/file/RwygABt8rYWh/zow12.Strezov.Sampling.DISTORT.2.KONTAKT.part1.rar]zow12.Strezov.Sampling.DISTORT.2.KONTAKT.part1.rar https://www.bigfile.to/file/FkhtHyC6KNS7/zow12.Strezov.Sampling.DISTORT.2.KONTAKT.part2.rar]zow12.Strezov.Sampling.DISTORT.2.KONTAKT.part2.rar https://www.bigfile.to/file/VH3xedT848TF/zow12.Strezov.Sampling.DISTORT.2.KONTAKT.part3.rar]zow12.Strezov.Sampling.DISTORT.2.KONTAKT.part3.rar Links are Interchangeable - No Password - Single Extraction

Synthesis and Sampling with ABSYNTH With Evan Sutton Size: 592MB | Duration: 2h 42m | Video: AVC (.mp4) 1280x720 15fps | Audio: AAC 48KHz 2ch Genre: eLearning | Level: Intermediate | Language: English ABSYNTH is an essential instrument in the KOMPLETE toolkit, doubling as a semi-modular synthesis tool and a powerful effects plugin. Join Evan Sutton in this course for a tour of ABSYNTH, covering everything from signal flow and patching to advanced signal processing. Along the way, Evan covers routing and modulation, ABSYNTH's built-in effects, and working with control surfaces and automation. Tune in to learn how to design your own intoxicating sounds with ABSYNTH. Topics include: * Routing and signal flow * Destructive envelope editing techniques * Beat syncing and envelope looping * Basic sampling * Master FX * Modulation * Automation Download From NitroFlare http://www.nitroflare.com/view/F0CB30A5B389CD4/xidau123_LcSynthesisSamplingABSYNTH.rar Download From Rapidgator http://rapidgator.net/file/8acfbe6024970f314688c57b0595bf67/xidau123_LcSynthesisSamplingABSYNTH.rar.html

unEarthed Sampling Esper Synth-KONTAKT | 83 MB Esper Synth Explained. Early in the 21st Century, UNEARTHED SAMPLING advanced synth sample recording into the ESPER phase - a kontakt instrument virtually identical to a handful of sounds found on an actual CS-80 synthesizer, known as a Replicant - The ESPER SYNTH is used Off-World as slave labor in sci fi scores or Bladerunner score re-creations, and usually during the hazardous exploration and colonization of other planets. A film which any self respecting film buff will tell you is a masterpiece due to many factors including the mesmorizing synth score by mastermind composer Vangelis. As composers, we've all sought the perfect recreation of the lead sound which defined this score, well look no further, the brass lead which permeates the Bladerunner score has been UnEarthed! Esper Synth sets out to accurately recreate some of the most iconic sounds heard from Vangelis iconic score such as the awesome brassy lead and pad found in Main Titles and Blade Runner Blues. This isn't a synth recreation, or samples taken from the soundtrack. Esper Synth is sampled directly from patches painstakingly re-created on an actual CS 80 synth which is, in essence, the sound of Bladerunner. The brass leads are the highlight of the library and are extremely playable out of the box. No knob turning, no digging for the perfect reverb, just load and play. In most cases, the volume of each patch is mapped directly to the modwheel for easy dynamic control (so remember to tweak the modwheel if you're not hearing anything!). The Noir Sci-fi styled GUI contains controls for LOW, MID, and HI EQ as well as attack / release sliders, a reverb / space control knob, and a button to turn the patch from poly to monophonic if you're after authenticity. There are 5 versions of "the" brassy lead sound, 4 pads, 2 bell instruments, and even a HUGE offworld percussion section (inspired by the bladerunner main title cue) with reverb baked in. 12 patches in total. Are these exact re-creations? Nope, but extremely close and heck of a lot of fun to play. Perfect for Bladerunner fans or your next scifi score. Curious just how close we got in this re-creation experiement? Just check out the demos to the right! Everything heard is from Esper Synth. unEarthed.Sampling.Esper.Synth.KONTAKT-DISCOVER http://rapidgator.net/file/5abc85b6d9a580b5ab1e548bb7497269/z6otm.unEarthed.Sampling.Esper.Synth.KONTAKT.rar.html http://www.nitroflare.com/view/3C0BB6AEC7AE05F/z6otm.unEarthed.Sampling.Esper.Synth.KONTAKT.rar http://uploaded.net/file/rexaga4k/z6otm.unEarthed.Sampling.Esper.Synth.KONTAKT.rar http://www.uploadable.ch/file/QxVKx2WSzRFp/z6otm.unEarthed.Sampling.Esper.Synth.KONTAKT.rar

Drum Programming and Sampling with BATTERY With Evan Sutton Size: 542MB | Duration: 2h 02m | Video: AVC (.mp4) 1280x720 15fps | Audio: AAC 48KHz 2ch Genre: eLearning | Level: Intermediate | Language: English BATTERY is the cutting-edge drum and percussion sampler from Native Instruments that lets you create awesome beats and explore new sounds. In this course, Evan Sutton covers everything you need to know about drum programming and sampling with the app, from developing beats with BATTERY's factory kits to customizing its library to fit your sound. He'll show how to use different control surfaces and adjust the way BATTERY reacts to incoming MIDI and knobs. He'll also help you experiment with modulation, audio effects, loops, and sidechaining and help you save your patches for use in DAWs like Logic Pro and Ableton Live. Topics include: * Playing and editing factory kits * Importing and playing raw audio * Customizing MIDI settings and macros * Modifying samples using alternate playback modes * Vintage drum machine emulation * Signal routing for optimal mixing * Saving and archiving kits and sounds Download From Keep2Share http://k2s.cc/file/7a497a9d4a410/DrumProgrSamplBATTERY.part1.rar http://k2s.cc/file/b696641cd6b8a/DrumProgrSamplBATTERY.part2.rar http://k2s.cc/file/7db21ae202cd8/DrumProgrSamplBATTERY.part3.rar http://k2s.cc/file/fdb353e161a51/DrumProgrSamplBATTERY.part4.rar Download From NiroFlare http://www.nitroflare.com/view/CC8A9F72362EBC2/DrumProgrSamplBATTERY.part1.rar http://www.nitroflare.com/view/E53AE71C0904B96/DrumProgrSamplBATTERY.part2.rar http://www.nitroflare.com/view/B272DFF9F0A7E91/DrumProgrSamplBATTERY.part3.rar http://www.nitroflare.com/view/6D2692790281F4B/DrumProgrSamplBATTERY.part4.rar Download From RapidGator http://rapidgator.net/file/87a403e2b32568a3799afc5c0b4cf831/DrumProgrSamplBATTERY.part1.rar.html http://rapidgator.net/file/78222a15f9d606515173027f1c158138/DrumProgrSamplBATTERY.part2.rar.html http://rapidgator.net/file/0e6d89f17acf5713d1edc7ffe204bf7f/DrumProgrSamplBATTERY.part3.rar.html http://rapidgator.net/file/ec961e24f4ced9483a8ca7b5acfc47d5/DrumProgrSamplBATTERY.part4.rar.html

Udemy - Sampling: Using Sampling for Sound Design & Production English | 2h | AVC (.MP4) 1280x720 30fps | AAC 44.1KHz 2ch | 654 Mb Genre: eLearning Using Ableton Live and Reason, we will learn how to craft sounds using any synthesizer to make amazing beats and tracks. In Sound Design Fundamentals: Sampling, we will examine the essentials of Sound Design using Ableton Live and Propellerheads' Reason software and focusing on prin[beeep]ls of Sampling. We will explore three fundamental topics: Using samples for generating sounds, and the legal implications of sampling (And two pro tips for avoididing all the legal issues) Using samples to generate new sounds through manipulation and synthesis Using samplers to control drum sounds and sequence dynamic drum patterns. This classes uses the same system I've used for years in my college courses for teaching sound design: Identify and master the 4 main pieces of any synthesizer (or in this case, the sampler), and you will be flying when you first approach any other unit in the future. This system keeps the technical jargon to a minimum and gets you making your own sounds quick. J. Anthony Allen is an Ableton Certified Trainer, and a PhD in Music Composition and master of Electronic Sounds. His music has been heard internationally in film, radio, video games, and industrial sound, as well as the concert hall and theater. He currently as an adjunct professor of composition at the University of St. Thomas, Macphail Academy of Music, and the CEO of Slam Academy in Minneapolis. Praise for other classes by J. Anthony Allen: "Dr Allen does it again with his music theory for electronic musicians series. This course really opened up everything I learned from the 1st section and now I understand more about the composition side of things for music. I highly highly recommend this course to anyone!!! Really opened my eyes to many things I wasn't aware of." "The Best Teacher ever, who makes you understand the ins & outs of Music Theory by all mean without giving what you don't want to know." "I have never had any formal training in music at all. Trying to learn all the notes and how everything translated was a serious challenge. After going thru this class, Dr. J has totally brought down the barriers. The content was very useful and was easy to grasp for me." DOWNLOAD http://rapidgator.net/file/356b78d02cf2ef5f891573213de4cdab/Sampling.part1.rar.html http://rapidgator.net/file/69fdb5bbbe78906014df0379e57d36f5/Sampling.part2.rar.html http://rapidgator.net/file/b51d27a5aee777303c8c022e7ba6e66a/Sampling.part3.rar.html http://rapidgator.net/file/2ce59da2dbccfe3bd2a2ce0762093359/Sampling.part4.rar.html http://rapidgator.net/file/eac279bcaa5d07e308b9d2443f17de0f/Sampling.part5.rar.html http://rapidgator.net/file/8e9cbde628a9d3755f335304aeb0c582/Sampling.part6.rar.html http://rapidgator.net/file/5571304359211e7dd5d1a50c4b97915c/Sampling.part7.rar.html http://uploaded.net/file/5jhfejop/Sampling.part1.rar http://uploaded.net/file/1ocio3z2/Sampling.part2.rar http://uploaded.net/file/h5nxybhd/Sampling.part3.rar http://uploaded.net/file/mcyjxs1m/Sampling.part4.rar http://uploaded.net/file/ukv5emf3/Sampling.part5.rar http://uploaded.net/file/8tn3lnms/Sampling.part6.rar http://uploaded.net/file/m02x4lp2/Sampling.part7.rar http://www.uploadable.ch/file/XdbrCQjVTTM5/Sampling.part1.rar http://www.uploadable.ch/file/fxun2TGu8mux/Sampling.part2.rar http://www.uploadable.ch/file/BmfhK8sgM5FR/Sampling.part3.rar http://www.uploadable.ch/file/eshTZvVxptKU/Sampling.part4.rar http://www.uploadable.ch/file/Y4cpaFdDqQcu/Sampling.part5.rar http://www.uploadable.ch/file/AeNrFAZ6GFYc/Sampling.part6.rar http://www.uploadable.ch/file/6YUueEDnYGf9/Sampling.part7.rar http://www.hitfile.net/0Glh/Sampling.part1.rar.html http://www.hitfile.net/0Gdp/Sampling.part2.rar.html http://www.hitfile.net/0GzU/Sampling.part3.rar.html http://www.hitfile.net/0Hmr/Sampling.part4.rar.html http://www.hitfile.net/0H4E/Sampling.part5.rar.html http://www.hitfile.net/0HAj/Sampling.part6.rar.html http://www.hitfile.net/0Gat/Sampling.part7.rar.html

Strezov Sampling Westphalen Electric Violin KONTAKT (6/12/14) Strezov Sampling Westphalen Electric Violin KONTAKT | 444 Mb Westphalen Electric Violin is an electric violin sample library recorded by Gerhard Westphalen and edited and programmed by David Healey. The library features a single patch which includes sustain, staccato, and true legato articulations. The main idea of this library was to help composers who are looking for the increasingly popular electric violin sound. Features * True legato intervals * Full control of the vibrato * Electric Violin recorded DI * Staccatos RR X 3, 3 dynamic layers * Included effects presets emulate popular electric violin sounds used by composers * 48 kHz / 24 bit * Requires full version of Kontakt 4 DOWNLOAD LINKS: http://uploaded.net/file/xhgbmfmd/nhq3y.Strezov.Sampling.Westphalen.Electric.Violin.KONTAKT.rar http://rapidgator.net/file/d19bb74744277cd2407dfcd60a5516a0/nhq3y.Strezov.Sampling.Westphalen.Electric.Violin.KONTAKT.rar.html http://www.uploadable.ch/file/FhHVCRGfw2n8/nhq3y.Strezov.Sampling.Westphalen.Electric.Violin.KONTAKT.rar

unEarthed Sampling Tension Hits 2 KONTAKT | 26.7 MB Tension Hits 2 is the sequel to Soft Tension Hits. Where STH focuses on soft tension filled hits from unlikely sources... TH2 focuses more on in your face loud and epic impacts. All of these impacts come from unconventional sources such as chairs, tubes, stage hits, doors, sticks, metal shelves, and candelabras. We even recorded ensemble stomps on the stage which sound HUGE and epic! Tension Hits 2 is a wealth of instant inspiration stemming from unconventional percussion sources. There are no loops or phrases here, these are all multisampled recordings meticulously recorded via a very nice matched pair mic set. Speaking of recording.. these were all recorded in a large old hall built in the late 1800s so they all have a very cool air about them. In fact, the hall is featured in our very cool GUI art by Glyn Lloyd. All of the patches (save for one of the two stomps patches) feature 4 X RR. The GUI features some easily tweakable controls to really change the sound of each of the patches. These tweaks include Attack, Release, Lo, Mid, and Hi gain knobs, and the indispensable pitch knob. The toggleable covolution reverb makes these sound HUGE and we even included 13 easily selectable impulse responses. Download: http://www.uploadable.ch/file/QfYH5TNUY3rN/ke58s.unEarthed.Sampling.Tension.Hits.2.KONTAKT.zip or http://uploaded.net/file/t8dev3ty/ke58s.unEarthed.Sampling.Tension.Hits.2.KONTAKT.zip or http://rapidgator.net/file/df652eabe8b839cb018c769bfb870ecb/ke58s.unEarthed.Sampling.Tension.Hits.2.KONTAKT.zip.html or https://www.secureupload.eu/h7hg1ud98v8n/ke58s.unEarthed.Sampling.Tension.Hits.2.KONTAKT.zip