VA - Soho Scene '63 Jazz Goes Mod (2016)

TheCornor · 8 Wrzesień 2016

Artist: VA

Title: Soho Scene '63: Jazz Goes Mod

Year Of Release: 2015

Label: Rhythm & Blues

Genre: Jazz, Soul

Quality: 320 kbps

Total Time: 43:44

Total Size: 104 MB

Tracklist:

01 Brother Jack Mcduff - A Kettle Of Fish 02:46

02 The Quartette Tres Bien - Days Of Wine & Roses 03:33

03 Gene Ludwig Organ Trio - Blues for Mister Fink 02:30

04 Bobby Powell - What Are You Trying To Do To Me 02:13

05 Charles Kynard - Here Now! 02:23

06 Ronnie Ross - Cleopatras Needle 03:00

07 Butch Cornells Trio - Goose Pimples 02:36

08 Tony Kinsey - How 03:23

09 Damita Jo - Hobo Flats 02:48

10 Hank Crawford - Shake A-Plenty 02:33

11 Johnny Beecher - Jack Sax the City 03:11

12 Elaine Delmar - Hum Drum Blues 02:50

13 Chris Columbo Quintet - Minerology 02:53

14 Johnny Hawksworth Trio - Bowing 707 02:21

15 Jimmy Russell - For Peties Sake 02:54

16 Johnny Scott Quartet - One Way Pendulum 01:50

Soho, October 1963. It's not been a great year for British jazz record releases or jazz sales in general. You only have to look through your copy of 'Jazz News and Review' to see the venues listed moving towards R&B. The Ealing Jazz Club, the Railway Hotel in Wealdstone, the White Hart on the Uxbridge Road are all now hosting R&B nights. They are dancing to American rhythm and blues records at the Disc and at the recently opened Scene Club. Even the National Jazz Festival in Richmond has been infiltrated. You can still hear jazz though at The Marquee, at Klooks Kleek, at Ronnie's and at the 100 Club which caters for trad and modern tastes. But the best place to be sweaty and hip is The Flamingo in Wardour Street. Early Saturday evenings at The Mingo mean Modern Jazz both live and on vinyl. Collected here are several slabs of British quality along with influential American sounds from labels such as Impulse, Atlantic and world Pacific. This album captures the period just as rhythym and bluesis emerging as the dominant club sound, forcing clubs like the Flamingo to change their music policy in order to survive.

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