voyeurnice 16 Napisano 13 Wrzesień 2016 Artist: The Fred Hersch Trio Title: Sunday Night At The Vanguard Year Of Release: 2016 Label: Palmetto Records Genre: Jazz Quality: Mp3 / 320kbps Total Time: 68:00 min Total Size: 155 MB Tracklist -------- 01. A Cockeyed Optimist 02. Serpentine 03. The Optimum Thing 04. Calligram 05. Blackwing Palomino 06. For No One 07. Everybody's Song But My Own 08. The Peacocks 09. We See 10. Solo Encore: Valentine Reach up to the CD shelf and pull a handful of Fred Hersch CDS down. You'll find that the pianist has a good thing going with the Village Vanguard. Alive At The Vanguard (Palmetto Records, 2012) a stellar two CD set, and terrific solo set, Alone At the Vanguard (Palmetto Records, 2011), are Hersch's most recent recordings from the legendary venue; and now he and his trio offer up Sunday Night At the Vanguard. Hersch says this is his best trio album. Almost every artist says that about their latest that this one's the best. But he might be right. The vote here would have gone to a studio recording, Whirl (Palmetto Records, 2010), a marvelous in-the-zone effort with this same trio John Hebert on bass, Eric McPherson playing drums until Sunday Night At The Vanguard rolled around. The trio opens with Richard Rodgers' "A Cockeyed Optimist," which is not exactly a familiar tune, in spite of its authorship. But as an opener it works to perfection, with a silvery, raindrop intro that finds a quirky groove that paints an upbeat atmosphere, with a bright melody that sounds like a second cousin to "It Might As Well Be Spring." "Serpentine," a Hersch original, is a wandering slither of a tune, unpredictable and spooky, lovely in its fluid, abstract way; "The Optimum Thing" sparkles; and "Blackwing Palomino," maybe the only jazz tune ever written for a pencil, has the feel of a new jazz standard. Hersch's output has been consistently excellent, but sometimes as on this special Sunday Night the stars align. The trio, from the opening notes of "The Cockeyed Optimist," is locked into and to a telepathic interplay zone playful and eloquent, elegant and assured. The Lennon and McCartney gem, "For No One," has the forlorn desperation of the song's lyrical content. The Beatles' version a masterpiece in its own right didn't take things to this dark of a place. Kenny Wheeler's "Everybody's Song But My Own" rolls in a restless, jittery mode. "The Peacocks," from the pen of Jimmy Rowles, is pensive, lonely. Hersch explores an almost unmatchable majesty of the tune, with a bit of dissonance, before he jumps into Thelonious Monk, with "We See," an irrepressible jewel, followed as an encore to the show the Fred Hersch-penned "Valentine," one of the more inward tunes in Hersch's songbook, counterpointing a mostly gregarious, effervescent set by one of the jazz world's top piano trios at the top of their game. ~ Dan McClenaghan Personnel: Fred Hersch: piano; John Hebert: bass; Eric McPherson: drums. Ukryta Zawartość Treść widoczna tylko dla użytkowników forum DarkSiders. Zaloguj się lub załóż darmowe konto na forum aby uzyskać dostęp bez limitów. Ukryta Zawartość Treść widoczna tylko dla użytkowników forum DarkSiders. Zaloguj się lub załóż darmowe konto na forum aby uzyskać dostęp bez limitów. Ukryta Zawartość Treść widoczna tylko dla użytkowników forum DarkSiders. Zaloguj się lub załóż darmowe konto na forum aby uzyskać dostęp bez limitów. Cytuj Udostępnij tę odpowiedź Odnośnik do odpowiedzi Udostępnij na innych stronach
