Skocz do zawartości

Aktywacja nowych użytkowników
Zakazane produkcje

  • advertisement_alt
  • advertisement_alt
  • advertisement_alt
voyeurnice

Anne Sofie von Otter, Brooklyn Rider - So Many Things (Arr. for Mezzo-Soprano and String Quartet) (2...

Rekomendowane odpowiedzi

tqhfmvvlrsqv.jpg

Artist: Anne Sofie von Otter, Brooklyn Rider

Title: So Many Things (Arr. for Mezzo-Soprano and String Quartet)

Year Of Release: 2016

Label: na??ve

Genre: Classical Crossover, Classical

Quality: flac lossless

Total Time: 01:09:00

Total Size: 321 mb

Tracklist

---------

01. Pi

02. Doctor Atomic: Am I in Your Light ?

03. Cant voi l'aube

04. For Sixty Cents

05. Cover Me

06. So Many Things

07. Kv?¤ll

08. Hunter

09. Love Sublime

10. Speak Darkly, My Angel

11. Practical Arrangement

12. Les feux d'artifice t'appellent

13. The Birds Will Still Be Singing (Bonus Track)

In So Many Things, Swedish mezzo-soprano Anne Sofie von Otter takes up many things indeed, from John Adams' moving operatic aria "Am I in Your Light?" to a unique setting of Lydia Davis' "For Sixty Cents," which features pizzicato strings and free-flowing lyricism.

Mezzo-soprano Anne Sofie von Otter is known for her versatility in operatic roles, her interesting recital choices, and her willingness to take vocal risks. Her father was a Swedish diplomat whose career took the family to Bonn, London, and back to Stockholm while Anne Sofie was growing up. As a result, she gained fluency in several languages. She studied music at the Guildhall School of Music and Drama in London. Her main voice teacher was Vera Rozsa, while Erik Werba and Geoffrey Parsons coached her in lieder interpretation. She gained a contract with the Basle Opera in 1983 and remained there until 1985, debuting as Alcina in Haydn's Orlando Paladino. A tall, statuesque woman, she took several male roles written for mezzo-sopranos ("trouser roles"), including Cherubino in Mozart's Marriage of Figaro, H?¤nsel in Humperdinck's H?¤nsel und Gretel, Orpheus in Gluck's Orf??e et Eurydice, Octavian in Strauss' Rosenkavalier, the Composer in Strauss' Ariadne auf Naxos, and the title role of Rossini's Tancredi. One reason for the high proportion of Baroque- and Classical-era operas in her repertory is an important working relationship with conductor John Eliot Gardiner. She first auditioned for him in 1985, but failed to make an impression then. It was only with a subsequent chance for him to hear her that he began working with her. She has joined him in recordings of Beethoven's Ninth Symphony; Mozart's Clemenza di Tito, Idomeneo, and Requiem; Monteverdi's La favola d'Orfeo and L'incoronazione di Poppea; Handel's Agrippina and Jephtha; Gluck's Orf??e et Eurydice; and Bach's Christmas Oratorio and St. Matthew Passion. He also conducted von Otter's recording of Weill's Seven Deadly Sins and selected theater songs. Another major artistic partner is pianist Bengt Forsberg, her recital partner and a leading scholar of song literature. Von Otter relies on him to suggest songs and organize the programs of her recitals. With him, she has tended to specialize in lieder from the beginning and end of the Romantic period, including well-received recordings of songs by Schubert, Schumann, Brahms, Zemlinsky, Korngold, and Mahler as well as the late Romantic Nordic composers Grieg, Alfv??n, Rangstr??m, Stenhammar, and Sibelius. Other recordings include Terezin/Theresienstadt, music from the concentration camp; Love Songs by Brad Mehldau; and 2013's Douce France. When she came to record Weill's Seven Deadly Sins, she used the original version for high soprano, a range she possesses, rather than the once-traditional mezzo-soprano version made for Lotte Lenya late in that singer's career. Von Otter has also recorded Alban Berg's Seven Early Songs, another strain for many high sopranos. In addition, she is not averse to stretching her voice for dramatic effect. "I believe in shock effects," she once said in an interview. However, past the age of 40 she had some particularly bad experiences as a result of these two tendencies and, she admits, hurt her voice. As a result, she has decided to be "sensible" and transpose down. She and her husband, stage designer Benny Frederiksson, live in Stockholm with their two children.

download.png

 

Ukryta Zawartość

    Treść widoczna tylko dla użytkowników forum DarkSiders. Zaloguj się lub załóż darmowe konto na forum aby uzyskać dostęp bez limitów.

 

Ukryta Zawartość

    Treść widoczna tylko dla użytkowników forum DarkSiders. Zaloguj się lub załóż darmowe konto na forum aby uzyskać dostęp bez limitów.

 

Ukryta Zawartość

    Treść widoczna tylko dla użytkowników forum DarkSiders. Zaloguj się lub załóż darmowe konto na forum aby uzyskać dostęp bez limitów.

Udostępnij tę odpowiedź


Odnośnik do odpowiedzi
Udostępnij na innych stronach

Dołącz do dyskusji

Możesz dodać zawartość już teraz a zarejestrować się później. Jeśli posiadasz już konto, zaloguj się aby dodać zawartość za jego pomocą.

Gość
Dodaj odpowiedź do tematu...

×   Wklejono zawartość z formatowaniem.   Usuń formatowanie

  Dozwolonych jest tylko 75 emoji.

×   Odnośnik został automatycznie osadzony.   Przywróć wyświetlanie jako odnośnik

×   Przywrócono poprzednią zawartość.   Wyczyść edytor

×   Nie możesz bezpośrednio wkleić grafiki. Dodaj lub załącz grafiki z adresu URL.

    • 1 Posts
    • 8 Views
    • 1 Posts
    • 16 Views
    • 1 Posts
    • 8 Views
    • 1 Posts
    • 11 Views
    • 1 Posts
    • 19 Views

×
×
  • Dodaj nową pozycję...

Powiadomienie o plikach cookie

Korzystając z tej witryny, wyrażasz zgodę na nasze Warunki użytkowania.