voyeurnice 16 Napisano 6 Sierpień 2017 Artist: Ronald Brautigam Title: Beethoven: Complete Works For Solo Piano Vol. 10 - The Complete Bagatelles Year Of Release: 2011 Label: BIS Genre: Classical Quality: FLAC (image + .cue, log, scans) Total Time: 71:07 min Total Size: 288 MB Tracklist: 01. Bagatelles (7) for piano, Op. 33: 1. Andante grazioso, quasi allegretto 02. Bagatelles (7) for piano, Op. 33: 2. Scherzo. Allegro 03. Bagatelles (7) for piano, Op. 33: 3. Allegretto 04. Bagatelles (7) for piano, Op. 33: 4. Andante 05. Bagatelles (7) for piano, Op. 33: 5. Allegro, ma non troppo 06. Bagatelles (7) for piano, Op. 33: 6. Allegretto, quasi andante (Con una certa espressione parlante) 07. Bagatelles (7) for piano, Op. 33: 7. Presto 08. Allegretto for piano in C minor, Hess 69 09. Bagatelle for piano in C major, Hess 73 10. Bagatelle for piano in E flat major, Hess 74 11. Allegretto for piano in C minor, WoO 53 12. Andante for piano in C major, Biamonti 52 13. Piece for piano in C major/C minor ('Lustig - traurig'), WoO 54 14. Allegretto for piano in C major ('Bagatelle'), WoO 56 15. Bagatelle for piano in C minor, WoO 52 16. Bagatelles (11) for piano, Op. 119: 1. Allegretto 17. Bagatelles (11) for piano, Op. 119: 2. Andante con moto 18. Bagatelles (11) for piano, Op. 119: 3. a l'Allemande 19. Bagatelles (11) for piano, Op. 119: 4. Andante cantabile 20. Bagatelles (11) for piano, Op. 119: 5. Risoluto 21. Bagatelles (11) for piano, Op. 119: 6. Andante - Allegretto 22. Bagatelles (11) for piano, Op. 119: 7. Allegro, ma non troppo 23. Bagatelles (11) for piano, Op. 119: 8. Moderato cantabile 24. Bagatelles (11) for piano, Op. 119: 9. Vivace moderato 25. Bagatelles (11) for piano, Op. 119: 10. Allegramente 26. Bagatelles (11) for piano, Op. 119: 11. Andante, ma non troppo 27. Bagatelle for piano in A minor ('Fur Elise'), WoO 59 28. Bagatelle for piano in B flat major, WoO 60 29. Allegretto for piano in B minor, WoO 61 30. Allegretto quasi andante for piano in G minor, WoO 61a 31. Bagatelle for piano in C major, Hess 57 (draft) 32. Bagatelles (6) for piano, Op. 126: 1. Andante con moto 33. Bagatelles (6) for piano, Op. 126: 2. Allegro 34. Bagatelles (6) for piano, Op. 126: 3. Andante 35. Bagatelles (6) for piano, Op. 126: 4. Presto 36. Bagatelles (6) for piano, Op. 126: 5. Quasi allegretto 37. Bagatelles (6) for piano, Op. 126: 6. Presto - Andante amabile e con moto - Tempo 1 Dutch pianist Ronald Brautigam, looking for all the world like an aging rock star with his long platinum hair, has recorded a series of Beethoven works on historically appropriate instruments for the Swedish label BIS; this release is part of that series. The idea of recording Beethoven's complete Bagatelles (the word means "trifles") is a novel one because it's hard to agree on exactly what constitutes a bagatelle. The famous Fur Elise, WoO 59, for instance, wasn't called a bagatelle by Beethoven, but it has much in common with the works so designated: it is short, not in sonata form, and not of an overly serious cast. Beethoven published three sets of pieces called Bagatelles, but only the third, one of Beethoven's late masterworks, was planned from the start as a set. The advantage of Brautigam's inclusive approach is that he gets to some very rare pieces, not only those listed with WoO (Werke ohne Opuszahl, or Works Without Opus Number) numbers, but even a few listed with Hess numbers after a musicologist who cataloged lost Beethoven works. The Bagatelle in C major, Hess 57, for instance, is contemporaneous with the Op. 126 set and is a genuine piece of lost late Beethoven, a contrapuntal but humorously abrupt piece that has much in common with the mood of the String Quartet No. 16 in F major, Op. 135. Brautigam uses a pair of pianos, a good idea inasmuch as the music on the album spans a quarter century. Both are modern replicas of historical instruments, made by American-Czech builder Paul McNulty; one is of a ca. 1805 Walter instrument and the other of a piano ca. 1819 from the Graf workshop. The historical pianos have some very surprising effects in some pieces. Sample the second section of the Presto from the Seven Bagatelles, Op. 33, where upper-register arpeggios seem like offstage echoes responding to loud, abrupt bass notes. Brautigam takes most of the pieces at quick tempos, none more so than the Andante of the Six Bagatelles, Op. 126 (track 34), which comes in at Moderato or perhaps even Allegro. In general, though, he has a good feel for the weirdly experimental quality of many of these pieces, some of which were rejected rough drafts for movements of longer works. Beethoven seems to have worked out structural ideas in many of these little works, slight as they may seem, and Brautigam's brisk, serious approach brings this out. There's much, if intermittently, to attract the listener here, and one main attraction is the BIS label's magical Super Audio sound. -- James Manheim Ukryta Zawartość Treść widoczna tylko dla użytkowników forum DarkSiders. Zaloguj się lub załóż darmowe konto na forum aby uzyskać dostęp bez limitów. Ukryta Zawartość Treść widoczna tylko dla użytkowników forum DarkSiders. Zaloguj się lub załóż darmowe konto na forum aby uzyskać dostęp bez limitów. Cytuj Udostępnij tę odpowiedź Odnośnik do odpowiedzi Udostępnij na innych stronach
