beers

Visions of Atlantis - The Deep & the Dark (2018) 44.1-24 Country: Austria Genre: Symphonic Metal, Power Metal Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 40:56 Full Size: 488.15 MB https://www.youtube.com/watch?v=52LQzzJ53No https://www.youtube.com/watch?v=9s-UeGOuYy4 Download from [b]HotLink[/b] https://hotlink.cc/folder/705e5f91-d210-11ec-a2c7-0cc47ac4f47e

Mylene Farmer - Interstellaires (Instrumental Version) (2022) 48-24 Country: France Genre: Pop, Synth-pop, Instrumental Format: FLAC (*tracks) Quality: Lossless [48 kHz/24 bit] Time: 40:03 Full Size: 487.09 MB https://www.youtube.com/watch?v=7_f-s85IiI4 https://www.youtube.com/watch?v=S59Xwi8V1XM Download from [b]HotLink[/b] https://hotlink.cc/folder/8d1777f6-d6be-11ec-a2c7-0cc47ac4f47e

Opeth - Sorceress (2016) 44.1-24 Country: Sweden Genre: Progressive Rock Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 01:30:16 Full Size: 985.02 MB When Opeth released Heritage in 2011, they had completed the transformation from their death metal origins through progressive death metal in the early 2000s, to full-on prog rock that celebrated their love of Camel, Jethro Tull, ELP, and more. 2014's excellent Pale Communion furthered those notions as frontman and songwriter Mikael Åkerfeldt's own vision began to emerge. Sorceress is the third installment in this phase of the band's career, and while considerably different and more exploratory than its precursors, it also references Opeth's earlier efforts like Ghost Reveries and Blackwater Park, but goes further than either in its diversity. Uncharacteristically, Åkerfeldt wrote the album quickly. He enlisted Tom Dalgety as co-producer (who also engineered and mixed) and Opeth recorded it in twelve days at Rockfield Studios in Wales. Sorceress is a madly assorted mixed bag. Åkerfeldt's inspirations this time out may still recall prog sources, but there are heavier ones, too: Black Sabbath and the Ritchie Blackmore/Jon Lord-era of Deep Purple. Opener "Persephone" has a brief nylon-string guitar sketch in waltz time that could have come from folk music antiquity. It gives way to the title track and first single. Joakim Svalberg's knotty organ riff dominates the opening moment before a crushing syncopated guitar riff joins in. This track somewhat recalls the Pale Communion sessions but is far more unhinged. The Geezer Butler-esque bassline and explosive kick drums make it the most accessible thing here -- its instrumental section keeps it firmly in prog terrain, however. "The Wilde Flowers" is a truly wild melange of musical styles. It's simultaneously heavy, hard, and spacy, with B-3, bluesy and squalling metal guitar breaks, and chorale vocals that drift in the center, weighting it as a solidly prog track. The bludgeoning guitar riff, up-mixed, swinging drums, and punishing bassline in "Chrysalis" make it a highlight; it shines with Åkerfeldt's finest vocal performance on the album (he can be notoriously lazy). There are lovely acoustic tracks here, too, such as "Will O' the Wisp," which exists in the space between Pentangle's Basket of Light and Led Zeppelin III. "The Seventh Sojourn" melds East Indian drone with North African modalism and exotic hand percussion; strings and keyboards eclipse an oud-like guitar line. It eventually dissembles, wedding near classical polyphony to subdued pop. "Strange Brew" winds through Peter Gabriel-era Genesis-esque ponderousness before a bluesy guitar line ushers it into thundering King Crimson-esque prog adorned with proto-metal riffs and vamps. "A Fleeting Glance" is a dynamic, multifaceted jam showcasing Åkerfeldt's sophisticated melodic sensibilities while touching on musical terrain from Pink Floyd and Gentle Giant to post-Village Green-era Kinks! "Era" opens with a delicate piano intro but Opeth erupts a minute later in melodic aggression. Åkerfeldt's more confident and individualized songwriting on Sorceress takes it in some dizzying directions. While it goes further musically than their two previous outings, it contains enough of the past to exist in a space that carves out terrain somewhere between Watershed and Heritage. Brilliant. © Thom Jurek /TiVo https://www.youtube.com/watch?v=yMDJ9FFRO2E https://www.youtube.com/watch?v=thrVflIc05I Download from [b]HotLink[/b] https://hotlink.cc/folder/01e0ff19-d2d1-11ec-a2c7-0cc47ac4f47e

Alphaville - Forever Young (Super Deluxe) (2019) 44.1-24 Country: Germany Genre: Synthpop,New Wave Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 03:07:29 Full Size: 2.11 GB Alphaville's 1984 debut, Forever Young, deserves to be viewed as a classic synth pop album. There's no doubting that Germans are behind the crystalline Teutonic textures and massive beats that permeate the album, but vocalist Marian Gold's impressive ability to handle a Bryan Ferry croon and many impassioned high passages meant the album would have worldwide appeal. Indeed both "Big in Japan" and the touching, sad change-of-pace "Forever Young" raced up the charts in multiple continents. Borrowing inspiration from Roxy Music's detached theatricality and Kraftwerk's beats and rhythms, Gold and company hit upon a magic formula that produced here an album's worth of impossibly catchy tunes that could almost serve as pure definitions for the synth pop genre. The hits race straight for one's cranium and embed themselves upon impact. "Big in Japan" feels like a more serious cousin to Murray Head's "One Night in Bangkok," as a slow-pounding beat spars with Gold's desperate voice. "Forever Young," a stark, epic song that would become essential for every post-1984 high school graduation, drips sadness and never fails to cause a listener to nostalgically reflect on life and loss. Outside of these hits, the remainder of the songs rarely falter, mixing emotion, theater, and of course electronics into a potent, addictive wave of synth euphoria. It's likely every fan could pick his own favorite of the other should-have-been-hits, but "Fallen Angel" deserves special mention. It begins with spooky, funny warbling and icy keyboards, and then explodes and transforms into a startling, romantic epiphany at the chorus. If its lyrics are a bit goofy or juvenile, it only adds to the heartfelt love the song expresses. Alphaville stick firmly to their synths and sequencers on Forever Young, but they keep things interesting by incorporating motifs from funk, Broadway, Brazilian jazz, and even hip-hop. Even when the band takes itself too seriously, the songs' catchy drive and consistently smart production cover any thematic holes. Forever Young is a technically perfect and emotionally compelling slice of 1980s electronic pop/rock music. It's also a wonderfully fun ride from start to finish. © Tim DiGravina /TiVo https://www.youtube.com/watch?v=E2HeDHkL9kg https://www.youtube.com/watch?v=WzHed2MUTJM Download from [b]HotLink[/b] https://hotlink.cc/folder/28f24145-afc9-11eb-a971-0cc47ac4f47e

Tears For Fears - Tears Roll Down (Greatest Hits 82-92) (2020) 96-24 Country: UK Genre: Pop,Rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 01:14:53 Full Size: 1.55 GB Capturing some of their chart-topping smashes and other key tracks, Tears for Fears marks a monumental career with their collection Tears Roll Down: Greatest Hits 82-92. Toward the end of the praise surrounding their third album, 1991's Seeds of Love, Curt Smith left the band. Roland Orzabal was left to sail the ship alone, and the strong success dwindled years later. However, this dozen-track compilation showcases some of the band's early tracks heavily dominated by pulsating bass drops and heavy synth beats. "Pale Shelter" and "Mad World" from their 1982 debut The Hurting moved toward the soul-defining musical maturation found on 1985's groundbreaking staple Songs From the Big Chair. The Top Ten hits are undoubtedly featured: "Everybody Wants to Rule the World," "Shout," and the more obscure "Mothers Talk." The luscious "Head Over Heels" cuts short of its closing guitar work, a disappointment in the grand scheme of Tears for Fears' synth-dominated sound. Such layered riffs separated the rawness from the fluffy new wave aspect. "Sowing the Seeds of Love" marked the band's own branded progressive rock & roll, but "Woman in Chains," the gospel-tinged cut featuring guest vocals from Oleta Adams, was their most spiritual effort. Essentially, the dozen-track collection is a perfect look at what Tears for Fears did for music during the '80s until the mid-'90s. They made new wave sound cool and melodically beautiful. https://www.youtube.com/watch?v=WP1JT5yHllQ https://www.youtube.com/watch?v=5dCD1p0zPbs Download from [b]HotLink[/b] https://hotlink.cc/folder/81bedadf-9582-11ec-a2c7-0cc47ac4f47e

Graham Bonnet Band - Live... Here Comes the Night (2017) 44.1-24 Country: UK Genre: Hard Rock Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 01:11:51 Full Size: 863.99 MB Legendary rock vocalist Graham Bonnet is back with a new live album and home video captured during his acclaimed performance at Frontiers Rock Festival III in Trezzo (Milan, Italy) on April 24, 2016. Accompanied by a stellar band featuring founding member Beth-Ami Heavenstone on bass, South American guitar sensation Conrado Pesinato on lead guitar, and Mark Zonder (known for his work with Warlord and Fates Warning) on drums, Bonnet masterfully delivered a thrilling "Best of" set which included songs from his stints with bands such as Rainbow, McAuley Schenker Group, Alcatrazz, Impellitteri, and of course his solo material too. https://www.youtube.com/watch?v=hsQVZtdaxqM https://www.youtube.com/watch?v=X7HNvcy_1N4 Download from [b]HotLink[/b] https://hotlink.cc/folder/d557d2b0-d420-11ec-a2c7-0cc47ac4f47e

Black Oak Arkansas - Black Oak Arkansas 1971 (2018) 96-24 Country: USA Genre: Southern rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 33:31 Full Size: 726.98 MB https://www.youtube.com/watch?v=19fkJiy5iws https://www.youtube.com/watch?v=2Jc7OqDJqGg Download from [b]HotLink[/b] https://hotlink.cc/folder/53ad04b8-d606-11ec-a2c7-0cc47ac4f47e

Blackfield - Blackfield IV (2013) 48-24 Country: UK Genre: Progressive Rock Format: FLAC (*tracks) Quality: Lossless [48 kHz/24 bit] Time: 31:23 Full Size: 373.41 MB https://www.youtube.com/watch?v=stYqszyPekk https://www.youtube.com/watch?v=KnHJR9auE3o Download from [b]HotLink[/b] https://hotlink.cc/folder/caae86cb-cb0b-11ec-a2c7-0cc47ac4f47e

Bonnie Raitt - Slipstream (2012) 88.2-24 Country: USA Genre: Rock,Blues Format: FLAC (*tracks) Quality: Lossless [88,2 kHz/24 bit] Time: 57:15 Full Size: 1.14 GB https://www.youtube.com/watch?v=doyRKAgyoCg https://www.youtube.com/watch?v=0UWZ2Sjnu40 Download from [b]HotLink[/b] https://hotlink.cc/folder/f78c5cc7-c530-11ec-a2c7-0cc47ac4f47e

Cat Stevens - Tea For The Tillerman² (2020) 44.1-24 Country: UK Genre: Folk Rock, Pop Rock Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 39:23 Full Size: 422.12 MB Cat Stevens has returned and he's serving more tea. Tea For The Tillerman 2 is, as the name suggests, the second version of his 1970 folk-rock classic, Tea For The Tillerman. The album was a bit of a hangover from the sixties. All the teenagers would spend their times up in their rooms trying to decipher the notes and play the songs on acoustic guitar as they flowed one after another in a river of instrumental elegance and profound disenchantment. It was a philosophical and politically charged album, a way of announcing that he was turning his back on the modern world in a quest for spirituality. A few years later Stevens converted to Islam, adopted the name Yusuf Islam and distanced himself from the world of pop music for almost 30 years. He returned to pop in the mid-2000s and is now celebrating the anniversary of his album, as Tea For The Tillerman is now 50 years old. And Cat Stevens is 72. Rather than re-release this old classic with some slight embellishments, the singer has given himself a makeover and re-recorded the whole thing. Joined by his guitarist and producer from the time as well as a handful of new musicians, Cat Yusuf recaptures the subtle and care-free sweetness of the original version but adds fullness and a slight punch that it sometimes lacked. The new versions are, at times, rather similar to the original versions (with the same string and choir arrangements), and at other times nothing like them (like on Longer Boats featuring rapper Brother Ali with its funky bridge), but their essence remains the same and they are certainly recognisable. Above all, Cat Stevens sings better than ever before - his voice hasn't aged, and it's no longer cast in the shadow of Bob Dylan as it was on the 1970 version of Tea For The Tillerman. © Stéphane Deschamps/Qobuz https://www.youtube.com/watch?v=9G9yW0kQsII https://www.youtube.com/watch?v=B_H5XuIb5WM Download from [b]HotLink[/b] https://hotlink.cc/folder/4e71189a-acf3-11eb-a971-0cc47ac4f47e

Paul Simon - Graceland [25th Anniversary Edition] 1986 (2012) 96-24 Country: USA Genre: Pop Rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 01:07:51 Full Size: 1.39 GB https://www.youtube.com/watch?v=Cb04PK_oTlM https://www.youtube.com/watch?v=WH5WVmaZFNE Download from [b]HotLink[/b] https://hotlink.cc/folder/93da387a-c531-11ec-a2c7-0cc47ac4f47e

Sweet - The Polydor Albums (4CD Box Set Caroline Records) (2017) FLAC Country: UK Genre: Glam rock,Hard rock Format: FLAC (*image + .cue,log,scans) Quality: Lossless Time: 03:12:34 Full Size: 1.62 GB https://www.youtube.com/watch?v=8pB99Z0hoYs&list=OLAK5uy_m9B5GCG5oqsrU-3YR2mi5j9EmZJuA7AfI&index=5 https://www.youtube.com/watch?v=Vcly0h1qH5I&list=OLAK5uy_kccu2uRkiLohLZ6kB7WpYr-plOs_kqjHU&index=1 Download from [b]HotLink[/b] https://hotlink.cc/folder/554cbf56-c204-11ec-a2c7-0cc47ac4f47e

Blackfield - Open Mind The Best of Blackfield (2018) [FLAC] Country: UK Genre: Progressive Rock Format: FLAC (*tracks) Quality: Lossless [44,1kHz/16 bit] Time: 58:26 Full Size: 365.64 MB https://www.youtube.com/watch?v=FF79zvZok48 Download from [b]HotLink[/b] https://hotlink.cc/folder/caae86cb-cb0b-11ec-a2c7-0cc47ac4f47e

The Garbage & the Flowers - Cinnamon Sea (2022) 44.1-24 Country: New Zealand Genre: Alternative,Indie Rock Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 20:26 Full Size: 223.53 MB 'Cinnamon Sea' is the perfect introduction to one of the most mysterious, ever-morphing underground bands from New Zealand. The Garbage and the Flowers make their long awaited return with another psychedelic masterpiece from the band that gave us 1997's cult dreampop gem 'Eyes Rind As If Beggars'. A hybrid fusion of the Velvets, Elephant 6 and any God-fearing stoned strummers you can think of, with a nod to Charlie Manson's bedside balladry to boot. On their return, the band hone their songcraft with tracks like 'Eye Know Who You Are', a tantalising piece of Mazzy Star on steroids, a spiralling sonic rumble, that reaches a miasmic high on every hummed chorus. It opens the Pandora's box of this release, a sleight of ear collection of five songs from this cosmology-observing Australia-based outfit. Tracks like 'Red Star' exist in a land where sound levels are destroyed by savage birds. 'On The Radio' trips into an untuned lagoon. There's a quasi-religious zeal to proceedings, a nod to Sterling Morrison's Velvet strum elsewhere, everything that would have been key to the Elephant 6 conglomerate not so long ago, maybe, if you can even imagine, My Bloody Valentine unplugged. 'Cinnamon Sea' was recorded in an abandoned courthouse in Freyerstown, a ghostly village in Victoria's Goldfields in Southeast Australia, where you're more likely to meet giant grey kangaroos bounding on its dusty main street than tottering prospectors these days. It unravels with claustrophobic glee as we traverse the structured climes of exemplary songwriting seasoned with the salt of improvisation. This from a band who previously released an album famously dubbed 'Stoned Rehearsal'. It closes with the track 'Jacob B', a melancholy tale that's a hybrid of Manson's troubled tunes and the psychedelic folk songs of Quicksilver's Dino Valente. File under: outsider music for insiders. "By some measure Wellington's most brilliant pop band, The Garbage & The Flowers are classic underground rock'n'roll with a hazy ramshackle sound pockmarked by bursts of genius." Forced Exposure https://www.youtube.com/watch?v=GUeVjRzCH90 https://www.youtube.com/watch?v=yStsTqaQC9w Download from [b]HotLink[/b] https://hotlink.cc/q4thezhwiccc/The.Garbage..the.Flowers.-.Cinnamon.Sea.2022.44.1-24.rar

Opeth - In Cauda Venenum (2022 Extended Edition) (2019) 44.1-24 Country: Sweden Genre: Progressive Rock Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 02:45:09 Full Size: 1.82 GB In interviews before the release of In Cauda Venenum, Mikael Akerfeldt, Opeth's vocalist, guitarist, and chief songwriter, stated that "heaviness" was an aesthetic rather than a sound, to explain why he had abandoned death metal. Beginning with 2011's Heritage, Opeth made a conscious shift toward progressive rock that has, as evidenced here, become pervasive. This set is their first to be issued in English and Swedish editions. Sonically and musically, the album contains musical and production traits already evident on Heritage and Sorceress -- and to a lesser degree, on Pale Communion -- as organs, synths, Mellotron, acoustic guitars, syncopated rhythms, strings, choirs, and key changes are crafted into the band's two-guitar-bass-drum attack. But where the previous three studio albums were rife with experimentation, In Cauda Venenum is focused on a cohesively pre-arranged whole. It may be the fourth entry in their progressive evolution, but it's their first to deliver the full realization of the band's potential. These ten songs are laden with lush textures, painstakingly crafted melodies, unapologetic gothic overtones, startling dynamics, and visceral presence. Opeth may deliberately borrow inspiration from many sources, but they aren't trying to re-create them. The band recorded at Park Studios in Stockholm with all-analog gear and a goal: "to be as epic as possible." While set-opener "The Garden of Earthly Delights" is a three-and-a-half-minute Gothic intro; the first tune proper, "Dignity," is heavy as hell, with multi-tracked wordless choral choruses, swirling organs and Mellotron, sampled spoken voices, sound effects, popping drums, and spiky lead guitars. Its intense opening section gives way to fingerpicked acoustic, gently sung lyrics, and textural atmospherics before roaring back into riff-laden hard rock. "Heart on Hand," the other advance track, commences with a guitar-and-bass riff right out of "Immigrant Song," framing the cleanest, most emotionally resonant vocals in Akerfeldt's career before swirling into instrumental chaos and transforming itself into a lilting ballad in the final third. There are brutal moments here, too, in angular jams like "Charlatan," with its overdriven, filthy bassline. "Universal Truth" alternates between folk-inflected prog and spidery hard rock. The moody classical guitar and piano intro to "The Garroter" gives way to spooky, swinging dark jazz. While the sprightly keyboard and strummed guitar vamp on "Continuum" are a sinister musical perversity, they circle toward spiraling prog metal with the vocal and rhythmic section syncopations of Yes, then unwind into moody pastoral, poly-harmonic, folk-inflected Gothic rock. Though it emerges slowly, there is a biting crackle in the sweeping majesty of closer "All Things Pass." Akerfeldt's and Fredrik Akesson's guitars spiral and slash in a loss-saturated vibe colored by swirling organ, Mellotron, and crashing tom-toms, as Opeth buoy the singer whose lyric is drenched in loss and grief. On In Cauda Venenum, Opeth have thoroughly revisioned prog rock for the 21st century. While there are referents to the past, they have merely been folded into a brand of heavy music that reflects not progressive rock's history, but Opeth's enduring, evolving image. © Thom Jurek /TiVo https://www.youtube.com/watch?v=3FiZNuETUYM Download from [b]HotLink[/b] https://hotlink.cc/folder/01e0ff19-d2d1-11ec-a2c7-0cc47ac4f47e

The Rolling Stones - Live At The El Mocambo 1977 (2022) 96-24 Country: UK Genre: Rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 01:47:17 Full Size: 2.38 GB For 45 years, the Rolling Stones' Love You Live has been one of rock's greatest teases. About 75 percent of the double LP was recorded in arenas and stadiums during the band's 1976 tour, and presented competent but rarely exhilarating or necessary renditions of concert warhorses and deep cuts. But tucked away (on side three) were four songs cut at Toronto's tiny El Mocambo club in March 1977, when the Stones played a surprise set billed as "The Cockroaches." Playing in front of a few hundred people, and unable to hide behind props like the giant inflatable penis of the 1975 shows, the Stones had to focus on music, not spectacle. And judging from the small portion of the two El Mocambo shows heard on Love You Live, they stepped up to the job. With Mick Jagger unleashing a new style of growl, their crackling covers of Chuck Berry, Muddy Waters, Bo Diddley and Willie Dixon songs paid strutting homage to their heroes, and the recordings were so visceral that you felt as if you were in the first few rows of the 300-seat club. The distant crowd roar heard throughout most of Love You Live was a metaphor for how removed the Stones had become from the average rock fan, not to mention most mundane household chores. The El Mocambo tracks, pushed on by a clearly audible and enthralled small audience, presented them as a band that wanted to re-connect with those fans and stay relevant, just as punk rock was rearing its spiky head. https://www.youtube.com/watch?v=G4OKNShoCx4 https://www.youtube.com/watch?v=4HFH5Ai7ZZc Download from [b]HotLink[/b] https://hotlink.cc/folder/d49c7753-ab3b-11eb-a971-0cc47ac4f47e

Florence + The Machine - Dance Fever (2022) 96-24 Country: UK Genre: Indie rock,Indie pop Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 47:08 Full Size: 928.21 MB Florence + The Machine's Dance Fever was recorded predominately in London over the course of the pandemic in anti[beeep]tion of the worlds reopening. It conjures up what Florence missed most in the midst of lockdown -clubs, dancing at festivals, being in the whirl of movement and togetherness -and the hope of reunions to come. Its the album that brings back the very best of Florence - the festival headlining Boudicca, wielding anthems like a flaming sword. Just before the pandemic Florence had become fascinated by choreomania, a Renaissance phenomenon in which groups of people - sometimes thousands - danced wildly to the point of exhaustion, collapse and death. The image and concept of dance, and choreomania, remained central as Florence wove her own experiences of dance - a discipline she turned to in the early days of sobriety - with the folkloric elements of a moral panic from the Middle Ages. Dance Fever is an album that sees Florence at the peak of her powers, coming into a fully realised self-knowledge, poking sly fun at her own self-created persona, playing with ideas of identity, masculine and feminine, redemptive, celebratory, stepping fully into her place in the iconic pantheon. https://www.youtube.com/watch?v=6FQsRaWOIbA https://www.youtube.com/watch?v=ui8kUKuLBaU Download from [b]HotLink[/b] https://hotlink.cc/folder/0f6b71a5-d2db-11ec-a2c7-0cc47ac4f47e

Skills - Different Worlds (2022) 44.1-24 Country: USA Genre: Hard Rock Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 42:19 Full Size: 525.3 MB Frontiers Music Srl is pleased to present the "Different Worlds", the debut album from Skills. Skills features the eye-popping line-up of vocalist Renan Zonta (Electric Mob), guitarist Brad Gillis (Night Ranger), bassist Billy Sheehan (Mr. Big, The Winery Dogs, Sons Of Apollo), and drummer David Huff (GIANT). SKILLS: "an ability to do an activity or job well, especially because you have practiced it" In the perfect extension of the meaning of the word, SKILLS is an amazing new band put together from the vision of Frontiers President and A&R director Serafino Perugino. Featuring vocalist Renan Zonta, guitarist Brad Gillis, bassist Billy Sheehan, and drummer David Huff, Skills brings together the worlds of old and new in hard rock for a timeless debut album. As is everyone who has heard him sing, Perugino was blown away by the abilities of Brazilian singer Renan Zonta (Electric Mob, Brother Against Brother) upon first hearing him. Knowing how much Renan loves classic '80s hard rock, Perugino thought it would be cool to pair him with some monster players from that era. After sharing clips and music of Renan with some of the most outstanding musicians from the era, all of whom agreed that Renan's talent is undeniable, a new musical beast was born with Brad Gillis (Night Ranger), Billy Sheehan (Mr. Big, The Winery Dogs, Sons of Apollo), and David Huff (Giant) joining the fold. In Skills, you have a singer whose vocal range is stunning and can mix the extension and the power of the likes of Glenn Hughes and Sammy Hagar with the expression of Steven Tyler and some David Coverdale thrown in. Along with one of the world's most renowned, prolific bass players, a hugely respected, talented, and stunning guitar player, and an absolutely killer drummer, Skills is a force to be reckoned with. Pairing Zonta, Gillis, Sheehan, and Huff together with incredible songs written by the team of Alessandro Del Vecchio, Renan Zonta, Martin Jepsen Andersen, Pete Alpenborg, and Gui Oliver, among others, "Different Worlds" is an album which will appeal to the discerning ears of fans of classic '80s hard rock/melodic rock. Don't miss the opportunity to enjoy the SKILLS on display from these talented musicans from different eras of killer rock 'n roll! https://www.youtube.com/watch?v=7rKE0e9f_Oc&feature=emb_imp_woyt https://www.youtube.com/watch?v=3zBHRhBZoB8 Download from [b]HotLink[/b] https://hotlink.cc/vd0x53aqbq9g/Skills.-.Different.Worlds.2022.44.1-24.rar

The Smile (Radiohead) - A Light for Attracting Attention (2022) 44.1-24 Country: UK Genre: Alternative,Indie Rock Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 53:18 Full Size: 629.88 MB When is a Radiohead record not a Radiohead record? That's a fair question when listening to the debut from The Smile-which includes most prominent Radiohead members Thom Yorke and Jonny Greenwood and is produced by Nigel Godrich, who has worked on every Radiohead album since OK Computer. They're even recycling bits and bobs of old songs that never made the permanent Radiohead roster, like "Skrting on the Surface" which has roots going back to that band's In Rainbows era as well as Yorke's Atoms for Peace side project. Here, it's served as an ambient moment-as much a mood as a song. Greenwood's jazz guitar arpeggios dress things up while soft brass fades in and out and Yorke vocalizes like flotsam drifting through the ether. In other words, the song plays it cool: a good simmer that doesn't need to overdo it as a full-on boil. "Open the Floodgates" started as a Radiohead track back in 2006, when it was known as "Porous," and also got revived for live gigs with Atoms for Peace. It sure sounds like a frustrated commentary on concert fans: "Don't bore us/ Get to the chorus/ And open the floodgates/ We want the good bits/ Without your bullshit." (Pretty perfect for a band named after the Ted Hughes poem "The Smile," with its ominous warning about hungry fakers consuming purity.) Joining the band is jazz drummer Tom Skinner, also of Sons of Kemet, who lays down a busy, jittery rhythm that matches the oddly charming funk-to-post-punk-siren path of "The Opposite." The drums pace like a caged tiger on the big, festival-ready "You Will Never Work in Television Again," and it's a wow moment to hear Yorke singing like he's in the Wipers or Mission of Burma. He hits his famed upper register on "Pana-vision," a moody, fog-at-the-seaside piano track with strings conducted by Hugh Brunt, who has worked with both Radiohead and Greenwood on his film scores. "Thin Thing" thrives on math-rock tension. "Speech Bubbles" is a graceful, if morose crawl. "The Same" delivers great washes of uneasy noise. "Waving a White Flag" brainwashes with sterile, spacey synth followed by drawling strings, like a spoonful of sugar to help the medicine go down. And "Free in the Knowledge," with its catchy vocal melody, could be Radiohead circa The Bends. © Shelly Ridenour/Qobuz https://www.youtube.com/watch?v=CXbncoiKLn8 https://www.youtube.com/watch?v=J1_Cf55cS8I Download from [b]HotLink[/b] https://hotlink.cc/40oeps97okx7/The.Smile.-.A.Light.for.Attracting.Attention.2022.44.1-24.rar

Graham Bonnet Band - Day out in Nowhere (2022) 44.1-24 Country: UK Genre: Hard Rock Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 47:11 Full Size: 576.09 MB https://www.youtube.com/watch?v=IbakmECj-go https://www.youtube.com/watch?v=RKjLTmWqR7M Download from [b]HotLink[/b] https://hotlink.cc/5ngpvf5u57or/Graham.Bonnet.Band.-.Day.out.in.Nowhere.2022.44.1-24.rar

Zero Hour - Agenda 21 (2022) 44.1-24 Country: USA Genre: Progressive Metal Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 50:51 Full Size: 612.25 MB Frontiers Music Srl release of "Agenda 21", the new studio album from the recently reformed progressive metal band Zero Hour. Original members Jasun Tipton (guitars) and Erik Rosvold (vocals) have recruited bassist Andreas Blomqvist (Seventh Wonder) and drummer Roel van Helden to join them on this new chapter for Zero Hour. Originally formed in the San Francisco Bay Area in '90s by Jasun and his brother Troy, Zero Hour released six studio albums from 1998 to 2008. Their self-titled debut (1998), "The Towers of Avarice" (2001), "Metamorphosis" (2003), "A Fragile Mind" (2005), "Specs of Pictures Burnt Beyond" (2006), and "Dark Deceiver" (2008). The genesis of Zero Hour was to create heavy, melodic, dark, intricate music with influences from diverse influences like the DIO-led years of Rainbow, The Pat Metheny Group, and Dream Theater. Zero Hour dissolved after the release of their 2008 album "Dark Deceiver" when Troy Tipton suffered an arm injury that prevented him from playing bass. After Jasun and Erik got back together to start the band back up, they recruited drummer Roel van Helden. Jasun and Roel had become friends after Roel's group at the time, Sun Caged and Zero Hour played a gig as direct support for Liquid Tension Experiment. They stayed in contact and years later, Jasun caught up with Roel overseas and they chatted about making music together. Roel was then instrumental in bringing Andreas into the fold as one of Roel's former bands had toured with Andreas' band Seventh Wonder. Jasun structured the music for "Agenda 21", tracking the guitars and keys. Roel then arranged the drums and entered Kohlekeller Studios to record the drums with Kai Stahlenberg. Andreas followed by arranging and recording his bass at Cross Back Studios. Erik Rosvold wrote the lyrics for the songs on "Agenda 21" with the vocal melodies arranged by Erik and Jason together as the vocals were recorded. Progressive metal fans will find much to celebrate on Zero Hour's fantastic return album, "Agenda 21"! https://www.youtube.com/watch?v=3ycOkZGKESo https://www.youtube.com/watch?v=13RTrNceHiM Download from [b]HotLink[/b] https://hotlink.cc/u38kwxb7yma5/Zero.Hour.-.Agenda.21.2022.44.1-24.rar

The Pineapple Thief - Give It Back (Rewired) (2022) 96-24 Country: UK Genre: Progressive Rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 54:00 Full Size: 1.02 GB https://www.youtube.com/watch?v=ZUx7Lr9QTLM Download from [b]HotLink[/b] https://hotlink.cc/folder/eb5d9335-2ddd-11ec-a971-0cc47ac4f47e

Visions Of Atlantis - Pirates (2022) 44.1-24 Country: Austria Genre: Symphonic Power Metal Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 58:00 Full Size: 665.69 MB https://www.youtube.com/watch?v=d9wwC93Lzuw https://www.youtube.com/watch?v=NN7eGh86-WQ Download from [b]HotLink[/b] https://hotlink.cc/folder/705e5f91-d210-11ec-a2c7-0cc47ac4f47e

J.B.O. - Planet Pink (2022) 44.1-24 Country: Germany Genre: Heavy Metal,Comedy metal Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 43:27 Full Size: 523.8 MB https://www.youtube.com/watch?v=AzNxU57LVGg https://www.youtube.com/watch?v=Hsv5R0r3QTQ Download from [b]HotLink[/b] https://hotlink.cc/mruxylbxpeit/J.B.O..-.Planet.Pink.2022.44.1-24.rar

The Black Keys - Dropout Boogie (2022) 44.1-24 Country: USA Genre: Blues Rock,Alternative Format: FLAC (*tracks) Quality: Lossless [48 kHz/24 bit] Time: 33:55 Full Size: 411.04 MB With Dan Auerbach now a studio owner and label chief, it's natural to wonder how he is finding the time to write quality songs and record with his original band. Or focus enough to make another masterpiece like 2004's Rubber Factory or 2011's El Camino. That situation may have influenced the title of this collection, but any fears about consistency or the way forward are dispelled by the opening riff rocker, "Wild Child." The vintage Black Keys three chord tromper "Your Team is Looking Good" also rocks convincingly, and they get back to one of their core strengths-Mississippi hill country blues stomp, which they celebrated on their last album, Delta Kream-in "For the Love of Money." In a strange turn, the biggest guest here, ZZ Top's Billy Gibbons isn't asked to do much in the mid-tempo "Good Love," which he co-wrote. Recorded at Auerbach's Easy Eye Sound studio in Nashville over a five-month period in summer and fall of 2021, Dropout Boogie was engineered by M. Allen Parker and Caleb VanBuskirk and mixed by the A-list talents of Tchad Blake and Tom Elmhirst. Percussionist Sam Bacco adds variety to Patrick Carney's drumming. A deceptively capable vocalist, Auerbach takes a very credible stab at writing and singing a ballad in "How Long" which is fleshed out by a harpsichord and backup vocals by Cincinnati's Andy Gabbard (Thee Shams, Buffalo Killers) who also tours as The Black Keys' second guitarist. Auerbach sings incendiary lyrics, "If we make it to your town/ We're gonna burn the damn thing down" in odd, leisurely fashion in the decidedly non-menacing, "Burn the Damn Thing Down." And near its end, "Baby I'm Coming Home" breaks into the signature riff from the Allman Brothers, "Midnight Rider." As the album's second half winds down, so does the strength of the tunes, but you'll still find the same fuzzy guitars, big beats and layered vocals that have made their sound special. If not essential Black Keys, the lower key Dropout Boogie is at least more of what's made them one of the last major rock bands left alive. © Robert Baird/Qobuz https://www.youtube.com/watch?v=KKSmHOUaqaQ https://www.youtube.com/watch?v=jC5GxpxQS9w Download from [b]HotLink[/b] https://hotlink.cc/folder/e55fbe15-b400-11eb-a971-0cc47ac4f47e