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Free Download Unit X: How the Pentagon and Silicon Valley Are Transforming the Future of War (Audiobook) English | ASIN: B0CSGZBG52 | 2024 | 9 hours and 37 minutes | M4B@64 kbps | 281 MB Author: Raj M. Shah, Christopher Kirchhoff Narrator: Raj M. Shah, Christopher Kirchhoff, Sean Patrick Hopkins A riveting inside look at an elite unit within the Pentagon-the Defense Innovation Unit, also known as Unit X-whose mission is to bring Silicon Valley's cutting-edge technology to America's military: from the two men who launched the unit. A vast and largely unseen transformation of how war is fought as profound as the invention of gunpowder or advent of the nuclear age is occurring. Flying cars that can land like helicopters, artificial intelligence-powered drones that can fly into buildings and map their interiors, microsatellites that can see through clouds and monitor rogue missile sites-all these and more are becoming part of America's DIU-fast-tracked arsenal. Until recently, the Pentagon was known for its uncomfortable relationship with Silicon Valley and for slow-moving processes that acted as a brake on innovation. Unit X was specifically designed as a bridge to Valley technologists that would accelerate bringing state of the art software and hardware to the battle space. Given authority to cut through red tape and function almost as a venture capital firm, Shah, Kirchhoff, and others in the Unit who came after were tasked particularly with meeting immediate military needs with technology from Valley startups rather than from so-called "primes"-behemoth companies like Lockheed, Raytheon, and Boeing. Taking us inside AI labs, drone workshops, and battle command centers-and, also, overseas to Ukraine's frontlines-Shah and Kirchhoff paint a fascinating picture of what it takes to stay dominant in a fast-changing and often precarious geopolitical landscape. In an era when America's chief rival, China, has ordered that all commercial firms within its borders make their research and technology available for military exploitation, strengthening the relationship between Washington and Silicon Valley was always advisable. Today, it is an urgent necessity. Rapidgator https://rg.to/file/1ac7d6e4072a46d90e3d0a21e292406f/wygju.rar.html Fikper Free Download https://fikper.com/j9AJ28A7JZ/wygju.rar.html Links are Interchangeable - No Password - Single Extraction

Free Download The Art of Unit Testing: With Examples in C# by Roy Osherove, Mark Thomas, Manning Publications English | November 07, 2020 | ISBN: B07K4SCCBG | 9 hours and 35 minutes | MP3 64 Kbps | 263 Mb The Art of Unit Testing, Second Edition guides you step-by-step from writing your first simple tests to developing robust test sets that are maintainable, readable, and trustworthy. You'll master the foundational ideas and quickly move to high-value subjects like mocks, stubs, and isolation, including frameworks such as Moq, FakeItEasy, and Typemock Isolator. You'll explore test patterns and organization, working with legacy code and even "untestable" code. Along the way, you'll learn about integration testing and techniques and tools for testing databases and other technologies. You know you should be unit testing, so why aren't you doing it? If you're new to unit testing, if you find unit testing tedious, or if you're just not getting enough payoff for the effort you put into it, keep listening. The examples in the audiobook use C# but will benefit anyone using a statically typed language such as Java or C++. What's inside:Create readable, maintainable, trustworthy testsFakes, stubs, mock objects, and isolation (mocking) frameworksSimple dependency injection techniquesRefactoring legacy codeRoy Osherove has been coding for more than 15 years, and he consults and trains teams worldwide on the gentle art of unit testing and test-driven development. Table of contents: Part one: "Getting Started"The basics of unit testingA first unit testPart two: "Core Techniques"Using stubs to break dependenciesInteraction testing using mock objectsIsolation (mocking) frameworksDigging deeper into isolation frameworksPart three: "The Test Code"Test hierarchies and organizationThe pillars of good unit testsPart four: "Design and Process"Integrating unit testing into the organizationWorking with legacy codeDesign and testability Rapidgator https://rg.to/file/cb95dccb76b888ffe6f3a554b162638e/lidyd.rar.html Fikper Free Download https://fikper.com/MPqeyx0yW3/lidyd.rar.html Links are Interchangeable - No Password - Single Extraction

Free Download Special Reconnaissance and Advanced Small Unit Patrolling: Tactics, Techniques and Procedures for Special Operations Forces (Audiobook) English | ASIN: B0DC853YF7 | 2024 | 23 hours and 43 minutes | M4B@64 kbps | 673 MB Author: Lieutenant Colonel Ed Edward Wolcoff Narrator: David de Vries This comprehensive guide by a Special Ops combat veteran is the ultimate reference for military tactics, techniques, and procedures. Intended for military SpecialOps personnel, this volume presents invaluable operational guidance with lessons learned from the legendary Military Assistance Command Vietnam-Studies and Observations Group (MACV-SOG). Drawing on Special Reconnaissance operations conducted during the Vietnam Era, author Edward Wolcoff provides practical information alongside operational accounts and analyses of specific missions. Wolcoff covers the gamut of specialized SR topics ranging from operational planning and preparation, through execution, logistics, and command and control-all in substantial tradecraft detail. Few of the tactics, techniques, and procedures or lessons-learned included in this book have been previously presented in a usable form for SpecOps personnel. This book is intended instruct the Special Operations units of today, and preserve this valuable tradecraft for future generations. Rapidgator https://rg.to/file/9797677c616bbf9301a6e20fa2a3addc/nq62r.rar.html Fikper Free Download https://fikper.com/BBBNajq2sS/nq62r.rar.html Links are Interchangeable - No Password - Single Extraction

Free Download Flawless Ear Training - Unit 1 Published 9/2024 Created by Kevin Ure MP4 | Video: h264, 1280x720 | Audio: AAC, 44.1 KHz, 2 Ch Genre: eLearning | Language: English | Duration: 52 Lectures ( 18h 47m ) | Size: 16 GB Establishing a Foundation What you'll learn: Identify intervals, chords, and scales by ear. Transcribe melodies and harmonies accurately. Improve pitch recognition and tuning. Enhance musical memory and aural skills. Requirements: Basic ability to read notes in the treble and bass clef. Description: What is Flawless Ear Training?Flawless Ear Training is a revolutionary new way to train your ear. The course has been carefully created to provide you with personalized instruction. Kevin Ure developed the ideas for this program while teaching in a university for nearly decade.It's like having your very own private ear training instructor in your home.Unlike programs that have you guess until you learn to recognize intervals and chords by ear, this course walks you step-by-step through the process and gradually builds your ear by laying a strong foundation first.The Benefits of Ear Training and Why Most Techniques FailWhen you ask music students to conjure up images of ear training, they typically think of the long hours of interval training and sight-reading brief musical examples. Students often refer to this kind of training as ear straining.The truth about ear training is that it doesn't need to take hours a day or require the relentless drilling of intervals and chords.The Flawless Ear Training Course is unique in that is it designed to first open up your ear to hear inside musical structures.Ear Training by itself won't help you hear the inner parts of a musical work. Most ear training is designed to be slow, and only the most talented will find success.The Flawless Ear Training Course teaches a method that is designed to help you hear inside of a musical structure and recognize intervals, chords, and progressions with greater ease.Most ear training methods ultimately fail to produce results because they involve an automated process. The concept followed by most programs is to introduce one interval at a time until all of the 12 basic intervals have been learned.Not only is this method boring, it fails to produce good results. These programs also tend to offer too many different options, which leaves the student confused about the best path to follow.Musicians need a multi-faceted ear training approach that includes exercises that complement and support each other.The Flawless Ear Training Course is professionally designed to include complementary exercises so you can complete your daily ear training and go about your day....Opening Up the Ear...If you want to open up your ear and hear more deeply into the music you love, you need a process that gradually improves your ability to hear the inner workings of music.When attempting to identify an interval, many musicians use one of the following methods:Using a familiar tune such as the opening notes of "Hear Comes the Bride" to hear a Perfect Fourth, or "My Bonnie Lies Over the Ocean" for a Major Sixth.Mentally play a major or chromatic scale to "count" up to the interval they are trying to uncover.Use a familiar "anchor interval" to determine other intervals. A common anchor interval is the Perfect Fifth, which is often used to hear a Minor Sixth.Invert an interval that is smaller and then singing it down or up an octave to hear the larger, seemingly more difficult interval. (This works because of the way intervals invert, a major third ascending becomes a minor sixth descending when the ascending third is later sung an octave lower).Using solfége syllables to internalize various intervals.Visualizing a keyboard to mentally hear the half steps and whole steps in an interval.In addition to these methods, there are many other even less effective ways to develop the ear, including attempting to manifest a better ear or listening to the sound of an interval over and over again while the individual sleeps.All of these methods may provide some degree of results, but the development of the ear is a natural and simple process.Most importantly, ear training shouldn't require more than 30-45 minutes per day. The best method is to train your ear daily and then go about your day. When the training is completed in the proper way, the ear will continue to develop naturally throughout the day.There are some indications that you are on the right track with your ear training program. You should begin to notice these differences within 3 weeks of starting a reputable program.When you hear birds and notice that you can identify the intervals being sung.When you are running on a treadmill and hear a major or minor second.When you get in your car and realize the warning lights are beeping a major or minor third (even if they are slightly out of tune).When you begin to hear additional notes that weren't there before when listening to an interval. (These are called overtones).When you listen to someone speak and realize that the words are melodic, and you start to naturally hear intervals within the speech.Active vs. Passive ListeningI categorize ear training into two distinct categories that need to be combined to develop the ear.Active ListeningActive listening is any ear training activity that requires thought. The following are a few types of active listening exercises.Mentally identifying an interval that you hear.Breaking apart a chord to find the notes it is made up of.Writing down a melody that you hear using a process known as dictation.Singing or audiating (hearing the music internally) printed music at sight.Passive ListeningPassive listening is any activity that doesn't require much or any thought. Here are some activities that qualify:Listening to a specific interval played at different octave registers in a loop.Singing a melody by rote, such as when you sing "Happy Birthday" or a song you love.Completing an exercise daily that eventually becomes second nature, such as the Daily Routines and Mirror Exercises.When Active Listening Becomes PassiveIn short, active listening and passive listening are very simple concepts:Active listening requires effort.Passive listening requires no effort.There is a point where an active listening drill becomes a passive listening drill. This is the goal of the Flawless Ear Training Course.There are two basic ways to learn a melody.Play it on the piano and memorize what it sounds like. (This is what many music students do).Carefully work through the melody, sounding out each interval until the musician know what it sounds like.Both processes produce the same end product. Both students would get an A if they sang it correctly, but the student who followed the second process would develop their ears faster.Both processes use an active process to produce a passive result.The Flawless Ear Training Course is effective because it uses the right degree of active and passive listening.Start the course and if you like the results, continue your journey with me. Who this course is for: This course is designed for musicians of all levels who want to build their ear training skills from the ground up. Whether you're a beginner looking to develop a strong foundation or an advanced musician aiming to refine your aural abilities, this course will help you achieve your goals. 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Jason Isbell And The 400 Unit - The Nashville Sound (2017) Label: Southeastern Record Country: USA Genre: Alternative country,Southern rock Quality: FLAC (*tracks) Bitrate: Lossless [96kHz/24bit] Time: 40:22 Full Size: 822.3 MB Tracklist: 01. Last Of My Kind (4:22) 02. Cumberland Gap (3:24) 03. Tupelo (4:01) 04. White Man's World (3:57) 05. If We Were Vampires (3:36) 06. Anxiety (6:58) 07. Molotov (3:47) 08. Chaos And Clothes (3:35) 09. Hope The High Road (3:03) 10. Something To Love https://www.youtube.com/watch?v=ci-6Au1Gnrs https://www.youtube.com/watch?v=fyiEJaf-IzE https://subyshare.com/esdoo6nmw97i/Jason_Isbell_And_The_400_Unit_-_The_Nashville_Sound_2017_(24-96).rar.html http://nitroflare.com/view/6CF18703F54501F/Jason_Isbell_And_The_400_Unit_-_The_Nashville_Sound_2017_%2824-96%29.rar

C# Unit Testing MP4 | Video: AVC 1280x720 | Audio: AAC 44KHz 2ch | Duration: 1 Hours | 258 MB Genre: eLearning | Language: English As a code base is built and continues to grow, it becomes important to verify that the code meets specific requirements in terms of core functionality and response to a range of inputs. In this video, you'll learn how to use the tools in Visual Studio to create unit tests for your C# projects. You'll also see how unit testing can influence your code and architecture. Download link: http://rapidgator.net/file/7b9719ac8bd77defd16be76f79c46a77/a1q4m.C.Unit.Testing.rar.html http://nitroflare.com/view/3D0FC7A9EA5B8FE/a1q4m.C.Unit.Testing.rar https://uploadgig.com/file/download/Bdf7384ccF246c5E/a1q4m.C.Unit.Testing.rar http://uploaded.net/file/2fjbxg84/a1q4m.C.Unit.Testing.rar Links are Interchangeable - No Password - Single Extraction

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Artist: Nils Landgren Funk Unit Title: Paint It Blue Year Of Release: 1996 Label: ACT Genre: Jazz-Funk Quality: FLAC (image) / MP3 Total Time: 01:01:45 Total Size: 386 MB / 141 MB Tracklist: 01. Walk Tall [05:17] 02. You Dig [06:15] 03. Why Am I Treated So Bad [05:23] 04. Brother Nat [04:20] 05. Inside Straight [03:50] 06. Cannonball [06:07] 07. Mercy Mercy Mercy [04:17] 08. Mother Fonk [04:15] 09. Primitivo [07:07] 10. After The Party [04:53] 11. Love All, Serve All [04:07] 12. Julian [05:49] Nils Landgren Funk Unit: Nils Landgren (trumpet, trombone); Magnum Coltrane Price (vocals, synthesizer); Lars Danielsson (guitar, bass guitar); Henrik Janson (guitar); Steffen Schorn (bass clarinet); Per "Texas" Johansson (saxophone); Additional personnel: Michael Brecker (tenor saxophone); Randy Brecker (trumpet, flugelhorn); Till Bronner (trumpet); Esbjorn Svensson (keyboards); Bernard "Pretty" Purdie (drums); Airto Moreira (percussion). Paint It Blue album by Nils Landgren Funk Unit was released Jun 01, 2009 on the Act Music + Vision label. One of trombonist Nils Landgren's early inspirations was Cannonball Adderley's group. Paint It Blue is dedicated to Adderley with Landgren performing five songs associated with the altoist plus seven originals that pay tribute to Cannonball's bands. Paint It Blue music CDs Some of the music is in the soul-jazz vein while other tunes (particularly the originals) are more modern, even incorporating a little bit of rap in a couple places. Paint It Blue songs Landgren is a fine trombonist (sometimes a little reminiscent of Wayne Henderson) and he manages to keep up with Michael and Randy Brecker, who in this situation are superior supportive soloists. Paint It Blue album Without merely copying the past, Landgren expands on the legacy of Adderley quite successfully. Paint It Blue CD music ~ Scott Yanow http://rapidgator.net/file/05bcb0490c5a51701e9d89f830dc9985/PIBLU.rar.html ssssssssssssssssssssssssssssss http://ssh.tf/yYpEGnpap/PIBLU.rar ssssssssssssssssssssssssssssss http://uploaded.net/file/ig8z27gv/PIBLU.rar ssssssssssssssssssssssssssssss http://rapidgator.net/file/a1e7a5480fe697b66c9184b2cb01749a/PIBLU320.rar.html ssssssssssssssssssssssssssssss http://ssh.tf/ymy0fPvjp/PIBLU320.rar ssssssssssssssssssssssssssssss http://uploaded.net/file/mh38m47l/PIBLU320.rar

Artist: Cecil Taylor Title: Unit Structures Year Of Release: 2014 (1966) Label: Blue Note Records Genre: Jazz Quality: FLAC (tracks) [24Bit/192kHz] Total Time: 46:21 Total Size: 1,72 GB Reviewed by Scott Yanow of Allmusic: After several years off records, pianist Cecil Taylor finally had an opportunity to document his music of the mid-'60s on two Blue Note albums (the other one was Conquistador). Taylor's high-energy atonalism fit in well with the free jazz of the period but he was actually leading the way rather than being part of a movement. In fact, this septet outing with trumpeter Eddie Gale, altoist Jimmy Lyons, Ken McIntyre (alternating between alto, oboe and bass clarinet), both Henry Grimes and Alan Silva on basses, and drummer Andrew Cyrille is quite stunning and very intense. In fact, it could be safely argued that no jazz music of the era approached the ferocity and intensity of Cecil Taylor's. Tracklist: 01. Steps 02. Enter, Evening (Soft Line Structure) 03. Unit Structure - As Of A Now - Section 04. Tales (8 Whisps) Album Released: May 19, 1966 ******************************* Eddie Gale - trumpet Jimmy Lyons - alto sax Ken McIntyre - alto sax, oboe, bass clarinet Cecil Taylor - piano, bells Henry Grimes - bass Alan Silva - bass Andrew Cyrille - drums http://rapidgator.net/file/2dd8e2902faeceea27cada1911752bfd/CclTlor-US66-14HDT.part1.rar.html http://rapidgator.net/file/6172dff52b1a30162a391d1f61b5cab9/CclTlor-US66-14HDT.part2.rar.html http://rapidgator.net/file/fa5f34e8308eacdce3c77ca94c9a2924/CclTlor-US66-14HDT.part3.rar.html http://ssh.tf/BTvWrltDP/CclTlor-US66-14HDT.part1.rar http://ssh.tf/JiCnEctDP/CclTlor-US66-14HDT.part2.rar http://ssh.tf/KmHEuIBDP/CclTlor-US66-14HDT.part3.rar http://uploaded.net/file/2aws9o7l/CclTlor-US66-14HDT.part1.rar http://uploaded.net/file/sxxxydnj/CclTlor-US66-14HDT.part2.rar http://uploaded.net/file/xp4tpmcn/CclTlor-US66-14HDT.part3.rar

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