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Free Download Udemy - Trinity Grade 8 Music Theory Published 10/2024 MP4 | Video: h264, 1920x1080 | Audio: AAC, 44.1 KHz Language: English | Size: 845.31 MB | Duration: 2h 27m A complete course covering the Trinity Grade 8 Music Theory syllabus. What you'll learn Pass Trinity Grade 8 Music Theory with Distinction! Build on your knowledge of how music works, and how to pass the Trinity exam Further your skills in composition and harmony Practise your skills with the included PDF, exercises and tests! Requirements You should already have covered the topics in Trinity Grades 1-7 Music Theory You don't need any extra equipment or software to take this course - all materials are provided. You need to be motivated to learn how music works Description Grade 8 Music Theory TrinityThis Grade 8 Music Theory video courses covers the Trinity syllabus in full.FormThe concerto - the number and type of movements likely to be found in Baroque, Classical and Romantic concertos - definitions for each as defined in the workbookThe cadenzaÉtudeNocturne/Song without wordsThe LiedMazurkaPreludeWaltzComposers and General KnowledgeRomantic period as defined in the workbookSerial technique as defined in the workbookComposers of particular relevance to this grade are those writing in the Romantic period (approximately 1830-1900), e.g. the later works of Beethoven and works by Brahms, Chopin, Mendelssohn, Schubert and SchumannPitchRecognising and writing all Dorian mode and whole-tone scalesRecognising and writing all Mixolydian mode scalesIdentifying an extract written using Mixolydian modeRecognising and writing serial tone rows (and their retrogrades)Writing a melody of 12 or 16 bars in length using notes from the major, minor, pentatonic major, pentatonic minor, blues or whole-tone scales or using notes from the Aeolian, Dorian or Mixolydian mode or a serial tone rowWriting an effective modulation through a pivot chordRecognising and writing passing 6/3 and 6/4Recognising and writing chromatic chords - the Neapolitan 6th, augmented 6th chords (Italian, French and German), secondary dominants, borrowed chords from the tonic minor keyRecognising and writing suspensionsHarmonising two phrases of a chorale in an appropriate style (no bass line given and modulation will normally be necessary)Recognising features of Romantic piano/orchestral composition as defined in the workbookTransposing music for any transposing instruments for the grade (transposing interval to be known include those for Grades 6 and 7 and also piccolo, cor Anglais, cornet in Bb, xylophone and glockenspiel)Ranges of piccolo, cor anglais, cornet in Bb, tuba, xylophone, glockenspiel, as defined in the workbookLayout of Romantic scores (for orchestra/concertos) as defined in the workbookMusical terms and symbols Overview Section 1: Introduction Lecture 1 Trinity Grade 8 Music Theory Introduction Section 2: Scales, Keys and Key Systems Lecture 2 Parallel Keys Lecture 3 Mixolydian Mode Lecture 4 Serialism and Tone Rows Lecture 5 Serialism - How to Sound Atonal Lecture 6 Serialism - How to Compose Section 3: Chords Lecture 7 Extended Dominants Lecture 8 Chromatic Chords Lecture 9 Neapolitan 6th (♭II) Lecture 10 Secondary Dominants Lecture 11 Augmented 6ths Lecture 12 Borrowed Chords Lecture 13 Chord iv (Minor Subdominant in Major Keys) Lecture 14 Chord ♭VI (Flattened Submediant in Major Keys) Lecture 15 Chord ii° (Diminished Supertonic in Major Keys) Lecture 16 Other Chromatic Chords Section 4: Voice Leading Lecture 17 False Relations Section 5: Chord Progressions and Modulation Lecture 18 Passing Chords Lecture 19 Passing 6/4 Lecture 20 Distant Modulation Lecture 21 Identifying the Prevailing Key Section 6: Decoration Lecture 22 Harmonic Analysis with Decoration Section 7: SATB Lecture 23 Harmonising a Chorale Melody (with Modulation) Section 8: Orchestration and Transposition Lecture 24 Describing Sound Lecture 25 The Woodwind Lecture 26 More About Woodwind Lecture 27 The Brass Lecture 28 More About Brass Lecture 29 The Percussion Lecture 30 Transposing Lecture 31 Writing an Orchestral Score at Concert Pitch Lecture 32 Note Names in Other Languages Section 9: Style and Form Lecture 33 The Romantic Era Lecture 34 Identifying the Era of a Score Lecture 35 The Baroque Concerto Lecture 36 The Concerto Lecture 37 The Etude Lecture 38 The Nocturne Lecture 39 The Lied Lecture 40 The Mazurka Lecture 41 The Prelude Lecture 42 The Waltz Section 10: Composition Lecture 43 Grade 8 Composition Marking Criteria Lecture 44 Grade 8 Composition Walkthrough Section 11: Musical Terms Lecture 45 Musical Terms Section 12: Practice Test Lecture 46 Grade 8 Practice Test This course is for candidates preparing for Trinity Grade 8 Music Theory Screenshot Homepage https://www.udemy.com/course/trinity-grade-8-music-theory/ Rapidgator https://rg.to/file/1b1036bb462ee6171928af98aca5ea08/etbro.Trinity.Grade.8.Music.Theory.rar.html Fikper Free Download https://fikper.com/N36S0FGR1Y/etbro.Trinity.Grade.8.Music.Theory.rar.html No Password - Links are Interchangeable

Free Download Udemy - Trinity Grade 5 Music Theory Published 10/2024 MP4 | Video: h264, 1920x1080 | Audio: AAC, 44.1 KHz Language: English | Size: 333.86 MB | Duration: 1h 49m A complete course covering the Trinity Grade 3 Music Theory syllabus. What you'll learn Pass Trinity Grade 5 Music Theory with Distinction! Build on your knowledge of how music works, and how to pass the Trinity exam Further your skills in composition and harmony Practise your skills with the included PDF, exercises and tests! Requirements You should already have covered the topics in Trinity Grades 1-4 Music Theory You don't need any extra equipment or software to take this course - all materials are provided. You need to be motivated to learn how music works Description Grade 5 Music Theory TrinityThis Grade 5 Music Theory video courses covers the Trinity syllabus in full.Rhythm and FormTime signatures of 4/2, 6/4 and 7/4Time signature changes within an extractRules for grouping note and rest values within new time signatures (including grouping indications at the beginning of bars or scores, e.g. 2,3 or 3,2)Grouping demisemiquavers (32nd notes) in simple and compound timeSemiquaver (16th note) tripletsThe breve (double whole note)Strophic, Verse and Refrain (or Chorus) and binary formsPitchNaming and using notes in tenor clefAb, Db, E and B major keys (for all major keys for the grade: scales, key signatures, one-octave arpeggios, broken chords and tonic triads (root, first or second inversion))F, Bb, C# and G# minor keys (for all minor keys for the grade: scales - natural (Aeolian mode) and harmonic and melodic, key signatures, one-octave arpeggios, broken chords and tonic triads (root, first or second inversion))Identifying the key of a piece in Ab, Db, E or B major, and F, Bb, C# or G# minor2nd degree of the major/minor scale being known as the supertonic or re (major keys only)Supertonic triads for all keys covered so farMajor/minor supertonic triad labelled:- as a chord symbol above the music (e.g. Dm in the key of C major or B dim (or B°) in the key of A minor)- as a Roman numeral below the music (e.g. ii in the key of C major or ii° (dim) in the key of A minor)Recognising imperfect cadencesDouble sharps and double flats and general enharmonic equivalentsRecognising and writing C and G pentatonic major scalesInversions of all intervals covered in Grades 1-4 within an octaveRecognising and writing accented passing notes and understanding acciaccatura, appoggiatura, upper and lower mordents and trillsUnderstanding upper and lower auxiliary notesWriting tonic, supertonic, subdominant, dominant or dominant 7th chords in root, first or second inversions in any key for the grade as well-balanced 4-part chords for SATBTransposing a tune up or down any major, minor or perfect interval within an octave (within the keys for the grade) or for transposing instruments for the gradeRanges of the alto saxophone in Eb and trumpet and clarinet in Bb as defined in the Trinity workbookConcept of modulationIdentifying a modulation to the dominant or the relative major/minor keysMusical terms and symbols Overview Section 1: Introduction Lecture 1 Introduction to Trinity Grade 5 Music Theory Section 2: Pitch Lecture 2 Double Sharps and Flats Lecture 3 The Tenor Clef Section 3: Rhythm Lecture 4 The Breve (Double Whole Note) Lecture 5 Demisemiquavers (32nd Notes) Lecture 6 Semiquaver (16th) Triplets Lecture 7 Unusual Time Signatures (4/2, 6/4 and 7/4) Section 4: Scales Lecture 8 E Major Scale Lecture 9 B Major Scale Lecture 10 G# Minor Scale Lecture 11 C# Minor Scale Lecture 12 Ab Major Scale Lecture 13 Db Major Scale Lecture 14 F Minor Scale Lecture 15 Bb Minor Scale Lecture 16 Technical Names Lecture 17 Scales in the Tenor Clef Lecture 18 Pentatonic Major Scales Lecture 19 Scales Reference Download Section 5: Keys Lecture 20 Relative Major and Minor Keys Lecture 21 Key Signature Patterns Lecture 22 The Circle of 5ths Lecture 23 Identifying the Key Lecture 24 Modulation Lecture 25 Identifying Modulation Section 6: Intervals and Transposition Lecture 26 Inverted Intervals Lecture 27 Transposition by Any Interval Section 7: Harmony Lecture 28 Chords ii and ii° Lecture 29 Chord Symbols Review Lecture 30 Imperfect Cadence Lecture 31 SATB Voicing (Spacing) Lecture 32 Writing Chords in 4-Part Harmony Lecture 33 Accented Passing Notes Lecture 34 Auxiliary Notes Section 8: Style and Form Lecture 35 Binary Form Lecture 36 Strophic Form Lecture 37 Verse and Refrain Section 9: Orchestration Lecture 38 Woodwind and Brass for Grade 5 Section 10: Musical Terms and Symbols Lecture 39 Musical Terms and Symbols Section 11: Ornaments Lecture 40 Introduction to Ornaments Lecture 41 Acciaccatura Lecture 42 Appoggiatura Lecture 43 Mordent Lecture 44 Trill Section 12: Composition Lecture 45 Setting Words to a Rhythm - Review Lecture 46 2-Part Compositions with Decoration and Chord Inversions Lecture 47 2-Part Composition - Adding the Melody to a Bass Lecture 48 2-Part Composition - Adding the Bass to a Melody Section 13: Practice Test Lecture 49 Trinity Grade 5 Practice Test This course is for candidates preparing for Trinity Grade 5 Music Theory Screenshot Homepage https://www.udemy.com/course/trinity-grade-5-music-theory/ Rapidgator https://rg.to/file/fff1d02833b6eb24d0c7c6dde676707d/mibia.Trinity.Grade.5.Music.Theory.rar.html Fikper Free Download https://fikper.com/CAESXzOx4y/mibia.Trinity.Grade.5.Music.Theory.rar.html No Password - Links are Interchangeable

Free Download Udemy - Trinity Grade 3 Music Theory Published 10/2024 MP4 | Video: h264, 1920x1080 | Audio: AAC, 44.1 KHz Language: English | Size: 256.73 MB | Duration: 1h 29m A complete course covering the Trinity Grade 3 Music Theory syllabus. What you'll learn Pass Trinity Grade 3 Music Theory with Distinction! Build on your knowledge of how music works, and how to pass the Trinity exam Further your skills in composition and harmony Practise your skills with the included PDF, exercises and tests! Requirements You should already have covered the topics in Trinity Grades 1 & 2 Music Theory You don't need any extra equipment or software to take this course - all materials are provided. You need to be motivated to learn how music works Description Grade 3 Music Theory TrinityThis Grade 3 Music Theory video courses covers the Trinity syllabus in full.RhythmCompound time (time signatures of 6/8, 9/8 and 12/8 )Grouping semiquavers and semiquaver rests in simple and compound time (16th notes and rests)Dotted quavers and dotted quaver rests in simple and compound time (dotted 8th notes)Rules for grouping note and rest values within 6/8, 9/8 and 12/8 time signaturesQuaver triplets (8th note triplets)AnacrusisTies using new note valuesPitchNaming and using notes in treble or bass clefs (to three ledger lines above or below the stave)Bb and D major keys (for all major keys for the grade: scales, key signatures, one-octave arpeggios, broken chords and tonic triads (root or first inversion)G and B minor keys (for all minor keys for the grade: scales - natural (Aeolian mode) and harmonic and melodic, key signatures, one-octave arpeggios, broken chords and tonic triads (root or first inversion)Second inversions of major and minor tonic triads of keys covered so farIdentifying the key of a piece in Bb or D major and G or B minor5th degree of the major/minor scale being known as the dominant or soh (major keys only)Dominant triads for all keys covered so farMajor/minor dominant triad labelled:- as a chord symbol above the music (e.g. G in the key of C major or Em (E where the 7thdegree is raised) in the key of A minor)- as a Roman numeral below the music (e.g. V in the key of C major or v (V where the 7th degreeis raised) in the key of A minor)7th degree of the major/minor scale being known as the leading noteUnderstanding the term 'chord progression'Recognising a perfect cadence in the home key (major or minor)Intervals (major/minor 6th, major/minor 7th above any tonic for the grade)Writing tonic chords in root position in any key for the grade as well-balanced 4-part chords for SATBReal and tonal sequencesSimilar and contrary motionTransposing a tune up or down an octave from treble clef to bass clef and vice versaRanges of violin, flute, cello, bassoon, as defined in the workbookKnowing that violin and cello are string instruments, flute and bassoon are woodwind instrumentsMusical terms and symbols Overview Section 1: Introduction Lecture 1 Introduction to Grade 3 Trinity Music Theory Section 2: Rhythm Lecture 2 Dotted Quavers (Dotted 8th Notes) Lecture 3 Simple Time Signatures Lecture 4 Compound Time Signatures: 6/8 Lecture 5 Compound Time Signatures: 9/8 and 12/8 Lecture 6 Compound Time Summary Lecture 7 Beaming Lecture 8 Rests Lecture 9 Quaver (8th Note) Triplets Lecture 10 The Anacrusis Section 3: Scales and Key Lecture 11 The Dominant and Leading Notes Lecture 12 Major Scales: D major Lecture 13 Major Scales: Bb major Lecture 14 Melodic Minor Scales Lecture 15 Minor Scales: B minor Lecture 16 Minor Scales: G minor Lecture 17 Key Signatures and the Circle of 5ths Lecture 18 Working Out the Key Lecture 19 Grade 3 Scales Reference Sheet Section 4: Intervals and Transposition Lecture 20 Intervals Review Lecture 21 Major and Minor 6ths and 7ths Lecture 22 Intervals from the Tonic Lecture 23 Intervals - Some Questions Lecture 24 Transposition at the Octave and between Clefs Section 5: Harmony Lecture 25 Tonic Triads Review Lecture 26 Second Inversion Triads Lecture 27 The Dominant Triad Lecture 28 SATB | 4-Part Chords Lecture 29 Introduction to Chord Progressions Lecture 30 The Perfect Cadence Section 6: Orchestration Lecture 31 String Instruments Lecture 32 Woodwind Instruments Section 7: Composition Lecture 33 Sequences Lecture 34 Similar and Contrary Motion, and Consecutives Lecture 35 Composition Lecture 36 Writing a Bass Line to a Tune Lecture 37 Writing a Tune to a Bass Line Section 8: Terms and Symbols Lecture 38 Terms and Symbols Section 9: Grade 3 Practice Test Lecture 39 Trinity Grade 3 Practice Test This course is for candidates preparing for Trinity Grade 3 Music Theory Screenshot Homepage https://www.udemy.com/course/trinity-grade-3-music-theory/ Rapidgator https://rg.to/file/d76d900896f435865bcd43efa41aaf0d/vwhbt.Trinity.Grade.3.Music.Theory.rar.html Fikper Free Download https://fikper.com/MT0Xcel6E8/vwhbt.Trinity.Grade.3.Music.Theory.rar.html No Password - Links are Interchangeable

Free Download Trinity Grade 6 Music Theory Published 10/2024 MP4 | Video: h264, 1920x1080 | Audio: AAC, 44.1 KHz Language: English | Size: 778.26 MB | Duration: 2h 45m A complete course covering the Trinity Grade 6 Music Theory syllabus. What you'll learn Pass Trinity Grade 6 Music Theory with Distinction! Build on your knowledge of how music works, and how to pass the Trinity exam Further your skills in composition and harmony Practise your skills with the included PDF, exercises and tests! Requirements You should already have covered the topics in Trinity Grades 1-5 Music Theory You don't need any extra equipment or software to take this course - all materials are provided. You need to be motivated to learn how music works Description Grade 6 Music Theory TrinityThis Grade 6 Music Theory video courses covers the Trinity syllabus in full.Rhythm, Texture and FormDemisemiquaver triplets (32nd note triplets)Double dotted notes and restsDupletsHemiolaSwung quavers (8th notes) (writing quavers to be played swing)Understand and identify textures (homophonic, polyphonic, imitative, thick or dense, thin or transparent)Understand the terms movement and PreludeBinary form with reference particularly to Baroque sonatas (da camera and da chiesa) and dance suites (Allemande, Bourrée, Italian Corrente, French Courante, Italian Giga, French Gigue, Gavotte, Minuet and Sarabande - definitions for each as defined in the Trinity workbook)Ternary form with reference particularly to Baroque dance suites (Bourrée I and II, Gavotte I and II and Minuet and Trio)Air with variationsChoraleFolk balladComposers and General KnowledgeThe Baroque period.Composers of particular relevance to this grade are those writing in the Baroque period (approximately 1600-1750), e.g. J S Bach, Corelli, Couperin, Handel, Marcello, Rameau, A and D Scarlatti, Telemann and VivaldiPitchAll major keys (for all major keys: scales, key signatures, arpeggios, broken chords, broken chords of the dominant 7th, and tonic triads (root, first or second inversion))All minor keys (for all minor keys: scales - natural (Aeolian mode) and harmonic and melodic minor, key signatures, arpeggios, broken chords, broken chords of the dominant 7th, and tonic triads (root, first or second inversion))3rd, 6th and 7th degrees of the major/minor scale being known as mediant, submediant and leading note respectivelyRecognising and writing diminished 7th chords (with an understanding of correct spelling and their enharmonic equivalents)Broken chords of all diminished 7th chordsWriting and labelling chords on every degree of the scale (harmonic and melodic minors) in any key as well-balanced 4-part chords for SATB in root, first or second inversions (plus third inversions for dominant 7ths and diminished 7ths), using Roman numerals or chord symbolsRecognising and writing figured bass for all major and minor chords for the grade in root, first or second inversionRecognising and writing augmented chordsRecognition of all intervals including compound intervalsRecognising pedal points on the tonic and dominant degrees of the scaleRecognising and writing harmonic sequences and identifying the keys that they travel throughRecognising and writing perfect, plagal, imperfect and interrupted cadencesLabelling the chords of a phrase of a chorale/hymn in Roman numerals and chord symbols, and completing it with an appropriate two-chord cadence (bass line given)Writing a short extract from close to open score for SATB (chorale/hymn phrase), or vice versaRecognising and writing C, D, F or G pentatonic major scales, A, B, D or E pentatonic minor and A, B, D or E blues scalesConcept of modes with reference particularly to Aeolian mode (the natural minor)Identifying music written using the Aeolian mode (natural minor)Writing an 8-bar melody using notes from the major, minor, pentatonic major, pentatonic minor, blues scales or using notes from the Aeolian modeTransposing a melody for any transposing instrument for the grade (transposing interval to be known for descant recorder, clarinet in Bb, alto saxophone in Eb, tenor saxophone in Bb, trumpet in Bb, French horn in F, double bass and classical guitar)Ranges of clarinet in A, treble recorder, saxophones (tenor in Bb and baritone in Eb) as defined in the Trinity WorkbookIdentifying variation/decoration (harmonic, melodic, dynamic and textural)Musical terms and symbols Overview Section 1: Introduction Lecture 1 Introduction to Trinity Grade 6 Music Theory Section 2: Rhythm Lecture 2 Double Dotted Notes Lecture 3 Duplets Lecture 4 Demisemiquaver (32nd) Triplets & Sextuplets Lecture 5 Hemiola Lecture 6 Swung Rhythm Section 3: Scales and Key Lecture 7 F# Major Scale Lecture 8 C# Major Scale Lecture 9 D# Minor Scale Lecture 10 A# Minor Scale Lecture 11 G♭ Major Scale Lecture 12 C♭ Major Scale Lecture 13 E♭ Minor Scale Lecture 14 A♭ Minor Scale Lecture 15 Close Keys Lecture 16 Aeolian Mode Lecture 17 Pentatonic Minor Scales Lecture 18 The Blues Scale Section 4: Intervals and Transposition Lecture 19 Transposing a Key Signature Lecture 20 Transposing into/out of Concert Pitch Section 5: Chords Lecture 21 Chord VI (Submediant Triad) Lecture 22 Chord iii (Mediant Triad in Major Keys) Lecture 23 Chord III+ (Augmented Mediant in Minor Keys) Lecture 24 Chord III (Major Mediant in Minor Keys) Lecture 25 Chord vii-dim (Leading Note Triad) Lecture 26 Chord vii-dim7 (Diminished 7th) Lecture 27 Chord ♭VII (Unraised Leading Note Triad in Minor Keys) Lecture 28 Chord ii (Minor Supertonic in Minor Keys) Lecture 29 Chord ii7 and ii-dim7 (Supertonic 7th) Lecture 30 Chord Inversions Lecture 31 Working Out Chord Inversions Section 6: Figured Bass Lecture 32 Figured Bass Introduction Lecture 33 Figured Bass | 5/3 Root Position Chords Lecture 34 Figured Bass | 6/3 First Inversion Chords Lecture 35 Figured Bass | 6/4 Second Inversion Chords Lecture 36 Figured Bass | Accidentals Section 7: Chord Progressions Lecture 37 Chord Progressions "Rules" Lecture 38 V-VI Progression Lecture 39 Interrupted Cadence Lecture 40 Progressions and Inversions Lecture 41 Progression of 5ths Lecture 42 Harmonic Sequence Lecture 43 Pedals Section 8: SATB Harmony Lecture 44 SATB | Voice Leading by Part Lecture 45 SATB | Leading Notes Lecture 46 SATB | Labelling Chords Lecture 47 SATB | Completing a Cadence Lecture 48 SATB | Transferring Short to Open Score Section 9: Texture and Orchestration Lecture 49 Homophonic and Polyphonic Lecture 50 Describing Texture Lecture 51 The Woodwind Lecture 52 The Strings Lecture 53 Changing the Mood Section 10: Style and Form Lecture 54 The Baroque Era Lecture 55 Ternary Form Lecture 56 The Baroque Suite Lecture 57 The Air and Variations Lecture 58 The Chorale Lecture 59 The Folk Ballad Section 11: Composition Lecture 60 Trinity Grade 6 Composition Marking Criteria Lecture 61 Working with a Given Opening Lecture 62 Composition Walkthrough Section 12: Musical Terms Lecture 63 Musical Terms Section 13: Grade 6 Practice Test Lecture 64 Grade 6 Practice Test This course is for candidates preparing for Trinity Grade 6 Music Theory Screenshot Homepage https://www.udemy.com/course/trinity-grade-6-music-theory/ Rapidgator https://rg.to/file/e83b3456f690f292020eee658096a59a/ahitw.Trinity.Grade.6.Music.Theory.rar.html Fikper Free Download https://fikper.com/49pkD52dUI/ahitw.Trinity.Grade.6.Music.Theory.rar.html No Password - Links are Interchangeable

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Building an Enterprise Grade Distributed Online Analytics Platform MP4 | Video: AVC 1280x720 | Audio: AAC 44KHz 2ch | Duration: 3 Hours 46M | 546 MB Genre: eLearning | Language: English In this course, you'll venture through the intriguing world of online analytics. You'll develop an understanding for analytics capabilities, and learn how to build a full-blown distributed analytics system, using top-notch open source technologies. Have you ever wanted to venture through the intriguing world of online analytics? In this course, Building an Enterprise Grade Distributed Online Analytics Platform, you'll learn how to build a full-blown distributed analytics system, using top-notch open source technologies. First, you'll begin by understanding what is online analytics and how it differs from offline analytics. You'll further discuss and analyze the parts of a modern online analytics system including, the data backbone, storage, processing, and insight generation. Next, you'll develop an understanding of your choice of technology, its features, and why it was chosen for a specific task. Finally, you'll explore how to properly integrate the technology into your solution in a manner that's most beneficial. Each technology you use will be placed under an observant eye, and you'll see how each technology provides scalability, fault tolerance, and most importantly how it contributes in achieving the functionality you desire. By the end of this course, you'll be ready to immediately enrich your enterprise with amazing analytics capabilities. Download link: http://rapidgator.net/file/62dc92575b67b9a7eb02bf3256377923/pmt2v.Building.an.Enterprise.Grade.Distributed.Online.Analytics.Platform.rar.html http://nitroflare.com/view/BD9F224EC2CD7C8/pmt2v.Building.an.Enterprise.Grade.Distributed.Online.Analytics.Platform.rar https://uploadgig.com/file/download/e7960CFf89b7E84f/pmt2v.Building.an.Enterprise.Grade.Distributed.Online.Analytics.Platform.rar http://uploaded.net/file/jbgsvn21/pmt2v.Building.an.Enterprise.Grade.Distributed.Online.Analytics.Platform.rar Links are Interchangeable - No Password - Single Extraction

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Udemy - Compose a Melody for Grade 6 Music Theory (ABRSM) English | MP4 | 1280x720 | 65 kbps | 48 KHz | 01:23:02 | 201 Mb Genre: eLearning If you are taking the ABRSM Grade 6 Music Theory exam, this unique course will help you get top marks. Many people find that working under exam conditions, without access to a piano or similar, makes music composition a difficult task. Others may have a natural talent for crafting a good tune, but are perhaps unsure of the specific requirements set out by the ABRSM examining board - just what are you supposed to write? And what makes a composition good or bad - is it completely subjective? (No!) In this course, I will set out the marking criteria for you in a clear and structured way, so you know exactly what it is you are supposed to be writing. You'll then learn how to complete your composition according to the expectations of the examiners, and you'll discover that with just a knowledge of scales, chords and intervals a beautiful composition can be invented even if you can't hear it in your head. You'll learn specifically how to work with rhythmic and melodic ideas and to adapt them, how to create a plausible and confident harmonic structure, and how to create an effective modulation to any related key: to the dominant, subdominant or relative major/minor. The course includes detailed explanations, (without overloading you with superfluous information), real-time worked compositions in a major and minor key, worked out before your eyes, and lots of freebie downloads including lesson summaries, exercises and compositions to work through yourself. DOWNLOAD http://rapidgator.net/file/1a826045979b395396cb3014b269a0cc/2Compose.part1.rar.html http://rapidgator.net/file/3a0ca42f9ccb28104f8afe572f412bbb/2Compose.part2.rar.html http://uploaded.net/file/l77swba2/2Compose.part1.rar http://uploaded.net/file/4m9n07c8/2Compose.part2.rar http://www.hitfile.net/2Bkd/2Compose.part1.rar.html http://www.hitfile.net/2Cvm/2Compose.part2.rar.html http://www.uploadable.ch/file/aPTTKnpHwMwH/2Compose.part1.rar http://www.uploadable.ch/file/hzmk6qkStAaF/2Compose.part2.rar