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Free Download Master the Blade of Chaos - 3D Modeling & Texturing Course Published 9/2024 MP4 | Video: h264, 1280x720 | Audio: AAC, 44.1 KHz, 2 Ch Language: English | Duration: 17h 33m | Size: 15 GB Create the Legendary Blade of Chaos from God of War Using 3ds Max, ZBrush, Substance Painter, and Marmoset Toolbag What you'll learn Gain comprehensive skills in 3D modeling using 3ds Max and ZBrush, from creating proxy meshes to sculpting detailed high-poly models. Learn to unwrap models in Rizom UV and texture them in Substance Painter, focusing on baking high-poly details to low-poly models. Develop proficiency in using Marmoset Toolbag for real-time rendering, including setting up materials, lighting, and cameras for professional presentations. Understand the process of creating optimized low-poly versions from high-poly models, ensuring efficient performance without sacrificing detail. Requirements Familiarity with the primary functions and navigation of 3ds Max, ZBrush, Substance Painter, and Marmoset Toolbag is required. Students should have a foundational understanding of 3D modeling concepts and techniques. Ensure you have 3ds Max, ZBrush, Substance Painter, Rizom UV, and Marmoset Toolbag installed on your computer. While not mandatory, a digital drawing tablet is highly recommended for sculpting in ZBrush to achieve finer details and better control. Description Dive into the comprehensive and detailed process of modeling, unwrapping, texturing, and rendering the iconic Blade of Chaos, the legendary sword wielded by Kratos in "God of War." This course provides a step-by-step guide to mastering advanced 3D techniques across multiple industry-standard software, ensuring you can replicate high-quality, game-ready models.Course OverviewIn this extensive course, you will engage in 18.5 hours of in-depth tutorials that cover every aspect of creating the Blade of Chaos from start to finish. To fully benefit from this course, you should have a basic knowledge of the involved software. Here's what you'll learn:Tutorial Contents:Modeling:Spend over 17 hours delving into the intricate modeling process using 3ds Max and ZBrush.Begin with creating a proxy mesh from reference images.Move into detailed sculpting in ZBrush to craft a high-poly version of the blade.Learn how to efficiently recreate a low-poly version from your high-poly model, ensuring it is optimized for various applications.Unwrapping & Texturing:Unwrap your model in 90 minutes using Rizom UV, a powerful tool for UV mapping.Utilize Substance Painter to bake mesh maps and apply textures.Understand how to organize your model into different folders for a streamlined texturing process.Master the overlap technique for efficient UV layout and texture space utilization.Rendering:Explore the rendering phase with Marmoset Toolbag, renowned for its real-time rendering capabilities.Import your model and textures, create realistic materials, and set up lighting and camera angles for a professional final presentation.Software Used:Rizom UV: For unwrapping your model with precision and efficiency.3ds Max: For initial modeling and proxy mesh creation.ZBrush: For detailed sculpting and high-poly model creation.Substance Painter: For advanced texturing and material creation.Marmoset Toolbag: For real-time rendering and final presentation setup.Level:Intermediate: This course is tailored for artists with basic knowledge of the mentioned software, focusing on advanced techniques and processes.Prerequisites:Basic understanding of 3ds Max, ZBrush, Substance Painter, and Marmoset Toolbag.Familiarity with navigating and utilizing primary functions in these software tools.Important Notes:The final model and project files are not included in this product.All videos are unnarrated, meaning there are no voice-overs or subtitles, allowing you to focus purely on the visual learning process.This course is perfect for intermediate-level 3D artists, game developers, and CG enthusiasts who want to elevate their modeling skills by working on a legendary weapon from a renowned game. Join us on this artistic journey and bring the Blade of Chaos to life with stunning detail and realism! Who this course is for This course is designed for intermediate-level 3D artists and digital sculptors who are looking to enhance their skills in modeling, unwrapping, texturing, and rendering complex assets. If you have a basic understanding of 3ds Max, ZBrush, Substance Painter, and Marmoset Toolbag, this course will help you take your abilities to the next level. Ideal for those who want to master the art of creating detailed and high-quality models, particularly focusing on hard-surface and organic modeling techniques. Perfect for professionals and hobbyists in the game development and animation industry who need to create highly detailed and realistic assets for their projects. Suitable for CG artists who wish to broaden their skill set and learn advanced techniques in unwrapping, texturing, and rendering, as well as hobbyists who are passionate about 3D art and want to learn from a comprehensive, project-based approach. Great for students studying game design, animation, or digital art, and enthusiasts who are committed to improving their technical and artistic skills. 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Texturing and Look Dev for Graphic Novels Duration: 5h 24m | Video: h264, 1920x1080 | Audio: AAC, 44100 Hz, 2 Ch | 3.6 GB Genre: eLearning | Language: English | Project Files Design several bad-ass Terminator-inspired graphic novel images with Jonathan McFall Jonathan McFall speaking, I'm one of the full time lecturers at Escape Studios in London. I'm currently teaching on full-time 3D courses, but I also teach on 2D courses. I teach everything from modeling, texturing, lighting, rendering, plus a bit of rigging, animation, plus I also teach Nuke and compositing, and Silhouette as well. The software that I normally try to use (well I guess it depends on the job) is Maya, but when it comes to sculpting I use a lot of ZBrush. Today, actually, we're going to be looking at Mudbox. There are some really interesting skills that you can do in Mudbox that are hard to do in some other software. We're going to focus on some really interesting techniques. We're going to look at Maya and then the workflow between Maya and Mudbox, and also some nice tricks in Mudbox. I decided a couple of months ago to create a graphic novel that has to do with the Terminator. So I've been experimenting with a few different graphic styles and this is one of them that I came up with. They're quite graphic, and look painterly. This is an image that we've been working on for a couple of weeks. I modeled everything inside of Maya and I sculpted some details inside of ZBrush. After I textured it in Mudbux, I also textured it separately in Mari. I was quite curious to work out the benefits of some of the different software. I think Mudbox is a slightly understated software, but it has some really surprising tricks. We're going to look at some different techniques in Mudbox, like sculpting, projecting different photographs, sculpting from photographs, we're going to look at the paint tools, some of the sculpting tools, and then also some of the power of the sculpt layers and the paint layers. It's really interesting and definitely worth watching. Some of the other images I made for fun: Terminator and then baby-Terminator. And then with some different kind of graphic, postural style, with lens-flares, and things like that, and then sort of playing around with more graphic images. That's a rough introduction of what we're going to be doing. In terms of the techniques that we're going to be going over, we're going to be looking at the UVs inside of Maya so that it's ready to go to Mudbox. And then after that, we're going to send it to Mudbox and then we're going to add things like paint layers and show you how to use things like brushes. After that, we're going to look at how to use stamps and stencils. How to project photographs. How to change the color of the photographs we're projecting. How to use layer masks. How to export textures from Mudbox to Photoshop. Then, how to import them back to Photoshop. After that, how to create different kinds of channels, for example, specular, reflection, diffuse, and also how to copy between channels, how to transfer images, and about sculpting and some of the nice sculpting features in Mudbox. After that, once we're happy, and I've shown you how to experiment with the different kinds of photographs for texturing and sculpting, then we'll importing some of those maps back into Maya. It will be lots of interesting techniques and also a bit of a workflow so you can see how you can use these programs together and how they are used on a frequent basis in the industry. Once we've exported all these maps, we'll put them back into Maya. We'll put them into, for example, an .ai standard, one of the new Arnold shaders, and we'll look at adding some light and HDR. Also, this image, which I textured - I was also quite happy with how it looked - but also for the final thing I wanted it to look like a finished poster. I experimented with some graphics inside of Photoshop, Photoshop brushes and that kind of a thing, to add this rough textural look around the edges. We'll also go into that briefly, but that part if fairly simple. 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3DMotive - Cannon Texturing in Substance Volume 1 Duration: 1h 33m | Video: h264, yuv420p 1280x720 | Audio: aac, 44100 Hz, 2 ch | 1.5 GB Genre: eLearning | Language: English | Project Files Included In this course, we will create a realistic looking ship cannon. For this we will use Maya, Zbrush, UV Layout and Substance Painter. In the beginning, we setup a basemesh in Maya to use it later in Zbrush. In Zbrush, we will cover how to create some nice Metal and Wood, and following that I will show you how to generate in ColorID Map. With the highpoly and the generated maps we now can modify our basemesh to use it as lowpoly, and use UVLayout to generate our UVs. Once the asset is unwrapped, we will bake the lowpoly in Substance Painter and give some Color. As we wrap things up, we will cover rendering in Iray to create some stunning shots for your portfolio. Download link: http://rapidgator.net/file/2039c941f2504a7e02ab560c9cc525f1/7l8dj.Cannon.Texturing.in.Substance.Volume.1.part1.rar.html http://rapidgator.net/file/a0a0da29391b056b2453e1dbd04fe7aa/7l8dj.Cannon.Texturing.in.Substance.Volume.1.part2.rar.html http://nitroflare.com/view/34A7014BAE94808/7l8dj.Cannon.Texturing.in.Substance.Volume.1.part1.rar http://nitroflare.com/view/F5C3CF19AB2BCEC/7l8dj.Cannon.Texturing.in.Substance.Volume.1.part2.rar https://uploadgig.com/file/download/7cb6C889d6440Bb8/7l8dj.Cannon.Texturing.in.Substance.Volume.1.part1.rar https://uploadgig.com/file/download/7018767ce1ADa073/7l8dj.Cannon.Texturing.in.Substance.Volume.1.part2.rar http://uploaded.net/file/2m8l2o6x/7l8dj.Cannon.Texturing.in.Substance.Volume.1.part1.rar http://uploaded.net/file/ruedxenl/7l8dj.Cannon.Texturing.in.Substance.Volume.1.part2.rar Links are Interchangeable - No Password - Single Extraction

Blender101 - Blender 331 - Character Texturing TUTORiAL | 878 MB Learn how to create your own game characters in Blender. Character Texturing Content # 01. Setting Up the Interface for Texturing.mp4 # 02. Filling the Base Colors.mp4 # 03. Using Paint Slots as Layers.mp4 # 04. Adding a Texture to the Brush.mp4 # 05. Painting the Character's Armor.mp4 # 06. Prepping to Paint Cloth Texture.mp4 # 07. Texture Painting the Cloth.mp4 # 08. Texturing the Boots.mp4 # 09. Texturing the Gauntlet.mp4 #10. Texturing the Skin.mp4 #eleven. Texturing the Face.mp4 #12. Exporting the Texture Maps.mp4 #13. Bringing the Textures into Unity.mp4 Example files: not provided Video Format: MP4 Video: MPEG4 Video (H264) 1280x720 15fps 366kbps Audio: AAC 48000Hz stereo 256kbps Manufacturer: Blender101.com Manufacturer Website: Blender101.com Author: Darrin Lile Duration: 2:17:40 Type of distribution: Video lesson English language Download link: http://rapidgator.net/file/4af41e9105a8ab529bb236c0e89c08f4/4sofr.Blender101..Blender.331..Character.Texturing.TUTORiAL.rar.html http://nitroflare.com/view/E61EF12E412BBC9/4sofr.Blender101..Blender.331..Character.Texturing.TUTORiAL.rar https://uploadgig.com/file/download/929a4F14651c55Dd/4sofr.Blender101..Blender.331..Character.Texturing.TUTORiAL.rar http://uploaded.net/file/rg2ribsd/4sofr.Blender101..Blender.331..Character.Texturing.TUTORiAL.rar Links are Interchangeable - No Password - Single Extraction

Texturing VFX Assets in MARI With Eddie Russell 3h 22m | Video: h264, yuv420p, 1280x720 30fps | Audio: aac, 44100 Hz, 2ch | 2.74 GB Genre: eLearning | Language: English In this MARI tutorial, we'll walk through a standard workflow for texturing assets for VFX. We'll take a step-by-step approach through the process, starting with nothing and ending our project by using the MODO renderer integration to perform some look dev on our textures. We'll learn how to setup our project for either UV or Ptex based texturing. From here, we'll learn how MARI handles a linear workflow using Color Management as well as how we can bring in the camera data for the shot we'll be texturing. When it comes to painting textures, MARI stands alone so from here, we'll learn how projection painting works inside of MARI. We'll also learn about the power in procedural layers and how we can use it to save time and create flexibility. After we finish with our textures, we'll learn about an exciting new feature in MARI 3.0 that allows us to render right inside of MARI using the MODO renderer. This great new addition allows us to quickly see how our textures will look once rendered. To wrap things up, we'll learn how to export all of our textures out of MARI. By the end of this MARI training, you'll have some great ideas of how MARI can be used to paint textures for your own VFX work. Download From NitroFlare http://www.nitroflare.com/view/ECAA9318032586C/texvfxassMari.part1.rar http://www.nitroflare.com/view/87E772ED8BBCA33/texvfxassMari.part2.rar http://www.nitroflare.com/view/0052F5224892B0F/texvfxassMari.part3.rar http://www.nitroflare.com/view/F1330B01DFF91AE/texvfxassMari.part4.rar http://www.nitroflare.com/view/98AAEC0C8E1C0B7/texvfxassMari.part5.rar Download From Rapidgator http://rapidgator.net/file/74833c09a8ccc048223212e75450c713/texvfxassMari.part1.rar.html http://rapidgator.net/file/063cf8dac2a987904fb7fb96ff2263d0/texvfxassMari.part2.rar.html http://rapidgator.net/file/347713d8d8b3d500084edc68570af284/texvfxassMari.part3.rar.html http://rapidgator.net/file/78ce637dfa3d0ab0b8e55511c7914efe/texvfxassMari.part4.rar.html http://rapidgator.net/file/3ea9ca541f85dc72df7cef26b6950a75/texvfxassMari.part5.rar.html

Texturing Game Assets in MARI With Eddie Russell 3h 08m | Video: h264, yuv420p, 1280x720 30fps | Audio: aac, 44100 Hz, 2ch | 2.65 GB Genre: eLearning | Language: English In this MARI tutorial, we'll walk through a standard workflow for texturing game assets. We'll take a step-by-step approach through the process, starting with nothing and ending our project with completed PBR texture maps that're ready to take into Unreal Engine. We'll start by learning how to setup our project for a multi-material PBR asset. From here, we'll learn how MARI handles a linear workflow using Color Management and how that affects our game assets. Next, we'll learn how to bring in supplementary maps like an ID map and normal map so we can use them as we build our textures. We'll learn how to use an exciting new feature in MARI 3.0 to send a high res mesh over to MODO for ambient occlusion baking. As we're painting, we'll learn about important topics like selections, projection masking and adjustment layers, to name a few. To wrap things up, we'll learn how to resize and export all of our texture maps for use in Unreal Engine. By the end of this MARI training, you'll have all of the basics down so you can start painting your own game assets. Download From NitroFlare http://www.nitroflare.com/view/374AB9A59E2C2D1/textGamass.part1.rar http://www.nitroflare.com/view/F85A125200C8D78/textGamass.part2.rar http://www.nitroflare.com/view/9536141586B0AA2/textGamass.part3.rar http://www.nitroflare.com/view/6E693A378EAE3FC/textGamass.part4.rar http://www.nitroflare.com/view/1DCBD2438984089/textGamass.part5.rar Download From Rapidgator http://rapidgator.net/file/d67ac9eeb690d0850cf8d9de29b9ed24/textGamass.part1.rar.html http://rapidgator.net/file/9b8955131288d469a3b45c488dfc2c92/textGamass.part2.rar.html http://rapidgator.net/file/23b73bde2d4800453fc91b94ed4665c5/textGamass.part3.rar.html http://rapidgator.net/file/c0f8cb60ca5806de42e00be743718cf5/textGamass.part4.rar.html http://rapidgator.net/file/6d60f7e6c83fc5414a634afdcdb4186c/textGamass.part5.rar.html

3DMotive - Stylized Creature Texturing - Volume 1 Video: h264, yuv420p, 1280x720 30fps | Audio: aac, 44100 Hz, 1 ch | 1.29 GB Duration: 1h 22m | Project Files Included In this course, we will be teaching the necessary skills to prepare and hand paint a 3D Creature for game production. Starting from the baking process, we will cover all the necessary skills that a texture artist will need to paint a character. After we get some of the technical parts out of the way the real fun can start: Painting. We will be covering techniques for painting in a very stylized color scheme, focusing on balancing values and colors to create a great looking creature. We will cover many materials from skin to metal, and showcase methods to make each material really sing. Our end result will be a final portfolio piece that shows off your painting prowess. More info - http://3dmotive.com/series/stylized-character-texturing.html http://www.nitroflare.com/view/24A7EF71A080B43/h09h7.3DMotive..Stylized.Creature.Texturing..Volume.1.part1.rar http://www.nitroflare.com/view/575279D6C69C63E/h09h7.3DMotive..Stylized.Creature.Texturing..Volume.1.part2.rar http://www.nitroflare.com/view/A1C91CD622FCDEC/h09h7.3DMotive..Stylized.Creature.Texturing..Volume.1.part3.rar http://www.nitroflare.com/view/CA34BD2C22E7B9C/h09h7.3DMotive..Stylized.Creature.Texturing..Volume.1.part4.rar http://rapidgator.net/file/9f659b91772e926ba62c6df3f948ab0c/h09h7.3DMotive..Stylized.Creature.Texturing..Volume.1.part1.rar.html http://rapidgator.net/file/0de0997776a678dea00eb94a69439286/h09h7.3DMotive..Stylized.Creature.Texturing..Volume.1.part2.rar.html http://rapidgator.net/file/4e6c98fedae81b3554766c69c3a2ea3a/h09h7.3DMotive..Stylized.Creature.Texturing..Volume.1.part3.rar.html http://rapidgator.net/file/a7bc2596971f5700755fd85add4bf72b/h09h7.3DMotive..Stylized.Creature.Texturing..Volume.1.part4.rar.html https://www.uploadable.ch/file/sUctWKET2UnP/h09h7.3DMotive..Stylized.Creature.Texturing..Volume.1.part1.rar https://www.uploadable.ch/file/ZCtKBhcFg9re/h09h7.3DMotive..Stylized.Creature.Texturing..Volume.1.part2.rar https://www.uploadable.ch/file/pyP4EUGNaG3z/h09h7.3DMotive..Stylized.Creature.Texturing..Volume.1.part3.rar https://www.uploadable.ch/file/MXsTbmsmGxpy/h09h7.3DMotive..Stylized.Creature.Texturing..Volume.1.part4.rar

Texturing Sci-Fi Game Assets in Substance Designer With Victor Kam 2h 49m | Video: h264, yuv420p, 1280x720 30fps | Audio: aac, 44100 Hz, 1 ch | 1.13 GB Genre: eLearning | Language: English In this Substance Designer tutorial, we'll learn how to texture game assets using a spaceship as an example. Along the way, we'll be creating custom nodes to speed up our workflow that can also be used for future projects as well as exposing useful parameters so other artists can easily tweak values. By the end of this Substance Designer training, you'll learn how to texture game assets using a master node graph that'll allow us to plug-in brand new assets to give us quick, easy and consistent textures. Download From NitroFlare http://www.nitroflare.com/view/33D18BDD8B82720/textuscifisubsdes.r.part1.rar http://www.nitroflare.com/view/9D170478E8395E5/textuscifisubsdes.r.part2.rar Download From Rapidgator http://rapidgator.net/file/51b2ba1bf1d7bb9f8e94857f98370092/textuscifisubsdes.r.part1.rar.html http://rapidgator.net/file/b7ed731014e8274dea9923e5af35d4b2/textuscifisubsdes.r.part2.rar.html

Fundmentals of Texturing English | .MP4 | AVC 1920x1080, 30 fps | AAC 96 Kbps 48.0 KHz | 539 Mb Genre: eLearning Textures are 2D images that are designed to influence a 3D model's appearance. Whether it's simply to add color to a model like one would paint a clay sculpture, or to govern a specific material attribute, textures can be generated and painted by hand with Blender's built-in tools. The texture process begins with addressing a model's UV coordinates. UVs are the mechanism by which a 2D image is transposed on to a 3D model. It's an art form in itself to layout these coordinates to maximize texel density (amount of texture pixels utilized) while minimizing stretching (disproportion between the model and its UV's). After UV's are established, textures can be painted by hand using a Wacom pen and tablet. Textures can also be generated by "baking" geometric data into image texture format. Alternatively textures can be painted with an external application and easily brought back into Blender. DOWNLOAD http://rapidgator.net/file/b970ab465186b57a53d52ad81c8c3680/eTexturing.part1.rar.html http://rapidgator.net/file/362ecbc5885749c113c262d4663c6446/eTexturing.part2.rar.html http://rapidgator.net/file/287e5594365351922f71a41f8759e5fd/eTexturing.part3.rar.html http://rapidgator.net/file/47c257f2cc27ce5fea84753dd5dfe309/eTexturing.part4.rar.html http://rapidgator.net/file/006287dfdd44b2037bb89a21bba01440/eTexturing.part5.rar.html http://rapidgator.net/file/cb95a577dc0b4bd64f7f0f04855ddb46/eTexturing.part6.rar.html http://uploaded.net/file/90oi7xy3/eTexturing.part1.rar http://uploaded.net/file/x29o231n/eTexturing.part2.rar http://uploaded.net/file/vqbv75qw/eTexturing.part3.rar http://uploaded.net/file/bpib2fv3/eTexturing.part4.rar http://uploaded.net/file/u3qc0gvg/eTexturing.part5.rar http://uploaded.net/file/e8vmlrrf/eTexturing.part6.rar http://www.hitfile.net/4EzA/eTexturing.part1.rar.html http://www.hitfile.net/4GR7/eTexturing.part2.rar.html http://www.hitfile.net/4GE2/eTexturing.part3.rar.html http://www.hitfile.net/4Fs6/eTexturing.part4.rar.html http://www.hitfile.net/4G76/eTexturing.part5.rar.html http://www.hitfile.net/4EJ1/eTexturing.part6.rar.html http://www.uploadable.ch/file/tyKDW6CBQ9Sf/eTexturing.part1.rar http://www.uploadable.ch/file/y76gjpeeuJSu/eTexturing.part2.rar http://www.uploadable.ch/file/mjVkDS89MqMM/eTexturing.part3.rar http://www.uploadable.ch/file/upBUfaSPEpte/eTexturing.part4.rar http://www.uploadable.ch/file/YB8kMm7XNJJR/eTexturing.part5.rar http://www.uploadable.ch/file/E6bMgEAWTHt8/eTexturing.part6.rar

CGCookie - Fundmentals of Texturing With Kent Trammell English | .MP4 | Video: AVC 1920x1080, 30 fps | Audio: AAC 96 Kbps 48.0 KHz | 539 MB Genre: eLeanring | Project Files Included Textures are 2D images that are designed to influence a 3D model's appearance. Whether it's simply to add color to a model like one would paint a clay sculpture, or to govern a specific material attribute, textures can be generated and painted by hand with Blender's built-in tools. The texture process begins with addressing a model's UV coordinates. UVs are the mechanism by which a 2D image is transposed on to a 3D model. It's an art form in itself to layout these coordinates to maximize texel density (amount of texture pixels utilized) while minimizing stretching (disproportion between the model and its UV's). After UV's are established, textures can be painted by hand using a Wacom pen and tablet. Textures can also be generated by "baking" geometric data into image texture format. Alternatively textures can be painted with an external application and easily brought back into Blender. Home Page _https://cgcookie.com/course/introduction-to-texturing/ Download From NitroFlare http://www.nitroflare.com/view/6A9004EF6DE4DC1/fundofTexturing.part1.rar http://www.nitroflare.com/view/4B267BB7E5B0B86/fundofTexturing.part2.rar http://www.nitroflare.com/view/FF84DDDF36C9658/fundofTexturing.part3.rar http://www.nitroflare.com/view/510CF9473BE5B56/fundofTexturing.part4.rar http://www.nitroflare.com/view/64B57B01B4BF88C/fundofTexturing.part5.rar http://www.nitroflare.com/view/ABB284E633926F8/fundofTexturing.part6.rar Download From Rapidgator http://rapidgator.net/file/fcc6cc484f0bb19448f94773e5e169a0/fundofTexturing.part1.rar.html http://rapidgator.net/file/7f9db6b3e1fa14980435687b3903df81/fundofTexturing.part2.rar.html http://rapidgator.net/file/827ba5e52e6be81e29f844bd423a64e5/fundofTexturing.part3.rar.html http://rapidgator.net/file/769ac5a862dc2901f826d1024fc09447/fundofTexturing.part4.rar.html http://rapidgator.net/file/7c2177a4bea6a19db2115f1a197036d7/fundofTexturing.part5.rar.html http://rapidgator.net/file/cbb8d044b2fd837afcdb70bc216c9088/fundofTexturing.part6.rar.html

Udemy - 3d Texturing with Substance Designer and Substance Painter English | MP4 | 1280x720 | 58 kbps | 44 KHz | 2 hours | 435 Mb Genre: eLearning Learn to create materials for a sample game asset using both Substance Designer and Substance Painter! In this course, Emiel Sleegers is going to be walking you through the process of texturing a suitcase asset using both Substance Designer and Substance Painter. For starters, he will show how to setup your scene properly in both Marmoset and Substance Designer, and from there will be using a coMbination of both Substance Designer and Substance Painter to to create the material and fine details of the texture before taking the final result back into Marmoset where everything will be rendered. If you've ever been curious about the power of these new software tools, look no further! (Students - please look under Section 1, Lecture 1 downloads for the source files associated with the lesson.) More about the Instructor: Emiel Sleegers is a self-taught 3d artist currently residing in the Netherlands. He's been teaching himself 3D art for the past 3-4 years, and has worked as a freelance artist on numerous unannounced projects. He's a lover of all things 3d and enjoys sharing the knowledge he has obtained with others eager to learn. What are the requirements? Allegorithmic's Substance Designer and Substance Painter Marmoset Toolbag What am I going to get from this course? Over 10 lectures and 2 hours of content! Learn to create your own materials and dynamic textures using both Substance Painter and Substance Designer What is the target audience? Beginner to Intermediate 3d artists looking to improve their texturing and materials pipeline with these new tools DOWNLOAD http://rapidgator.net/file/a8cf4b5fa6f28cd063229d8a60dbf1c0/3Texturing.part1.rar.html http://rapidgator.net/file/2aa9d97ed5cc7994f4e5bc693dc72864/3Texturing.part2.rar.html http://rapidgator.net/file/ea606ded480222888bd636ae333b7a2b/3Texturing.part3.rar.html http://rapidgator.net/file/505cf6593b2cd7a03a6ec96bfecf8f4b/3Texturing.part4.rar.html http://rapidgator.net/file/4dce781af2a5ce23ca10ff87594de6cc/3Texturing.part5.rar.html http://uploaded.net/file/0b2s4anc/3Texturing.part1.rar http://uploaded.net/file/mr8emy7d/3Texturing.part2.rar http://uploaded.net/file/mungt2xy/3Texturing.part3.rar http://uploaded.net/file/0of3yiym/3Texturing.part4.rar http://uploaded.net/file/ieozk4et/3Texturing.part5.rar http://www.hitfile.net/2X2i/3Texturing.part1.rar.html http://www.hitfile.net/2X7F/3Texturing.part2.rar.html http://www.hitfile.net/2WjX/3Texturing.part3.rar.html http://www.hitfile.net/2Wsp/3Texturing.part4.rar.html http://www.hitfile.net/2W0q/3Texturing.part5.rar.html http://www.uploadable.ch/file/rXKJGRJuxK24/3Texturing.part1.rar http://www.uploadable.ch/file/uF4qD3mjHpVR/3Texturing.part2.rar http://www.uploadable.ch/file/XmubnYGbADCk/3Texturing.part3.rar http://www.uploadable.ch/file/xvPVb9PvSX2f/3Texturing.part4.rar http://www.uploadable.ch/file/crkfDVbH3X4n/3Texturing.part5.rar

Pluralsight - Texturing a Stylized Game Environment in Photoshop With Alex Jerjomin Size: 706MB | Duration: 2h 15m | Video: AVC (.mp4) 1024x576 15fps | Audio: AAC 44.1KHz 2ch Genre: eLearning | Level: Advanced | Language: English In this tutorial, we'll learn how to create low-polygon meshes for stylized game props. We'll then bake the high-resolution detail in xNormal and create stylized, PBR-ready textures in Photoshop. By the end of this course, you will have a solid understanding of how to create stylized props and textures with physically-based materials. Software required: ZBrush 4R7, 3ds Max 2015, Photoshop CC 2014, Marmoset Toolbag 2.07, xNormal v3.18.10. Download From Uploaded http://uploaded.net/file/qnv9yrlo/TextStylizedGameEnvPs.part1.rar http://uploaded.net/file/6ezqewtm/TextStylizedGameEnvPs.part2.rar http://uploaded.net/file/zwkymej2/TextStylizedGameEnvPs.part3.rar http://uploaded.net/file/xwzypakr/TextStylizedGameEnvPs.part4.rar http://uploaded.net/file/g4kvlz6x/TextStylizedGameEnvPs.part5.rar http://uploaded.net/file/l0dtg3xf/TextStylizedGameEnvPs.part6.rar http://uploaded.net/file/1y2wuh5l/TextStylizedGameEnvPs.part7.rar Download From NitroFlare http://www.nitroflare.com/view/1A0BCDDE9572C66/TextStylizedGameEnvPs.part1.rar http://www.nitroflare.com/view/E1C607A22C82E3B/TextStylizedGameEnvPs.part2.rar http://www.nitroflare.com/view/BF423D7BA2D38A3/TextStylizedGameEnvPs.part3.rar http://www.nitroflare.com/view/984082A6CEB9083/TextStylizedGameEnvPs.part4.rar http://www.nitroflare.com/view/3D02E7D0FE8D236/TextStylizedGameEnvPs.part5.rar http://www.nitroflare.com/view/D4CBF629A374740/TextStylizedGameEnvPs.part6.rar http://www.nitroflare.com/view/DD8E12DC7C78BE8/TextStylizedGameEnvPs.part7.rar Download From Rapidgator http://rapidgator.net/file/253ef4b59d84679bff39eec17abe4896/TextStylizedGameEnvPs.part1.rar.html http://rapidgator.net/file/f772b88720349e3e05924de1b85e9566/TextStylizedGameEnvPs.part2.rar.html http://rapidgator.net/file/1e46a895612ac54a22575b669a94bef9/TextStylizedGameEnvPs.part3.rar.html http://rapidgator.net/file/ddd4ec553daf805c41ff6559071d281e/TextStylizedGameEnvPs.part4.rar.html http://rapidgator.net/file/7a67de9f072e734c70becd23c5eb6cc6/TextStylizedGameEnvPs.part5.rar.html http://rapidgator.net/file/0ad3c2bce2d1f18a34f487f6ed73d921/TextStylizedGameEnvPs.part6.rar.html http://rapidgator.net/file/f4e02f38e6fd80b3c96173b41a58f8ed/TextStylizedGameEnvPs.part7.rar.html

Gumroad - Space Golem Part 2 - Texturing in 3DCoat English | 4 hours | AVC (.MP4) 1280x720 30fps | AAC 44.1KHz 2c | 3.38 Gb Genre: eLearning In this tutorial, I will be sharing my approach to texturing rock, metal, glows and shiny plastic materials using a hand painted style. I will be going over how to begin and how to approach taking it to a finished state. Additionally, I will be covering two different versions of plastic visors, with one being shiny and one being more translucent. I want to demonstrate viable options for tackling this type of material as well as touch upon how to be flexible with your designs. This tutorial is designed for artists who are new to 3DCoat, as well as for artists already acquainted with the program. DOWNLOAD http://rapidgator.net/file/ede96e051aa752c2fb6f8a2f150bc2d1/5Space.part1.rar.html http://rapidgator.net/file/813b804b458e0f23f35436e167512d6f/5Space.part2.rar.html http://rapidgator.net/file/980a447d826513ef346b308f2ab33e3d/5Space.part3.rar.html http://rapidgator.net/file/7f4592c66c8acd008489eb3b13392c6b/5Space.part4.rar.html http://rapidgator.net/file/2a9610b7c28d409a4b48b6ef6f08696a/5Space.part5.rar.html http://rapidgator.net/file/3a29fa107d8472a23ae1ee04e22d3dfa/5Space.part6.rar.html http://rapidgator.net/file/a96ecd7cd1bb02581f508d96fd6d634c/5Space.part7.rar.html http://rapidgator.net/file/339c26ebc5f2ca0a0ecc79441d1d54ee/5Space.part8.rar.html http://uploaded.net/file/ngdxm92s/5Space.part1.rar http://uploaded.net/file/ob0ah3u3/5Space.part2.rar http://uploaded.net/file/gspxjc6h/5Space.part3.rar http://uploaded.net/file/2g5ra5g4/5Space.part4.rar http://uploaded.net/file/maddh1fa/5Space.part5.rar http://uploaded.net/file/p4brab8g/5Space.part6.rar http://uploaded.net/file/m6f76kdv/5Space.part7.rar http://uploaded.net/file/gbfk2x7s/5Space.part8.rar http://www.hitfile.net/3Cfu/5Space.part1.rar.html http://www.hitfile.net/3C2k/5Space.part2.rar.html http://www.hitfile.net/3CnP/5Space.part3.rar.html http://www.hitfile.net/3CcZ/5Space.part4.rar.html http://www.hitfile.net/3CXW/5Space.part5.rar.html http://www.hitfile.net/3CT3/5Space.part6.rar.html http://www.hitfile.net/3CZm/5Space.part7.rar.html http://www.hitfile.net/3D8w/5Space.part8.rar.html http://www.uploadable.ch/file/WW6Htfv2HbSr/5Space.part1.rar http://www.uploadable.ch/file/nRWS3SfW74c9/5Space.part2.rar http://www.uploadable.ch/file/6ZjNNYj5qund/5Space.part3.rar http://www.uploadable.ch/file/fyWDMpcB8tY6/5Space.part4.rar http://www.uploadable.ch/file/aZbv7qcV5JAf/5Space.part5.rar http://www.uploadable.ch/file/5S2beG6rBcSn/5Space.part6.rar http://www.uploadable.ch/file/UMbvkqpteHJG/5Space.part7.rar http://www.uploadable.ch/file/AN46dxvhH2Tc/5Space.part8.rar

cmiVFX - Cinema 4D Quadruped Model UV Texturing Rigging English | 3h 56m | AVC1(MP4), 1282x690, 30 fps | aac, 44100 Hz, 2 Ch | 6.35 Gb Genre: eLearning cmiVFX has released the brand new Cinema 4D Modeling and Rigging a Quadruped video. Learn the tools that make your life as a Cinema 4D artist easier! Although Cinema 4D is known more as a great motion graphics software, with a reputation that is very well deserved, the powerful, solid and flexible tools makes it a great solution for character animators as well. This video will take you through the process of modeling, sculpting, baking normal maps, painting and rigging your own Quadruped characters. We will go through each step, explaining the workflow behind the modeling and rigging systems, allowing you to understand and troubleshoot your own rig. Animation and VFX Instructor Christopher Tedin offers this workshop on Cinema 4D Modeling and Rigging. This lesson presents techniques to model and rig your character using the modeling, sculpting and auto rigging tools in Cinema 4D. DOWNLOAD http://rapidgator.net/file/5a63b2986d5102d850ef55aac1f3c315/eCinema.part1.rar.html http://rapidgator.net/file/65465a758846b3383148abc591fcabbb/eCinema.part2.rar.html http://rapidgator.net/file/65a97c2313f09ddb213ee3e4beb75a18/eCinema.part3.rar.html http://rapidgator.net/file/de729895b61333a2b91e3ba5423534e0/eCinema.part4.rar.html http://rapidgator.net/file/8c116c8663b2af68e116ce96270904fd/eCinema.part5.rar.html http://rapidgator.net/file/447a83c0db6aab601335811ffc12df17/eCinema.part6.rar.html http://rapidgator.net/file/165d4a81d81a33afce5fe2099082f00b/eCinema.part7.rar.html http://uploaded.net/file/dkkbnl88/eCinema.part1.rar http://uploaded.net/file/ok6rigdn/eCinema.part2.rar http://uploaded.net/file/ui30sija/eCinema.part3.rar http://uploaded.net/file/usnnbwgb/eCinema.part4.rar http://uploaded.net/file/48wsdao3/eCinema.part5.rar http://uploaded.net/file/hh46fft2/eCinema.part6.rar http://uploaded.net/file/oii0z2z3/eCinema.part7.rar http://www.hitfile.net/4ZVd/eCinema.part1.rar.html http://www.hitfile.net/4YMe/eCinema.part2.rar.html http://www.hitfile.net/4Zs8/eCinema.part3.rar.html http://www.hitfile.net/4XPj/eCinema.part4.rar.html http://www.hitfile.net/4Z32/eCinema.part5.rar.html http://www.hitfile.net/4Xlz/eCinema.part6.rar.html http://www.hitfile.net/4Xxj/eCinema.part7.rar.html http://www.uploadable.ch/file/mxgqn94NSgRr/eCinema.part1.rar http://www.uploadable.ch/file/D4FwyvwPVCJy/eCinema.part2.rar http://www.uploadable.ch/file/9Hths5DugpHN/eCinema.part3.rar http://www.uploadable.ch/file/7gFgBvGFWGgM/eCinema.part4.rar http://www.uploadable.ch/file/N7XKFwyUn4GD/eCinema.part5.rar http://www.uploadable.ch/file/5zDrSwrrAnUS/eCinema.part6.rar http://www.uploadable.ch/file/T6XbbgsAk92k/eCinema.part7.rar

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The Gnomon Workshop - Texturing Environments with Mari 2h 35m | Video: AVC (.mp4) 1600x900 15fps | Audio: AAC 22.5KHz 2ch | 483 MB Genre: eLearning In this lecture, Jessica Canter demonstrates how to create a highly detailed environment using Maya, Mudbox and Mari. She begins by modeling a detailed bridge and then blocks-in the cliffs using primary forms. The cliffs are then brought into Mudbox to sculpt the fine details. Jessica then brings them into Mari for texturing. At first Jessica introduces new Mari users to the interface and talks about how to organize a project. She then paints the models in Mari while discussing painting techniques used to texture large environments. Finally, the textures are exported out of Mari and brought back into Maya for final rendering using Arnold. Jessica discusses the process of working with different programs, including how to prep your model to work within Mari, and how to work with UDIMS in Maya. Artists of any level, interested in learning from a master texture artist, will learn techniques both in technical workflows and artistic design strategies. Buy Premium Account To Get Resumable Support & Max Speed http://www.nitroflare.com/view/9200EB7BCC853F3/sgg9d.Texturing.Environments.with.Mari.part1.rar http://www.nitroflare.com/view/6D7CE1D0A15D773/sgg9d.Texturing.Environments.with.Mari.part2.rar http://www.nitroflare.com/view/94C050C22442FA0/sgg9d.Texturing.Environments.with.Mari.part3.rar http://www.nitroflare.com/view/CD0944C345641A8/sgg9d.Texturing.Environments.with.Mari.part4.rar http://www.nitroflare.com/view/6E60FE614D75350/sgg9d.Texturing.Environments.with.Mari.part5.rar http://rapidgator.net/file/0d55a44aaa8f15596ef98e0d4cab8356/sgg9d.Texturing.Environments.with.Mari.part1.rar.html http://rapidgator.net/file/d1582fb2a7ce5f3344a65c8ebf1031b5/sgg9d.Texturing.Environments.with.Mari.part2.rar.html http://rapidgator.net/file/9f0e4ae4863c6a5fe811369368348bc7/sgg9d.Texturing.Environments.with.Mari.part3.rar.html http://rapidgator.net/file/0a9aeb1a6ac524c5fbc6eb8a86b9c5c9/sgg9d.Texturing.Environments.with.Mari.part4.rar.html http://rapidgator.net/file/0f9beab2c6e4288ed529542dfb0b471c/sgg9d.Texturing.Environments.with.Mari.part5.rar.html http://www.uploadable.ch/file/3UkY2R2qkqbg/sgg9d.Texturing.Environments.with.Mari.part1.rar http://www.uploadable.ch/file/jqUrPpBrSHBy/sgg9d.Texturing.Environments.with.Mari.part2.rar http://www.uploadable.ch/file/5KXxxtQwECnK/sgg9d.Texturing.Environments.with.Mari.part3.rar http://www.uploadable.ch/file/jTC37hATvE7k/sgg9d.Texturing.Environments.with.Mari.part4.rar http://www.uploadable.ch/file/CFstAchBNfkZ/sgg9d.Texturing.Environments.with.Mari.part5.rar Links are Interchangeable - No Password

The Gnomon Workshop - Texturing Environments with Mari With Jessica Canter 2h 35m | Video: AVC (.mp4) 1600x900 15fps | Audio: AAC 22.5KHz 2ch | 483 MB Genre: eLearning In this lecture, Jessica Canter demonstrates how to create a highly detailed environment using Maya, Mudbox and Mari. She begins by modeling a detailed bridge and then blocks-in the cliffs using primary forms. The cliffs are then brought into Mudbox to sculpt the fine details. Jessica then brings them into Mari for texturing. At first Jessica introduces new Mari users to the interface and talks about how to organize a project. She then paints the models in Mari while discussing painting techniques used to texture large environments. Finally, the textures are exported out of Mari and brought back into Maya for final rendering using Arnold. Jessica discusses the process of working with different programs, including how to prep your model to work within Mari, and how to work with UDIMS in Maya. Artists of any level, interested in learning from a master texture artist, will learn techniques both in technical workflows and artistic design strategies. Download From NitroFlare http://www.nitroflare.com/view/4544F62619D84A6/TextEnvirnMari.part1.rar http://www.nitroflare.com/view/62000364AC4C8BC/TextEnvirnMari.part2.rar http://www.nitroflare.com/view/F83F07B180E8824/TextEnvirnMari.part3.rar http://www.nitroflare.com/view/40C630BF24BEB61/TextEnvirnMari.part4.rar http://www.nitroflare.com/view/ED087873670BB31/TextEnvirnMari.part5.rar Download From Keep2share http://k2s.cc/file/e984ae6eb4d74/TextEnvirnMari.part1.rar http://k2s.cc/file/75d9ad2f387eb/TextEnvirnMari.part2.rar http://k2s.cc/file/940dd5aecfb97/TextEnvirnMari.part3.rar http://k2s.cc/file/ebc33deddcfe0/TextEnvirnMari.part4.rar http://k2s.cc/file/4747d44044c69/TextEnvirnMari.part5.rar Download From Rapidgator http://rapidgator.net/file/857d7fa16e4a04558d8d79e8ac8b91db/TextEnvirnMari.part1.rar.html http://rapidgator.net/file/cc385404aa7b0dde5e9b079be38efe26/TextEnvirnMari.part2.rar.html http://rapidgator.net/file/4c9a8e9ef99dc22e03fad1690ea7ba1d/TextEnvirnMari.part3.rar.html http://rapidgator.net/file/ca3d69b440a51e219b18312465f7e897/TextEnvirnMari.part4.rar.html http://rapidgator.net/file/2c69ba9b38ef387a202571e578a298d3/TextEnvirnMari.part5.rar.html

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