beers

Black Oak Arkansas - If an Angel Came to See You...Would You Make Her Feel at Home 1972 (2018) 96-24 Country: USA Genre: Southern rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 36:13 Full Size: 818.11 MB https://www.youtube.com/watch?v=MXlxj-UoLbY https://www.youtube.com/watch?v=tOEiuCi7_8g Download from [b]HotLink[/b] https://hotlink.cc/folder/53ad04b8-d606-11ec-a2c7-0cc47ac4f47e

Church of The Cosmic Skull - There Is No Time (2022) 48-24 Country: UK Genre: Progressive Rock,Classic Rock Format: FLAC (*tracks) Quality: Lossless [48 kHz/24 bit] Time: 37:23 Full Size: 457.13 MB British faux-gospel prog rockers Church return with this splendorous fourth album. It's an entirely enigmatic project led by singer/ guitarist Bill Fisher, and the band's mystical origins and white-robed stage attire carry all the trappings of an early-70s hippie sex cult, but their sound is rooted firmly in crunching classic-era arena rock. It's like Ghost and the Polyphonic Spree proselytising in some high-watt megachurch. One More Step, the album's lead single, is a mesmerising entry point into their world, both sinister and inviting, building from a stoner-rock organ groove into a pocket symphony of heavenly choirs and crashing guitars. Elsewhere the band channel the grandeur of Queen (Seven Rays Of Colour) and the acid-burn of Hawkwind (Valley and Hills Part 1). Even the more intimate numbers, such as power-ballad closer We Lost It Somewhere, have an expansive, cinematic quality to them. There Is No Time is a frequently enthralling collection that balances doomy invocations with life-affirming positivity. https://www.youtube.com/watch?v=XBA7uQKjmMU https://www.youtube.com/watch?v=qPCgckeMpQg Download from [b]HotLink[/b] https://hotlink.cc/flo2x8zekogw/Church.of.The.Cosmic.Skull.-.There.Is.No.Time.2022.48-24.rar

Pymlico - Supermassive (2022) 44.1-24 Country: Norway Genre: Progressive Rock Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 44:24 Full Size: 509.15 MB https://www.youtube.com/watch?v=VUXzzl4Dg14 https://www.youtube.com/watch?v=OjAIloaIOcI&list=OLAK5uy_nyePfDHgdPnQyFpfpuRIYolMY0iaUDUv0&index=5 Download from [b]HotLink[/b] https://hotlink.cc/folder/d755cbe2-d862-11ec-a2c7-0cc47ac4f47e

Rob Wheeler - Little Ghost (2022) 44.1-24 Country: UK Genre: Folk Rock,Pop Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 01:30:26 Full Size: 1.02 GB https://www.youtube.com/watch?v=tmuxIiO2Nz4 Download from [b]HotLink[/b] https://hotlink.cc/2t2m9b1rgn6b/Rob.Wheeler.-.Little.Ghost.2022.44.1-24.rar

The Hinterland Band - Indiana in Stereo Sound (2022) 48-24 Country: USA Genre: Americana | Folk Rock Format: FLAC (*tracks) Quality: Lossless [48 kHz/24 bit] Time: 42:11 Full Size: 524.08 MB https://www.youtube.com/watch?v=oJsWPHqJD4U https://www.youtube.com/watch?v=CBBIoSQTm0Q Download from [b]HotLink[/b] https://hotlink.cc/r3iq9tfk1pl4/The.Hinterland.Band.-.Indiana.in.Stereo.Sound.2022.48-24.rar

James LaBrie (Dream Theater) - Beautiful Shade Of Grey (2022) 48-24 Country: Canada Genre: Progressive Rock Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 48:11 Full Size: 593.81 MB JAMES LaBRIE, known internationally as the vocalist for progressive metal icons Dream Theater, embarks on uncharted waters with his fourth solo album, titled 'Beautiful Shade Of Grey'. The new endeavor sees him traverse personal maturation, loss, a myriad of complex relationships, and most importantly - LaBrie's burning passion for music. On paper, the latest studio offering from the Canadian singer first took shape shortly after the global pandemic began to emerge. But in reality, LaBrie formed a bond with his fellow collaborator, bassist Paul Logue, nearly a decade earlier. On 'Beautiful Shade of Grey', the end goal isn't creating something that meets a certain genre characterization, but rather being informed by decades of finding beautiful expression across a wide swath of musical artists, and knowing that veering away from familiar habits is a part of creative growth. https://www.youtube.com/watch?v=LE5pTnyxcT0 https://www.youtube.com/watch?v=apZ0JTG91qs Download from [b]HotLink[/b] https://hotlink.cc/folder/3da8c561-3276-11ec-a971-0cc47ac4f47e

Evergrey - A Heartless Portrait (The Orphéan Testament) (2022) 44ю1-24 Country: Sweden Genre: Progressive Metal,Power Metal Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 50:14 Full Size: 587.96 MB Swedish metal powerhouse EVERGREY returns with album number thirteen, "A Heartless Portrait (The Orphean Testament)", a release that continues along the band's proven path of producing extremely heavy, soulful progressive heavy metal that's true to form yet fresh and inventive all at once. Yet again, EVERGREY wields its world-class musicianship and progressive sensibilities with a focus upon quality songwriting that makes sense, avoiding the pitfalls faced by many talented prog bands who succumb to self-indulgent urges. Frontman Tom S. Englund continues to lead the charge with lyrics and conceptual references to Orpheus, the figure in Greek mythology who traveled into the underworld to save his wife. The universal sense of journey and struggle is evident throughout the listening experience, which feels cinematic in scope, scraping across a myriad of emotions with a resilient spirit threaded from the first song to the last. Beyond the fact that it's heavy sonically, the Gothenburg quintet has proven itself over time because of its depth. "Ominous" is true to its name while resting upon methodical yet stuttered drumbeats. While Englund is clearly the focal point with his incredible vocals, other members prove their talent as well. Keyboardist Rikard Zander offers spellbinding synth parts on tracks like "Heartless", and drummer Jonas Ekdahl provides a solid backbone from start to finish. EVERGREY has maintained its relevance for a few reasons. The Swedes haven't shied away from their passion for everything that is heavy metal, and they keep their eyes locked upon the present and future. "A Heartless Portrait (The Orphean Testament)" is a remarkable album that may be heralded as one of the year's peak moments for progressive metal. At the end of the day, they've earned that claim because they've created something that is forward thinking and inspirational. https://www.youtube.com/watch?v=vKTlyXDpNaY https://www.youtube.com/watch?v=iDX5nFwaIXY https://www.youtube.com/watch?v=sX-1MxycLp4 Download from [b]HotLink[/b] https://hotlink.cc/folder/88cf75fd-7f8d-11ec-a2c7-0cc47ac4f47e

Symphonity - Marco Polo- The Metal Soundtrack (2022) 44.1-24 Country: Czechia Genre: Symphonic Melodic Power Metal Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 41:47 Full Size: 507.79 MB With its third full-length release, Symphonity has the attention of an audience that is hangry for something to sink its teeth into. Outside of New Horizon's Gate of the Gods and Stray Gods' Storm the Walls, there haven't been too many standout power or heavy/power metal releases rivaling the best of last year's bunch. Releases from Power Paladin, Validor, Veonity, and Palantir have all been strong but none reach the grandiosity of Marius Danielsen's Legend of Valley Doom - Part 3 or the extreme noodling of Eternity's End's Embers of War. And, mostly, this album exploits that need well. Playing a highly particularized brand of symphonic power metal that very much sounds Italian in origin-despite the band's Czech roots-Symphonity brings you, dear listener, the story of Marco Polo. Appropriately titled Marco Polo: The Metal Soundtrack, the album is as richly textured as it is heavy. And it's that latter commitment to riffs that not only keeps this ship afloat but makes for smooth sailing-sorry, it had to be done. Symphonic metal can mean many things. But Symphonity's symphonic has much more in common with Rhapsody of Fire than it does Nightwish. There's a rapidity to Symphonity's sound that feels more purely power metal than most symphonic metal bands that bridge the two sub-genres. As one might expect, the rapidity is more obvious in shorter songs such as "The Plague" and "I Found My Way Back Home" than a more epic song such as "Mongols." But regardless of song length, there's a grit to the band's approach that, to its credit, stresses riffs above all else. https://www.youtube.com/watch?v=una9m1FH34o Download from [b]HotLink[/b] https://hotlink.cc/cuf3kn2nbb1z/Symphonity.-.Marco.Polo-.The.Metal.Soundtrack.2022.44.1-24.rar

Anvil - Impact Is Imminent (2022) 44.1-24 Country: Canada Genre: Heavy Metal Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 49:43 Full Size: 639.94 MB Formed by Canadian school friends Rob Reiner and Steve (Lips) Kudlow and for the past eight years supported by bassist Chris Robertson, Anvil release their nineteenth studio release `Impact Is Imminent` this month. https://www.youtube.com/watch?v=RWCtuy3wp5o https://www.youtube.com/watch?v=BZPbnuvsqQA Download from [b]HotLink[/b] https://hotlink.cc/ev5iama8xzn0/Anvil.-.Impact.Is.Imminent.2022.44.1-24.rar

Van Morrison - What's It Gonna Take (2022) 96-24 Country: USA Genre: Blues Rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 01:19:14 Full Size: 1.7 GB Download from [b]HotLink[/b] https://hotlink.cc/folder/926ea4cd-ae77-11eb-a971-0cc47ac4f47e

Florence + The Machine - Dance Fever (Deluxe) (2022) 96-24 Country: UK Genre: Indie Rock,Indie Pop Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 01:06:43 Full Size: 1.29 GB https://www.youtube.com/watch?v=6FQsRaWOIbA https://www.youtube.com/watch?v=L62LtChAwww Download from [b]HotLink[/b] https://hotlink.cc/folder/0f6b71a5-d2db-11ec-a2c7-0cc47ac4f47e

Cloven Hoof - Throne of Damnation (EP) (2010) [FLAC] Country: UK Genre: Heavy Metal Format: FLAC (*image + .cue,log,scans) Quality: Lossless Time: 23:18 Full Size: 190.85 MB https://www.youtube.com/watch?v=HxHm8h-s0Ys Download from [b]HotLink[/b] https://hotlink.cc/folder/6c8fbcaa-a3a9-11ec-a2c7-0cc47ac4f47e

Carole King - The Carnegie Hall Concert - June 18, 1971 (Remaster) 1996 (2011) 96-24 Country: USA Genre: Pop ,Rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 01:12:43 Full Size: 1.4 GB https://www.youtube.com/watch?v=ldpz-40W_rU Download from [b]HotLink[/b] https://hotlink.cc/folder/4e09aaba-c30d-11ec-a2c7-0cc47ac4f47e

Bonnie Raitt - Dig In Deep (2016) 96-24 Country: USA Genre: Blues, Rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 52:23 Full Size: 1.13 GB Listening through Dig in Deep, Bonnie Raitt's 20th album, the entire arc of her career becomes clear. In the early '70s she insisted on recording live in the studio with her road band. Later, various producers -- from Jerry Ragovoy to Peter Asher, from Don Was to T-Bone Burnett -- assisted in shaping her sound, often with great commercial success: she's sold nearly 20 million records. She's learned from them all. There have been downs, but each was balanced by a rise. In 2012 she ended a seven-year silence with the poignant, powerful Slipstream, co-produced with Joe Henry and released on Redwing, her own label. Dig in Deep was produced by Raitt, with the exception of "You've Changed My Mind, written by Henry specifically for her, and recorded in 2010. She wrote or co-wrote five of its 12 songs. The members of her fantastic road band are again her musical partners. Raitt's signature slide guitar is back out front; it shines throughout the recording. Her earthy singing voice, with just a hint of time's grain, is more disciplined and holds more emotional authority than ever before. It soars through a song collection balanced between rough, rowdy rockers and searing ballads. All of the material, regardless of tempo, underscores her title. The themes in these songs -- loss, betrayal, desire, regret, atonement, loneliness, resolution -- are all resonant. Opener "Unintended Consequence of Love" is a funky NOLA-flavored R&B groover complete with great breaks from drummer Ricky Fataar. The reading of INXS' "Need You Tonight" is more unruly than the original -- and way sexier. Raitt's distorted slide break is nasty, delicious in its aggression. The cover of Los Lobos' "Shakin' Shakin' Shakes" is a roadhouse boogie with teeth as Raitt's slide and George Marinelli's counter leads snake around one another. "I Knew," with its irresistible hook, wise lyrics, and beguiling melody, would have been at home on Nick of Time. Her "What You're Doin' to Me" juxtaposes gospel and blues via Mike Finnigan's Hammond B-3 and Raitt's pumping piano; the lyric is a celebration of unfettered desire. It's hard to believe the swaggering blues-rocker "Gypsy in Me" wasn't written by Raitt -- but one of her many gifts has been interpreting songs in such a way that they become inseparable from her persona. Her own choogling "The Comin' Round Is Going Through" is a scorching political rocker that takes on the one percent and foretells coming karmic consequences. It can communicate on a roadhouse dancefloor as well as in a concert hall. Two ballads, Henry's "You've Changed My Mind" and her own "The Ones We Couldn't Be," portray different kinds of vulnerability to what life extracts as it is being lived. Raitt's voice in both songs -- and indeed throughout Dig in Deep -- expresses unwavering honesty and unqualified acceptance. The aforementioned arc has come full circle: Raitt is now in full control of her career, delivering consistently great music as a result. © Thom Jurek /TiVo https://www.youtube.com/watch?v=CNbXvD7J6y8 https://www.youtube.com/watch?v=-RZ5FFyIKY8 Download from [b]HotLink[/b] https://hotlink.cc/folder/f78c5cc7-c530-11ec-a2c7-0cc47ac4f47e

Blackfield - Blackfield IV (2013) [5.1] 96-24 Country: UK Genre: Progressive Rock Format: FLAC 5.1 (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 31:23 Full Size: 1.41 GB https://www.youtube.com/watch?v=stYqszyPekk https://www.youtube.com/watch?v=KnHJR9auE3o Download from [b]HotLink[/b] https://hotlink.cc/folder/caae86cb-cb0b-11ec-a2c7-0cc47ac4f47e

Visions of Atlantis - The Deep & the Dark (2018) 44.1-24 Country: Austria Genre: Symphonic Metal, Power Metal Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 40:56 Full Size: 488.15 MB https://www.youtube.com/watch?v=52LQzzJ53No https://www.youtube.com/watch?v=9s-UeGOuYy4 Download from [b]HotLink[/b] https://hotlink.cc/folder/705e5f91-d210-11ec-a2c7-0cc47ac4f47e

Mylene Farmer - Interstellaires (Instrumental Version) (2022) 48-24 Country: France Genre: Pop, Synth-pop, Instrumental Format: FLAC (*tracks) Quality: Lossless [48 kHz/24 bit] Time: 40:03 Full Size: 487.09 MB https://www.youtube.com/watch?v=7_f-s85IiI4 https://www.youtube.com/watch?v=S59Xwi8V1XM Download from [b]HotLink[/b] https://hotlink.cc/folder/8d1777f6-d6be-11ec-a2c7-0cc47ac4f47e

Opeth - Sorceress (2016) 44.1-24 Country: Sweden Genre: Progressive Rock Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 01:30:16 Full Size: 985.02 MB When Opeth released Heritage in 2011, they had completed the transformation from their death metal origins through progressive death metal in the early 2000s, to full-on prog rock that celebrated their love of Camel, Jethro Tull, ELP, and more. 2014's excellent Pale Communion furthered those notions as frontman and songwriter Mikael Åkerfeldt's own vision began to emerge. Sorceress is the third installment in this phase of the band's career, and while considerably different and more exploratory than its precursors, it also references Opeth's earlier efforts like Ghost Reveries and Blackwater Park, but goes further than either in its diversity. Uncharacteristically, Åkerfeldt wrote the album quickly. He enlisted Tom Dalgety as co-producer (who also engineered and mixed) and Opeth recorded it in twelve days at Rockfield Studios in Wales. Sorceress is a madly assorted mixed bag. Åkerfeldt's inspirations this time out may still recall prog sources, but there are heavier ones, too: Black Sabbath and the Ritchie Blackmore/Jon Lord-era of Deep Purple. Opener "Persephone" has a brief nylon-string guitar sketch in waltz time that could have come from folk music antiquity. It gives way to the title track and first single. Joakim Svalberg's knotty organ riff dominates the opening moment before a crushing syncopated guitar riff joins in. This track somewhat recalls the Pale Communion sessions but is far more unhinged. The Geezer Butler-esque bassline and explosive kick drums make it the most accessible thing here -- its instrumental section keeps it firmly in prog terrain, however. "The Wilde Flowers" is a truly wild melange of musical styles. It's simultaneously heavy, hard, and spacy, with B-3, bluesy and squalling metal guitar breaks, and chorale vocals that drift in the center, weighting it as a solidly prog track. The bludgeoning guitar riff, up-mixed, swinging drums, and punishing bassline in "Chrysalis" make it a highlight; it shines with Åkerfeldt's finest vocal performance on the album (he can be notoriously lazy). There are lovely acoustic tracks here, too, such as "Will O' the Wisp," which exists in the space between Pentangle's Basket of Light and Led Zeppelin III. "The Seventh Sojourn" melds East Indian drone with North African modalism and exotic hand percussion; strings and keyboards eclipse an oud-like guitar line. It eventually dissembles, wedding near classical polyphony to subdued pop. "Strange Brew" winds through Peter Gabriel-era Genesis-esque ponderousness before a bluesy guitar line ushers it into thundering King Crimson-esque prog adorned with proto-metal riffs and vamps. "A Fleeting Glance" is a dynamic, multifaceted jam showcasing Åkerfeldt's sophisticated melodic sensibilities while touching on musical terrain from Pink Floyd and Gentle Giant to post-Village Green-era Kinks! "Era" opens with a delicate piano intro but Opeth erupts a minute later in melodic aggression. Åkerfeldt's more confident and individualized songwriting on Sorceress takes it in some dizzying directions. While it goes further musically than their two previous outings, it contains enough of the past to exist in a space that carves out terrain somewhere between Watershed and Heritage. Brilliant. © Thom Jurek /TiVo https://www.youtube.com/watch?v=yMDJ9FFRO2E https://www.youtube.com/watch?v=thrVflIc05I Download from [b]HotLink[/b] https://hotlink.cc/folder/01e0ff19-d2d1-11ec-a2c7-0cc47ac4f47e

Alphaville - Forever Young (Super Deluxe) (2019) 44.1-24 Country: Germany Genre: Synthpop,New Wave Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 03:07:29 Full Size: 2.11 GB Alphaville's 1984 debut, Forever Young, deserves to be viewed as a classic synth pop album. There's no doubting that Germans are behind the crystalline Teutonic textures and massive beats that permeate the album, but vocalist Marian Gold's impressive ability to handle a Bryan Ferry croon and many impassioned high passages meant the album would have worldwide appeal. Indeed both "Big in Japan" and the touching, sad change-of-pace "Forever Young" raced up the charts in multiple continents. Borrowing inspiration from Roxy Music's detached theatricality and Kraftwerk's beats and rhythms, Gold and company hit upon a magic formula that produced here an album's worth of impossibly catchy tunes that could almost serve as pure definitions for the synth pop genre. The hits race straight for one's cranium and embed themselves upon impact. "Big in Japan" feels like a more serious cousin to Murray Head's "One Night in Bangkok," as a slow-pounding beat spars with Gold's desperate voice. "Forever Young," a stark, epic song that would become essential for every post-1984 high school graduation, drips sadness and never fails to cause a listener to nostalgically reflect on life and loss. Outside of these hits, the remainder of the songs rarely falter, mixing emotion, theater, and of course electronics into a potent, addictive wave of synth euphoria. It's likely every fan could pick his own favorite of the other should-have-been-hits, but "Fallen Angel" deserves special mention. It begins with spooky, funny warbling and icy keyboards, and then explodes and transforms into a startling, romantic epiphany at the chorus. If its lyrics are a bit goofy or juvenile, it only adds to the heartfelt love the song expresses. Alphaville stick firmly to their synths and sequencers on Forever Young, but they keep things interesting by incorporating motifs from funk, Broadway, Brazilian jazz, and even hip-hop. Even when the band takes itself too seriously, the songs' catchy drive and consistently smart production cover any thematic holes. Forever Young is a technically perfect and emotionally compelling slice of 1980s electronic pop/rock music. It's also a wonderfully fun ride from start to finish. © Tim DiGravina /TiVo https://www.youtube.com/watch?v=E2HeDHkL9kg https://www.youtube.com/watch?v=WzHed2MUTJM Download from [b]HotLink[/b] https://hotlink.cc/folder/28f24145-afc9-11eb-a971-0cc47ac4f47e

Tears For Fears - Tears Roll Down (Greatest Hits 82-92) (2020) 96-24 Country: UK Genre: Pop,Rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 01:14:53 Full Size: 1.55 GB Capturing some of their chart-topping smashes and other key tracks, Tears for Fears marks a monumental career with their collection Tears Roll Down: Greatest Hits 82-92. Toward the end of the praise surrounding their third album, 1991's Seeds of Love, Curt Smith left the band. Roland Orzabal was left to sail the ship alone, and the strong success dwindled years later. However, this dozen-track compilation showcases some of the band's early tracks heavily dominated by pulsating bass drops and heavy synth beats. "Pale Shelter" and "Mad World" from their 1982 debut The Hurting moved toward the soul-defining musical maturation found on 1985's groundbreaking staple Songs From the Big Chair. The Top Ten hits are undoubtedly featured: "Everybody Wants to Rule the World," "Shout," and the more obscure "Mothers Talk." The luscious "Head Over Heels" cuts short of its closing guitar work, a disappointment in the grand scheme of Tears for Fears' synth-dominated sound. Such layered riffs separated the rawness from the fluffy new wave aspect. "Sowing the Seeds of Love" marked the band's own branded progressive rock & roll, but "Woman in Chains," the gospel-tinged cut featuring guest vocals from Oleta Adams, was their most spiritual effort. Essentially, the dozen-track collection is a perfect look at what Tears for Fears did for music during the '80s until the mid-'90s. They made new wave sound cool and melodically beautiful. https://www.youtube.com/watch?v=WP1JT5yHllQ https://www.youtube.com/watch?v=5dCD1p0zPbs Download from [b]HotLink[/b] https://hotlink.cc/folder/81bedadf-9582-11ec-a2c7-0cc47ac4f47e

Graham Bonnet Band - Live... Here Comes the Night (2017) 44.1-24 Country: UK Genre: Hard Rock Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 01:11:51 Full Size: 863.99 MB Legendary rock vocalist Graham Bonnet is back with a new live album and home video captured during his acclaimed performance at Frontiers Rock Festival III in Trezzo (Milan, Italy) on April 24, 2016. Accompanied by a stellar band featuring founding member Beth-Ami Heavenstone on bass, South American guitar sensation Conrado Pesinato on lead guitar, and Mark Zonder (known for his work with Warlord and Fates Warning) on drums, Bonnet masterfully delivered a thrilling "Best of" set which included songs from his stints with bands such as Rainbow, McAuley Schenker Group, Alcatrazz, Impellitteri, and of course his solo material too. https://www.youtube.com/watch?v=hsQVZtdaxqM https://www.youtube.com/watch?v=X7HNvcy_1N4 Download from [b]HotLink[/b] https://hotlink.cc/folder/d557d2b0-d420-11ec-a2c7-0cc47ac4f47e

Black Oak Arkansas - Black Oak Arkansas 1971 (2018) 96-24 Country: USA Genre: Southern rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 33:31 Full Size: 726.98 MB https://www.youtube.com/watch?v=19fkJiy5iws https://www.youtube.com/watch?v=2Jc7OqDJqGg Download from [b]HotLink[/b] https://hotlink.cc/folder/53ad04b8-d606-11ec-a2c7-0cc47ac4f47e

Blackfield - Blackfield IV (2013) 48-24 Country: UK Genre: Progressive Rock Format: FLAC (*tracks) Quality: Lossless [48 kHz/24 bit] Time: 31:23 Full Size: 373.41 MB https://www.youtube.com/watch?v=stYqszyPekk https://www.youtube.com/watch?v=KnHJR9auE3o Download from [b]HotLink[/b] https://hotlink.cc/folder/caae86cb-cb0b-11ec-a2c7-0cc47ac4f47e

Bonnie Raitt - Slipstream (2012) 88.2-24 Country: USA Genre: Rock,Blues Format: FLAC (*tracks) Quality: Lossless [88,2 kHz/24 bit] Time: 57:15 Full Size: 1.14 GB https://www.youtube.com/watch?v=doyRKAgyoCg https://www.youtube.com/watch?v=0UWZ2Sjnu40 Download from [b]HotLink[/b] https://hotlink.cc/folder/f78c5cc7-c530-11ec-a2c7-0cc47ac4f47e

Cat Stevens - Tea For The Tillerman² (2020) 44.1-24 Country: UK Genre: Folk Rock, Pop Rock Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 39:23 Full Size: 422.12 MB Cat Stevens has returned and he's serving more tea. Tea For The Tillerman 2 is, as the name suggests, the second version of his 1970 folk-rock classic, Tea For The Tillerman. The album was a bit of a hangover from the sixties. All the teenagers would spend their times up in their rooms trying to decipher the notes and play the songs on acoustic guitar as they flowed one after another in a river of instrumental elegance and profound disenchantment. It was a philosophical and politically charged album, a way of announcing that he was turning his back on the modern world in a quest for spirituality. A few years later Stevens converted to Islam, adopted the name Yusuf Islam and distanced himself from the world of pop music for almost 30 years. He returned to pop in the mid-2000s and is now celebrating the anniversary of his album, as Tea For The Tillerman is now 50 years old. And Cat Stevens is 72. Rather than re-release this old classic with some slight embellishments, the singer has given himself a makeover and re-recorded the whole thing. Joined by his guitarist and producer from the time as well as a handful of new musicians, Cat Yusuf recaptures the subtle and care-free sweetness of the original version but adds fullness and a slight punch that it sometimes lacked. The new versions are, at times, rather similar to the original versions (with the same string and choir arrangements), and at other times nothing like them (like on Longer Boats featuring rapper Brother Ali with its funky bridge), but their essence remains the same and they are certainly recognisable. Above all, Cat Stevens sings better than ever before - his voice hasn't aged, and it's no longer cast in the shadow of Bob Dylan as it was on the 1970 version of Tea For The Tillerman. © Stéphane Deschamps/Qobuz https://www.youtube.com/watch?v=9G9yW0kQsII https://www.youtube.com/watch?v=B_H5XuIb5WM Download from [b]HotLink[/b] https://hotlink.cc/folder/4e71189a-acf3-11eb-a971-0cc47ac4f47e